Jason Michael Carroll, Arista split
Thursday, February 18, 2010
– Jason Michael Carroll, who had hits with Alyssa Lies
and Livin' Our Love Song
announced via his Twitter page that he and Arista split.
"Unfortunately, Arista & I have decided to go our separate ways! They called and said that they would be moving forward without me!," he said. "First of all, I'm so grateful for the opportunity that I've had 2 work with Arista records! Ive learned a lot and made some great friends!"
"Im glad 2 have had the opportunity 2 be there for the last 4 years,' Carroll tweeted.
Despite the split, Carroll said he had plans to go into the studio to record new material in the second week of March. "With these new songs, we will shop them around Nashville & hopefully find someone who believes in what I do as much as you all do," he wrote.
" We will still be touring this year as much as we can! We still look forward to hanging out with all of our Honky Tonk Friends," he said.
Carroll release two albums for the label, "Waitin' in the Country" and "Growing Up Is Getting Old." Other hits were I Can Sleep When I'm Dead, Where I'm From and the most recent, Hurry Home.
More news for Jason Michael Carroll
CD reviews for Jason Michael Carroll
Much like his career, Jason Michael Carroll's latest offering, "Numbers," is a collection of hits and misses. The album, which is being offered exclusively through Cracker Barrel retail outlets, pairs the rich timbre that shot the long-haired Texan to the top of the country charts (his first album went to number 1, and his second charted in the Top 10) with material that is often less than top drawer. There's little of the soul and personal touch that made songs from previous »»»
Growing Up Is Getting Old
Dear Jason Michael Carroll,
Congratulations on the success you enjoyed with your first album "Waitin' in the Country" as well as the first single Where I'm From off your new album. At this stage in your career, you should probably be thinking about ways to make yourself stand out from the ever-increasing crowd of the next king of country music wannabes. It's not enough to have three names (just ask Earl Thomas Conley or Jason Michael Montgomery. »»»
Waitin' in the Country
It seems like now is the time for country vocalists with deep, rich voices to be heard, and Jason Michael Carroll will certainly be heard. Versatility and passion are the traits that best serve his sometimes rumbling vocals.
Carroll took a step away from his North Carolina fundamentalist upbringing to make the secular music forbidden at home. That act of rebellion isn't lost in his music as it burns across songs with social implications, like the first single (and hit) off his album, »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Smiles galore, Chesney appears happiness
Kenny Chesney smiled often during his performance at The Rose Bowl. This wasn't some showbiz smile, either - it was sincere. Chesney appeared to be truly happy to be there. On a hot night in July, when Chesney brought his exuberant The Big Revival Tour to Pasadena, the joy he expressed while performing actually made you forget about all the heat... »»»
Concert Review: Carll needs no crutch
Hayes Carll didn't even play his best-known song, "She Left Me For Jesus," during his 95 minutes on the small stage. And while chances are that some were internally clamoring for the typical Carll sense of humor, no one could legitimately say that the lanky Texan short-changed them.
At 39, Carll, who meanders somewhere between the... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
From their first, self-titled, major label release, the Allison Krauss-produced, "Nickel Creek," two-thirds of that trio - musical siblings Sara and Sean Watkins - have been in the musical spotlight continually since 1999. As for working with her brother off and on for most of their lives, Sara says, "We have been lucky...... »»»
Joey Ryan, half of acoustic folk duo the Milk Carton Kids, is girding his loins for the long trip from the band's Los Angeles home base to Australia. Although he's made this trip before, he's yet to acclimate completely to it.... »»»
Sitting in a motel room in Houston after a weekend gig at the Mucky Duck, singer/songwriter John Moreland is in a pretty good mood. His career is on a major upswing, and he is riding some pretty big critical success of his latest release, "High on Tulsa." Moreland has a lot to be happy about with three cuts picked for the soundtrack of the hit TV show "Sons of Anarchy,"...... »»»
Ashley Monroe gains more acclaim for other projects than she does for her own solo efforts. Monroe is one third of side group Pistol Annies. She sang with Blake Shelton on his hit "Lonely Tonight." She received praise for her first proper solo album, "Like a Rose," in 2013, although that was a release that stood on the strength of the songs because three singles produced zero hits. Can "The Blade" turn the trick? »»»
Australian songwriter Kasey Chambers has never managed to gain the profile elsewhere that she has Down Under, despite consistently releasing great albums as a solo artist and as a duo with her ex-husband. Almost a full year after initially releasing "Bittersweet," Chambers is giving the strong album an official U.S. release. »»»
Watkins Family Hour
"Watkins Family Hour" is an immensely entertaining new release from siblings Sean and Sara Watkins (of Nickel Creek fame) and their musical compadres, collectively known as the Watkins Family Hour. Esteemed participants include vocalist Fiona Apple, Benmont Tench on keyboards, Don Heffington on drums, Greg Leisz on Dobro and pedal steel and Sebastian Steinberg on drums. The result is a refreshing romp with all of the participants taking a turn at lead vocals at least once. »»»