Trace Adkins switches labels
Wednesday, January 13, 2010
– Trace Adkins celebrated his 48th birthday by announcing that he was switching labels. After spending his entire career on Capitol, where he racked up a slew of hits, Adkins said Wednesday he was going with Show Dog-Universal, the label started by Toby Keith.
"While touring together this past summer, Toby and I had some time to get to
know each other better and we discovered that as artists, we share a common
vision," says Adkins. "I've had 15 great years at Capitol Records/Nashville
and I respect and appreciate everyone I've worked with there. But, the
excitement surrounding this merger is very invigorating and I'm really
excited about the future and the opportunities and possibilities that are
ahead at Show Dog-Universal Music."
"I'm so excited to be working with Trace," said Keith. "We both worked the
same old bar circuit of the Southwest years ago at the same time. We are
just alike and see eye to eye in so many ways. Me and the entire Show
Dog-Universal Music staff are ready to tear it up for him."
"The first time I heard 'Every Light In The House', I asked myself, 'Why
didn't I sign this guy?', and now I finally get to work with him," said label President Mark Wright. "Toby and I are looking forward to teaming up with Trace; he is truly an exciting addition to the Show Dog-Universal Music family."
Show Dog and Universal South announced in December they were joining forces.
Adkins is touring with Martina McBride.
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CD reviews for Trace Adkins
Live Country DVD
"Live Country" is a concert film featuring Trace Adkins performing his biggest hits at The Paramount in Huntington, N.Y. Anticipation was high for this one because Adkins, along with Josh Turner, is one of our very best low-voiced singers. Perhaps poor audio quality is to blame, but Adkins' singing isn't nearly as powerful in this live setting as it is on CD.
From the cheesy stage props to the casually dressed backing singers (one even has a headband that leaves her looking »»»
The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song.
Adkins always has been a strong singer with a big, full sounding voice easy on the ears. He takes a decent song - The Altar of Your Love which he helped »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Watkins does it his way
At the ripe old age of 39, Sean Watkins is doing things a bit differently when it comes to his music. By far the biggest sign is that he is in the midst of his first ever solo headlining tour.
That may seem a bit odd almost after having released four solo albums since 2001.
But when you have your main gig being in the trio Nickel Creek, pus other... »»»
Concert Review: No surprise, Jackson and friends still Keepin' It Country
Alan Jackson calling his current tour Keepin' It County reads like one of those 'no duh' statements because the Georgia born singer/songwriter has always kept his music traditional - even in the face of the continuing rock and pop-ization of contemporary country music. But keep it country he did once again for a sold out audience on the... »»»
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