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Jimmy Wayne kicks off long walk for homeless

Monday, January 4, 2010 – Following a private meeting with the young residents of Monroe Harding in Nashville, Jimmy Wayne kicked off his Meet Me Halfway project, and began his walk halfway across the country to raise awareness of homeless children, teens and young adults who age out of the foster care system.

Approximately 100 people gathered on the front lawn of Monroe Harding on New Year's Day to support Wayne, and nearly 75 people joined him on the first mile of his walk, which will end in Phoenix.

Wayne's intention is to raise awareness of the plight of the homeless, especially at risk children, teens and young adults in the foster care system. He also wants to raise funds for organizations that benefit homeless youth, including HomeBase Youth Services, a Phoenix-based organization that provides essentials for homeless young adults and Monroe Harding, a foster care group home in Nashville.

Wayne's label, Valory Music, kicked things off by donating $50,000 to the Meet Me Halfway project.

The travel has been a bit more challenging than anticipated since New Year's Day also heralded in one of the coldest periods of weather the Southeast has seen in a while, with single digit temperatures plaguing much of the area and predicted to last the rest of the week.

"I knew it was going to be cold, but I didn't think it'd be this cold for this long," Wayne said. "Thank goodness I have a tent and sleeping bag that are designed for sub zero temperatures. It's been tough going the past four days. But when I get down, I just think about the kids at Monroe Harding and all the kids like them around the country who may really be facing a homeless situation once they are too old for foster care and group homes. That keeps me going."

Marmot Sportswear is providing Wayne with essential cold weather clothing and gear for Meet Me Halfway.

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Sara Smile CD review - Sara Smile
Sometimes the third time out for an artist can mystify them, as by this point they've chosen to either clone or deconstruct their first record. So what's next? Jimmy Wayne, who sharply veered away from the deep emotional mining of his first effort to more straightforward country- pop on his second, goes the route of a hybrid collection. There's the big leadoff (and Keith Urban-penned) Things I Believe, which swings for the number one hit fences all the way with a hook heavy »»»
Do You Believe Me Now CD review - Do You Believe Me Now
Jimmy Wayne's turbulent childhood as a foster child and teen delinquent, and his personal journal writings, fueled many of the songs on his self-titled debut, painting him as a survivor and poet with a strapping, emotional voice and a penchant for vulnerable story songs. He brings more of these dramatic tales to his soulful sophomore effort (and first on the new label). In Kerosene Kid, Wayne reminisces about facing his classmates' jeers each winter, as he smelled of the kerosene he »»»
Jimmy Wayne
One wants desperately to like Jimmy Wayne - though he's just 30, he's already had enough trouble to last several lifetimes. But though "Stay Gone," the first single from his self-titled debut, has much to recommend it, it's one of the few bright spots in a generally undistinguished album. The basic problem isn't hard to see. Though he's a good songwriter with solid songwriting skills - 8 of the 12 cuts have his name among the credits - the production here surrounds him with generic country-pop »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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