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Trace Adkins switches labels

Wednesday, January 13, 2010 – Trace Adkins celebrated his 48th birthday by announcing that he was switching labels. After spending his entire career on Capitol, where he racked up a slew of hits, Adkins said Wednesday he was going with Show Dog-Universal, the label started by Toby Keith.

"While touring together this past summer, Toby and I had some time to get to know each other better and we discovered that as artists, we share a common vision," says Adkins. "I've had 15 great years at Capitol Records/Nashville and I respect and appreciate everyone I've worked with there. But, the excitement surrounding this merger is very invigorating and I'm really excited about the future and the opportunities and possibilities that are ahead at Show Dog-Universal Music."

"I'm so excited to be working with Trace," said Keith. "We both worked the same old bar circuit of the Southwest years ago at the same time. We are just alike and see eye to eye in so many ways. Me and the entire Show Dog-Universal Music staff are ready to tear it up for him."

"The first time I heard 'Every Light In The House', I asked myself, 'Why didn't I sign this guy?', and now I finally get to work with him," said label President Mark Wright. "Toby and I are looking forward to teaming up with Trace; he is truly an exciting addition to the Show Dog-Universal Music family."

Show Dog and Universal South announced in December they were joining forces.

Adkins is touring with Martina McBride.

More news for Trace Adkins

CD reviews for Trace Adkins

The King's Gift CD review - The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Love Will...
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song. Adkins always has been a strong singer with a big, full sounding voice easy on the ears. He takes a decent song - The Altar of Your Love which he helped »»»
Proud To Be Here CD review - Proud To Be Here
The 10 largely upbeat songs on Trace Adkins' 10th album reveals a more mature, thoughtful performer who still likes to have a little fun but appreciates where he's at these days. That can't be easy for a guy who's experienced his share of tough times through a 15-year career. He was shot by his second wife, had a pinkie finger severed in an accident (it was reattached) and lost his house in June to a fire. Yet Adkins turns away from tragedy and reflects on the positives in his life. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: 19 years later, Harris returns with "Wrecking Ball" – At one point, Emmylou Harris told the crowd that she could not believe it had been 19 years since she released "Wrecking Ball." That was most understandable because based on this concert tour devoted towards playing the left of center atmospheric disc, the song bird has hardly missed a beat. Harris' label, Nonesuch, just released a... »»»
Concert Review: Hurray for the Riff: more than just a great name – Hurray for the Riff Raff is one well-named group. Not that it signifies all that much musically, but at least it's catchy and makes you want to root for the underdog. With a lot to live up moniker wise, the band in concert - which, in reality, is lead singer Alynda Lee Segarra from New Orleans and her backing mates - more than lived up to the "pressure.... »»»
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