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Sarah Buxton opens Adkins/McBride tour

Wednesday, January 20, 2010 – The 2010 leg of the Shine All Night Tour starring Martina McBride and Trace Adkins kicks off this weekend with Lyric Street singer Sarah Buxton opening.

The tour kicked off before the Thanksgiving holiday and ends in late April.

Two-time ACM "New Female Vocalist" nominee Buxton co-wrote Stupid Boy, a hit for Keith Urban. Buxton is releasing her self-titled debut on Feb. 23 with songs Outside My Window, Innocence, Space and That Kind Of Day.

Tour dates are:

Jan. 22 Little Rock, AR Verizon Arena

Jan. 23 Independence, MO Independence Event Center

Jan. 24 Council Bluffs, IA Mid-America Center

Jan. 29 Reading, PA Sovereign Center

Jan. 30 Worcester, MA DCU Center

Jan. 31 Fairfax, VA Patriot Center

Feb. 13 Bossier City, LA CenturyTel Center

Feb. 14 Pensacola, FL Pensacola Civic Center

Feb. 18 Auburn Hills, MI Palace of Auburn Hills

Feb. 19 Buffalo, NY HSBC Arena

Feb. 20 Baltimore, MD 1st Mariner Arena

Feb. 21 Columbus, OH Nationwide Arena

Feb. 25 Ft. Wayne, IN Allen County War Memorial

Feb. 26 Cleveland, OH Wolstein Center

Feb. 27 Pittsburgh, PA Petersen Events Center

Feb. 28 Highland Heights, KY Bank of Kentucky Center

March 4 Grand Rapids, MI Van Andel Arena

March 5 Champaign, IL Assembly Hall

March 6 Evansville, IN Roberts Stadium

March 12 Richmond, VA Richmond Coliseum

March 13 Uncasville, UT Mohegan Sun Arena

March 14 Manchester, NH Verizon Wireless Arena

March 26 St. Louis, MO Scottrade Center

March 27 Green Bay, WI Resch Center

March 28 Dekalb, IL NIU Convocation Center

April 8 Loveland, CO Budweiser Events Center

April 9 Rapid City, SD Rushmore Theatre

April 10 Bismarck, ND Bismarck Civic Center

April 23 *Trenton, NJ Sun Nation Bank Arena

April 24 Norfolk, VA Constant Convocations Center

April 25 Roanoke, VA Roanoke Civic Center

More news for Sarah Buxton

CD reviews for Sarah Buxton

Sarah Buxton CD review - Sarah Buxton
Sarah Buxton had to wait for the chance to release her own music after a few singles misfired, but she did not sit still. She wrote a hit song (Stupid Boy) for Keith Urban, chalked two ACM noms for Best New Vocalist and got personal encouragement from Stevie Nicks and John Rich. So here is the actual record, after her digital-only 2007 release, "Almost My Record." It covers a lot of the same ground (five songs) from that introduction. But there are some key additions: the first being »»»
Almost My Record CD review - Almost My Record
Downloading music online is growing at a rapid pace, so it's no surprise that Lyric Street decided to release a digital-only package for new artist Sarah Buxton. Buxton, taking the experience in stride, aptly named it "Almost My Record," and with just five generally contemporary country tunes, there's no room for filler. Buxton wrote Keith Urban's "Stupid Boy" and includes her version. It's much more convincing with a female voice narrating the story of a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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