Sign up for newsletter
 

Randy Houser keeps marching with Boots On

Tuesday, March 2, 2010 – Randy Houser's Boots On video continues to have legs. The video was nominated for best video by the Academy of Country music.

"This is pretty cool to be acknowledged by the ACM's like this. Boots On was a big song for me, and the video was a big part of it. That video could have stood on its own as a YouTube phenomenon and it would have been awesome; I just got lucky enough that Drake was singing my song. To receive this much national recognition for it is more than I ever dreamed of."

In early 2009, 4-year-old Drake Dixon was filmed in the backseat of his nanny's car lip-syncing to Boots On, the second single from Houser's debut album "Anything Goes." Afterwards, Dixon's performance was sent to the record label, who in turn hired producer, Eric Welch, to script a video treatment to fit around his performance. The resulting video went on to garner a CMA Award Video of the Year nomination, as well as assist in catapulting the single to Top 5 chart status.

Houser will perform when ACM Lifting Lives and USO partner this year to bring a free, private concert to the service men and women of Nellis Air Force Base just outside of Las Vegas, Nevada on Saturday, April 17. He will join Montgomery Gentry for a performance for the base during the ACM "The Week Vegas Goes Country"weekend festivities.

Houser recently returned from his first-ever USO tour where he performed for troops at camps throughout the Persian Gulf region along with Jamey Johnson and Kellie Pickler. Houser is currently in the studio recording his forthcoming sophomore album, "They Call Me Cadillac," out released this year (Show Dog-Universal Music).

More news for Randy Houser

CD reviews for Randy Houser

Fired Up CD review - Fired Up
A brand of neo-traditional country music has entered the mainstream scene in response to the hip hop beats of bro country and smooth EDM of metro country. Artists like Aaron Watson and Randy Houser are providing a strong alternative on the charts for fans who prefer their country closer to its roots. The challenge for a country artist today is to find a balance between the fans and their business. A small handful of writers are responsible for most of the mainstream chart toppers, resulting in a »»»
How Country Feels CD review - How Country Feels
Despite a good track record of releasing quality music, Randy Houser hasn't become a consistent chart-topper yet. His new album, "How Country Feels," has already brought him one hit song with the title track, so perhaps a change of scenery (Houser is now on Stoney Creek) was what his career needed. Houser's last album, "They Call Me Cadillac," was a bluesy, varied album that unfortunately yielded no hits. This time around, he's gone for a much simpler »»»
They Call Me Cadillac CD review - They Call Me Cadillac
Country music needs more true country songs, not more songs proving country credentials. Randy Houser's latest contains a few examples of the former. After bragging unnecessarily in one verse about liking to "smoke from my left hand," he ends the chorus to Whistlin' Dixie by stating, "I ain't just Whistlin' Dixie." Then on the bluesy, rocking Out Here In The Country he tells us, "Them city lights ain't my cup of tea." But this bluster all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Daniels wears out bows, but music endures – After each of the first few songs Charlie Daniels played, his 'fiddle tech (?)' exchanged his bow. Is this because he was playing particularly hard? Perhaps. Whatever the case, Daniels and his five-piece band clearly appeared to be giving it their all during the act's hour-and-a-half set. As it is the Christmas month, Daniels sang a... »»»
Concert Review: Rawlings easily moves out of the shadow – Every once in awhile David Rawlings moves out of the shadow of musical mate Gillian Welch to launch his own tour. While Welch, for whom Rawlings plays guitar, has the more prominent career, nights like this ably confirm that there is a reason does his own thing as well. Rawlings, who released the very fine "Poor David's Almanack" in... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
From A Room: Volume 2 CD review - From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards.  »»»
Down Home Sessions EP CD review - Down Home Sessions EP

Upon first glance at the track list of Cole Swindell's fourth installment of the "Down Home Sessions" series, one may get the impression that it is a covers EP. It features several chart toppers from other artists, including Luke Bryan's "Roller Coaster" and Thomas Rhett's "Get Me Some Of That." »»»

The Rest of Our Lives CD review - The Rest of Our Lives
The first full album from Tim McGraw and Faith Hill is an inspired effort, even though some of its songwriters may surprise you. The title cut, for instance, features pop ginger Ed Sheeran on its credits, while Meghan Trainor contributed to "Roll the Dice." »»»
Bloodshot Records' 13 Days of Xmas CD review - Bloodshot Records' 13 Days of Xmas
Label holiday albums can sometimes be like office white elephant gift exchanges because there's a little bit of everything on the table. Some stuff you like, while other things may have been better left unwrapped. »»»
Texoma Shore CD review - Texoma Shore
Blake Shelton's 11th studio album finds The Voice advisor in a contented, one might even say homey, frame of mind. The opening track and first single "I'll Name the Dogs" sets the tone. It's a rollicking ode to domesticity that manages to make household chore distribution ("You find the spot and I'll find the money / You be the pretty and I'll be the funny") both romantic and amusing.  »»»
A Storyteller's Memory CD review - A Storyteller's Memory

Remington Ryde made a promise to James King to keep his music alive, and with the release of "A Storyteller's Memory," the group kept its word. The band's first recording with Pinecastle Records is a tribute to the late King that includes some of his most memorable stories and songs. »»»