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Lee Ann Womack added to Strait tour

Wednesday, November 18, 2009 – Lee Ann Womack was added to George Strait's 2010 tour, which also features Reba McEntire. The tour kicks off in early 2010 and continues through late Spring.

"Does Ft Worth Ever Cross Your Mind? Whoever's In New England? The Fireman? Little Rock? Wrapped? The Last To Know? We're talking classic country from the source," said Womack. "I can't imagine a better tour to be on than George Strait and Reba McEntire, and now I'm not imagining."

"I'm trying to figure out what to wear...cause you can't out-starch George and you sure can't out-spangle Reba," she said.

Tour dates are:
Jan. 22 Baltimore, MD 1st
Jan. 23 Greensboro, NC Coliseum
Jan. 29 Knoxville, TN Thompson Boling
Jan. 30 Charlottesville, VA JPJ Arena
Feb. 5 Phoenix, AZ US Airways
Feb. 6 Las Vegas, NV MGM
Feb. 18 St Louis, MO Scottrade Center
Feb. 19 Wichita, KS Intrust Bank Arena
Feb. 20 Tulsa, OK BOK Arena
Feb. 25 Atlanta, GA Philips Arena
Feb. 26 Orlando, FL Amway Arena
March 4 Memphis, TN FedEx Forum
March 5 New Orleans, LA New Orleans Arena
March 6 Little Rock, AR Verizon
March 26 Portland, OR The Rose Garden
March 27 Tacoma, WA Tacomadome
April 8 Omaha, NE Qwest Center
April 9 Kansas City, MO Sprint Center
April 10 Des Moines, IA Wells Fargo Arena

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CD reviews for Lee Ann Womack

The Way I'm Livin' CD review - The Way I'm Livin'
Six years later, Lee Ann Womack is finally back. Her traditional country sounds were not quite working with Nashville, which was veering increasingly pop. Now, the Texas native returns with a new label, but the same lovely voice. Originally intended for her old label, MCA Nashville, Womack was given the marching orders to make the type of disc she wanted to listen to. That resulted in songs from the likes of Neil Young, several from Bruce Robison, Adam Wright and Natalie Hemby, several of whom »»»
Call Me Crazy CD review - Call Me Crazy
The title track of Lee Ann Womack's first CD since 2005's traditional masterpiece "There's More Where That Came From" should have been the name of that CD because "There's More" was a real risk taker. Womack did wonders with the material there. While not quite the same left field beauty, Womack puts out another excellent batch of music three years later. The songs work best when Womack opts for the traditional approach. Womack is on the top of her game on »»»
There's More Where That Came From CD review - There's More Where That Came From
Lee Ann Womack goes back in time, eschewing the more pop sounding qualities of past recordings - her career song "I Hope You Dance" was more pop than country - for her country roots. And the move, perhaps not a surprise given that her last disc covered too many musical styles and sold far too few discs, with a sound more akin to her debut and its hard-edged country suits Womack exceedingly well. That is quite clear from the start. The album cover has a retro look and is even out in vinyl! It »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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