Buxton sets record with Window
Friday, February 19, 2010
– Sarah Buxton's lead single, Outside My Window,
from her debut out next week sold more than 12,000 paid downloads this week. That is the biggest opening digital single sales from a debut album for any female country artist in the history of Nielsen Soundscan.
After opening dates in Buffalo, N.Y. (Feb. 19), Baltimore, MD (Feb. 20) and Columbus, OH (Feb. 21) for Martina McBride and Trace Adkins on the "Shine All Night Tour," Buxton will return to Nashville to celebrate the release of her debut CD with a full band show at The Rutledge on Feb. 23.
Prior to the show, Buxton will offer up a behind the scenes look at her debut CD with Premiere: Sarah Buxton on GAC. The 30-minute special, which unveils on the network this Saturday, Feb. 20 at 9 p.m. eastern, showcases Buxton's take on Stupid Boy, Space and Big Blue Sky.
Buxton will round out the week with additional dates on the "Shine All Night Tour," in Ft. Wayne, IN (2/25); Cleveland, (Feb. 26); Pittsburgh, (Feb. 27) and Cincinnati (Feb. 28).
More news for Sarah Buxton
CD reviews for Sarah Buxton
Sarah Buxton had to wait for the chance to release her own music after a few singles misfired, but she did not sit still. She wrote a hit song (Stupid Boy) for Keith Urban, chalked two ACM noms for Best New Vocalist and got personal encouragement from Stevie Nicks and John Rich.
So here is the actual record, after her digital-only 2007 release, "Almost My Record." It covers a lot of the same ground (five songs) from that introduction. But there are some key additions: the first being »»»
Almost My Record
Downloading music online is growing at a rapid pace, so it's no surprise that Lyric Street decided to release a digital-only package for new artist Sarah Buxton.
Buxton, taking the experience in stride, aptly named it "Almost My Record," and with just five generally contemporary country tunes, there's no room for filler. Buxton wrote Keith Urban's "Stupid Boy" and includes her version. It's much more convincing with a female voice narrating the story of a »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Lumineers energize
The Lumineers continued their Cleopatra World Tour with an energetic performance.
For some attendees, the only wet-blanket moment were the political references. Some were more subtle, like in middle act Andrew Bird's "Table and Chairs," but others were more overt. The Lumineers singer Wesley Schultz switched up the lyrics in the... »»»
Concert Review: On Inauguration Day, Alvin unites all
On this night of the presidential inauguration, Dave Alvin could have easily and conveniently filled his between song patter with snarky remarks about the new president, who is not a big favorite among artists. But Alvin is smarter than that. Instead, he mostly kept his personal feelings to himself. He also did something completely wonderful and unexpected.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today...
Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar."... »»»
I Sang the Song
Mac Wiseman's album is one of the most unique collaborative efforts in recent memory. While many music figures have released late-career albums made in partnership with producers and musicians best-known for their work in other genres in an effort to either reinvent themselves or to bring their music to a new audience, bluegrass great Wiseman opted to partner with songwriters in order to turn stories from his life into new songs. »»»
Laws of Gravity
The Infamous Stringdusters have always been difficult to categorize. That's part of their charm. Part traditional bluegrass (leaning on sound bluegrass instrumentation, namely guitar, Dobro, banjo, fiddle and standup bass), part jam band (extended sets of songs in their live shows in which one song triggers another), and wholly original with a signature sound and energy that goes on without cease. »»»
Rented Room on Broadway
Emerging from a latter version of The New South, over the past 16 years, Wildfire has quietly established itself as a consistent bluegrass outfit. With original members Robert Hale (guitar) and Curtis Chapman (bass) leading the way, Wildfire returns with "Rented Room on Broadway," their fifth album. John Lewis remains on banjo while bluegrass vagabonds Greg Luck (fiddle and guitar, and another J. D. Crowe alumnus) and Chris Davis (mandolin) make their recording debut. »»»