Trace Adkins switches labels
Wednesday, January 13, 2010
– Trace Adkins celebrated his 48th birthday by announcing that he was switching labels. After spending his entire career on Capitol, where he racked up a slew of hits, Adkins said Wednesday he was going with Show Dog-Universal, the label started by Toby Keith.
"While touring together this past summer, Toby and I had some time to get to
know each other better and we discovered that as artists, we share a common
vision," says Adkins. "I've had 15 great years at Capitol Records/Nashville
and I respect and appreciate everyone I've worked with there. But, the
excitement surrounding this merger is very invigorating and I'm really
excited about the future and the opportunities and possibilities that are
ahead at Show Dog-Universal Music."
"I'm so excited to be working with Trace," said Keith. "We both worked the
same old bar circuit of the Southwest years ago at the same time. We are
just alike and see eye to eye in so many ways. Me and the entire Show
Dog-Universal Music staff are ready to tear it up for him."
"The first time I heard 'Every Light In The House', I asked myself, 'Why
didn't I sign this guy?', and now I finally get to work with him," said label President Mark Wright. "Toby and I are looking forward to teaming up with Trace; he is truly an exciting addition to the Show Dog-Universal Music family."
Show Dog and Universal South announced in December they were joining forces.
Adkins is touring with Martina McBride.
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CD reviews for Trace Adkins
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The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song.
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Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Smiles galore, Chesney appears happiness
Kenny Chesney smiled often during his performance at The Rose Bowl. This wasn't some showbiz smile, either - it was sincere. Chesney appeared to be truly happy to be there. On a hot night in July, when Chesney brought his exuberant The Big Revival Tour to Pasadena, the joy he expressed while performing actually made you forget about all the heat... »»»
Concert Review: Carll needs no crutch
Hayes Carll didn't even play his best-known song, "She Left Me For Jesus," during his 95 minutes on the small stage. And while chances are that some were internally clamoring for the typical Carll sense of humor, no one could legitimately say that the lanky Texan short-changed them.
At 39, Carll, who meanders somewhere between the... »»»
Country News Digest
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