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Paisley relaunches American Saturday NIght tour

Thursday, January 7, 2010 – Brad Paisley will launch the final leg of his American Saturday Night Tour this weekend with shows in San Antonio, Oklahoma City and Wichita, Kansas. Special guests for the 20 dates will be Miranda Lambert and Justin Moore.

Paisley will play a part in history on Saturday when he performs in the newly opened INTRUST Bank Arena in Wichita for its debut event. The show has sold-out in advance. "We are excited to have Brad Paisley as the inaugural concert at INTRUST Bank Arena. That the show is sold out only solidifies the choice to have Brad open the building," said Chris Presson, General Manager of INTRUST Bank Arena.

In the past 12 months, Paisley has played to more than 1.2 million fans in more than 75 markets with 52 sell outs.

Tour dates are:

Jan. 7 San Antonio, TX AT&T Center

Jan. 8 Oklahoma City, OK Ford Arena

Jan. 9 Wichita, KS INTRUST Bank Arena

Jan. 14 Sioux City, IA Tyson Center

Jan. 15 Des Moines, IA Wells Fargo Arena

Jan. 16 St. Paul, MN Xcel Energy Center

Jan. 21 Lexington, KY Rupp Arena

Jan. 22 Columbus, OH Nationwide Arena

Jan. 23 Grand Rapids, MI Van Andel Arena

Jan. 24 Bloomington, IL US Cellular Arena

Feb. 4 Tupelo, MS Bancorp South Arena

Feb. 5 Birmingham, AL BJCC Arena

Feb. 6 Biloxi, MS Mississippi Coast Coliseum

Feb. 18 Fresno, CA SaveMart Center

Feb. 19 Los Angeles Staples Center

Feb. 20 Las Vegas Mandalay Bay

Feb. 21 Reno, NV Reno Events Center

March 4 Greenville, SC BiLo Center

March 5 Knoxville, TN Thompson-Boling Arena

March 6 Charleston, SC Charleston Coliseum

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Wheelhouse CD review - Wheelhouse
Brad Paisley isn't content to keep doing the same old. In fact, this is probably the least traditional country outing in his career. Yet, a few things remain intact - great guitar playing and singing and a sense of humor without being too kitschy. In fact, Paisley manages to combine the ultra serious with his typical sense of humor. The seriousness is never more apparent from Paisley than on the controversial Accidental Racist with LL Cool J, who helped write and perform it. »»»
Hits Alive CD review - Hits Alive
Brad Paisley's new live hits CD is a bit of a tease. That's because it only goes half way in replicating the true live Paisley experience. Watching the accompanying concert videos at a Paisley show, whether the venue screen is showing Andy Griffith during Waitin' on a Woman or the montage of recently-deceased celebrities that accompanies When I Get Where I'm Going, reveal how Paisley simply must be seen to be fully enjoyed. Nevertheless, Paisley in concert and captured on »»»
American Saturday Night CD review - American Saturday Night
Brad Paisley has grown up on his eighth album. Yes, the West Virginian maintains a sense of humor, but apparently aging has left its mark on a maturing singer who has never forsaken his country roots. That is ever so apparent in songs like Anything Like Me and Oh Yeah, You're Gone. The former finds Paisley looking at the passage of time through his son's life in a tender, but not sappy look. On the latter, he's a five-year-old boy who doesn't get what he wants, which his grandfather notices. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Long wait ends for Kitty, Daisy & Lewis – When you don't show for almost six years - Kitty, Daisy & Lewis are guilty as charged - and barely release any music unless counting one excellent disc out in late March on a British label and something almost unheard in the states in 2011, don't expect the masses to show up either. Predictably, that didn't happen for the family band... »»»
Concert Review: Mellencamp overcomes conundrum – John Mellencamp faces the predicament that artists of his stature must face as they age. Now 63 and still putting out new, quality albums, Mellencamp presumably wants to push his new highly relevant music, while the faithful, long-time supporters thrive on the old stuff. How do you rectify the two? Mellencamp tended to have it both ways before a... »»»
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