Sign up for newsletter
 

Chris Stapleton leaves The SteelDrivers

Thursday, April 1, 2010 – The SteelDrivers' lead singer Chris Stapleton has left the band, Rounder Records President Ken Irwin confirmed Thursday.

"Chris has left the band to focus more on writing and family," Irwin said in an email.

Stapleton, also known, for his songwriting skills, was the vocalist for the driving quintet, which put out one very well received CD in January 2008.

"There will be an announcement of a replacement shortly after an appreciation of Chris," Irwin said.

"(The) SteelDrivers are very happy with new lead singer....he is a new singer and not a replacement for Chris.....good guitar player too," said Irwin, who added that he had not seen the new band yet.

The band continues with Richard Bailey - Banjo, Mike Fleming - Bass/Vocals, Mike Henderson - Mandolin/Vocals and and Tammy Rogers - Fiddle/Vocals

More news for The SteelDrivers

CD reviews for The SteelDrivers

Hammer Down CD review - Hammer Down
While you wouldn't know it from reading their press, there are many bluegrass bands with as good a back-story as The SteelDrivers, and as advanced songwriting and musicianship prowess, while having deeper professional bluegrass roots and longer track records with more significant lineup alterations over a relatively brief period of time. Not to begrudge The SteelDrivers notice they receive, sometimes it feels a bit over the top. But darn it, they know how to produce a mighty inspiring bluegrass album. »»»
Reckless CD review - Reckless
The soph CD from the appropriately named driving bluegrass band The SteelDrivers is a swan song of sorts. No, the band is not heading towards oblivion, but this is the last disc with lead singer Chris Stapleton because he has decided to go back to songwriting (perhaps with good reason as he penned Never Wanted Nothing More for Kenny Chesney, Swing for Trace Adkins, Your Man for Josh Turner, Keep On Lovin' You for Steel Magnolia and Come Back Song for Darius Rucker). That's too bad for »»»
The SteelDrivers CD review - The SteelDrivers
Much has been made of the growing diversity of sound within the bluegrass genre and from the opening vocals of "Blue Side of the Mountain," The SteelDrivers demonstrate unequivocally that they are determined to put the blues back into bluegrass. Chris Stapleton is responsible for the gritty, soulful vocals that set this band apart from any others on the scene today; he plays guitar and is an accomplished songwriter (Tim McGraw, Brad Paisley, Lee Ann Womack). Other SteelDrivers include »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»