Scott Brown - country music fan?
Sunday, January 31, 2010
– During Trace Adkins' set before packed DCU Center in Worcester, Mass., Saturday night, the lanky country singer introduced a celebrity known slightly better for non-country reasons - incoming U.S. Sen. Scott Brown.
Brown, dressed in a shirt and tie, stood up & waved to the crowd drawing cheers after the announcement that he was in the house. Later, Adkins said that he hoped no one booed when he announced Brown's presence, threatening to "kick their ass" if they had.
Brown, who upset State Attorney General Martha Coakley almost two weeks ago to replace the late Sen. Edward Kennedy, attended the concert with his daughter, Ayla. She was on American Idol in season four and just released an EP. She also is a senior at Boston College where she is a member of the women's basketball team.
Brown did not know Adkins prior to the concert, according to his wife, Gail Huff. She said Sunday at Boston College that Adkins invited her husband to the show. She also described herself as the big country music fan in the family, not her husband. Ayla also has sung country music, but pop is her forte, according to her mother.
Adkins may sing at Brown's induction party on Feb. 11 according to Huff, although she said that was not certain.
More news for Trace Adkins
CD reviews for Trace Adkins
Live Country DVD
"Live Country" is a concert film featuring Trace Adkins performing his biggest hits at The Paramount in Huntington, N.Y. Anticipation was high for this one because Adkins, along with Josh Turner, is one of our very best low-voiced singers. Perhaps poor audio quality is to blame, but Adkins' singing isn't nearly as powerful in this live setting as it is on CD.
From the cheesy stage props to the casually dressed backing singers (one even has a headband that leaves her looking »»»
The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song.
Adkins always has been a strong singer with a big, full sounding voice easy on the ears. He takes a decent song - The Altar of Your Love which he helped »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Hard Working Americans more than live up to moniker
Hard Working Americans is a generic enough sounding term, conveying that you're part of the lunch bucket crowd. Part of a faceless pack instead of an individual. In reality, it's something of a misnomer for the sextet of the same name heretofore considered a side project. That's because they or in most cases, their other... »»»
Concert Review: Wolf rolls on with ease
Peter Wolf starts off his first disc in six years, "A Cure for Loneliness," with "Rolling On." Great title for a song, and as he would prove in concert, he lived up to those words.
The song starts "You can lay down and die / You can lay up and count the tears you've cried / But baby, that's not me / There's a... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route.
After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
For those who remain unaware of Darrell Scott, "The Couchville Sessions" is an ideal starting place. Long one of "rock, folk, country (and) blues" (to misquote the lead track, "Down to the River") most esteemed sidemen (Robert Plant's Band of Joy, Guy Clark, Steve Earle), collaborators (Tim O'Brien) and songwriters ("Long Time Gone," "You'll Never Leave Harlan Alive"), Scott has been making outstanding Americana albums... »»»
Playing With Fire
If you happened to hear Jennifer Nettles' debut solo record, "That Girl," you may have come away thinking that she was a frustrated torch singer. That effort was chock full of emotive ballads, which, while heartfelt, sure was missing a certain element of F-U-N. Problem solved. From the opening sustain of gospel organ, Nettles storms out of the gate in a sensational tour-de-force.
Circle Round the Signs
Credit the new wave of populist nu-folk/newgrass talent and troubadours for having made a profound impression on today's Americana legions. Bands like The Avett Brothers, The Lumineers and Mumford & Sons have influenced any number of artists that have followed in their wake, mostly banjo-thumping, rhythm-ready ensembles ... »»»