Moorer, Earle welcome son
Thursday, April 8, 2010
– Allison Moorer and Steve Earle had their first child, John Henry Earle, earlier this week. John Henry was born on April 5 at 10:07 a.m., weighing eight pounds, two ounces and measuring 21 inches long.
Moorer and Earle were married in 2005 and live in New York's Greenwich Village.
Earle's other children include Justin Townes Earle.
So You Wanna Be An Outlaw
If Steve Earle had never done another album after "Guitar Town" and "Copperhead Road," he'd still have cemented his place in the musical firmament for skillfully creating a ragged and beautiful tapestry from the stray threads of rootsy rock and authentic country. And that may well be why his catalog over the past three decades has been so compelling and satisfying; he has consistently proven that he has nothing to prove.
"So You Wannabe an Outlaw" is the latest »»»
Down to Believing
Allison Moorer's eighth studio album may be her finest yet; her voice rings clear, soaring on the tender ballads of loss and fiercely raging through the rockers that name the ongoing struggles we all face as we maneuver in and around the vagaries of love, failure, momentary hope and disillusion.
Moorer joins forces with her old producer Kenny Greenberg, who also plays electric guitar on several songs and co-wrote the title track, and though it took them two years to record the album, it was worth the wait. »»»
In the Instagram era where people use apps to turn digital snapshots into sepia-toned portraits, Steve Earle's 16th studio release finds its place with an old-school sound. It's a Polaroid of rural country, blues and bluegrass frozen in time. But instead of outdated, it plays on the nostalgia of its modern audience.
Named for the 1930s Hudson muscle car model, "Terraplane," the cover is a cacophony of vintage graphics hinting to the fun times that lie beneath. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers
When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience
Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
William Shakespeare noted a few centuries back that a rose by any other
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The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»
The Long Awaited Album
When last we visited a new album from Steve Martin & the Steep Canyon Rangers, 2011's "Rare Bird Alert," we found a cohesive, focused collection of bluegrass; it was an expansive, artistic creation that only benefited the bluegrass community. A subsequent live album (strikingly entitled "Live") presented a continued refinement of this pairing's chemistry. »»»