Sign up for newsletter
 

Houser plays pre-CMA songwriters gig

Tuesday, October 20, 2009 – The CMA Songwriters Series will pave the way to The 43rd Annual CMA Awards with a show featuring Randy Houser, Brett James, Rivers Rutherford and Victoria Shaw at Nashville's Limelight on Tuesday, Nov. 10.

The series, which has played to sell-out shows in New York City for the past five years and recently held performances in Los Angeles and Chicago, comes home to Nashville on the night prior to CMA.

The series allows fans to hear the songs by the people who wrote them. In addition, the writers often share the stories behind those songs.

Houser, the featured artist/songwriter for this CMA Songwriters Series, burst on the scene this year with his Top 20 hit Anything Goes from his debut album of the same name. His subsequent single, Boots On, hit the Top 10. Houser also garnered two CMA Award nominations for New Artist of the Year and Music Video of the Year for Boots On (directed by Eric Welch). In addition, Houser has written songs that have been recorded by Trace Adkins (Honky Tonk Badonkadonk) and Justin Moore (Back That Thing Up).

James (Jesus Take the Wheel recorded by Carrie Underwood, When the Sun Goes Down recorded by Kenny Chesney and Blessed recorded by Martina McBride) and Rivers Rutherford (Ain't Nothin' Bout You recorded by Brooks & Dunn, Real Good Man recorded by Tim McGraw and If You Ever Stop Loving Me recorded by Montgomery Gentry) and Shaw (The River recorded by Garth Brooks, I Love the Way You Love Me recorded by John Michael Montgomery and Where Your Road Leads recorded by Trisha Yearwood with Brooks) are on the bill. Shaw received her first CMA Award nomination this year in the Single of the Year category for producing the Lady Antebellum hit, I Run to You.

Tickets for the Nov. 10 CMA Songwriters Series are $10 and go on sale today.

More news for Randy Houser

CD reviews for Randy Houser

Fired Up CD review - Fired Up
A brand of neo-traditional country music has entered the mainstream scene in response to the hip hop beats of bro country and smooth EDM of metro country. Artists like Aaron Watson and Randy Houser are providing a strong alternative on the charts for fans who prefer their country closer to its roots. The challenge for a country artist today is to find a balance between the fans and their business. A small handful of writers are responsible for most of the mainstream chart toppers, resulting in a »»»
How Country Feels CD review - How Country Feels
Despite a good track record of releasing quality music, Randy Houser hasn't become a consistent chart-topper yet. His new album, "How Country Feels," has already brought him one hit song with the title track, so perhaps a change of scenery (Houser is now on Stoney Creek) was what his career needed. Houser's last album, "They Call Me Cadillac," was a bluesy, varied album that unfortunately yielded no hits. This time around, he's gone for a much simpler »»»
They Call Me Cadillac CD review - They Call Me Cadillac
Country music needs more true country songs, not more songs proving country credentials. Randy Houser's latest contains a few examples of the former. After bragging unnecessarily in one verse about liking to "smoke from my left hand," he ends the chorus to Whistlin' Dixie by stating, "I ain't just Whistlin' Dixie." Then on the bluesy, rocking Out Here In The Country he tells us, "Them city lights ain't my cup of tea." But this bluster all »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile warms hearts with empathetic thoughts – Brandi Carlile, dressed festively with a Santa hat, began her mid-week concert set with Joni Mitchell's "River" and closed with the carol "O Holy Night." In between, she sang about an equal measure of old and new songs. And on this first night of a short acoustic tour, Carlile was both in fine spirits and voice.... »»»
Concert Review: Daniels wears out bows, but music endures – After each of the first few songs Charlie Daniels played, his 'fiddle tech (?)' exchanged his bow. Is this because he was playing particularly hard? Perhaps. Whatever the case, Daniels and his five-piece band clearly appeared to be giving it their all during the act's hour-and-a-half set. As it is the Christmas month, Daniels sang a... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
Boom CD review - Boom
Walker Hayes has a lot of Sam Hunt in his music, in that he mixes a lot of hip-hop in with his country. Traditionalists will have trouble with his unorthodox approach. Kids, though, raised on just as much Drake as Paisley, will likely eat it up. »»»
From A Room: Volume 2 CD review - From A Room: Volume 2
There is no bigger artist in country music today, perhaps even in American music, than Chris Stapleton. His appeal reaches beyond just the commercial country fans for his gritty bluesy approach. 2015's "Traveller" set a high bar, which was met by this year's release of "From A Room: Volume 1," which won Album of the Year in the 51st CMA Awards.  »»»
Down Home Sessions EP CD review - Down Home Sessions EP

Upon first glance at the track list of Cole Swindell's fourth installment of the "Down Home Sessions" series, one may get the impression that it is a covers EP. It features several chart toppers from other artists, including Luke Bryan's "Roller Coaster" and Thomas Rhett's "Get Me Some Of That." »»»

The Rest of Our Lives CD review - The Rest of Our Lives
The first full album from Tim McGraw and Faith Hill is an inspired effort, even though some of its songwriters may surprise you. The title cut, for instance, features pop ginger Ed Sheeran on its credits, while Meghan Trainor contributed to "Roll the Dice." »»»
Bloodshot Records' 13 Days of Xmas CD review - Bloodshot Records' 13 Days of Xmas
Label holiday albums can sometimes be like office white elephant gift exchanges because there's a little bit of everything on the table. Some stuff you like, while other things may have been better left unwrapped. »»»
Texoma Shore CD review - Texoma Shore
Blake Shelton's 11th studio album finds The Voice advisor in a contented, one might even say homey, frame of mind. The opening track and first single "I'll Name the Dogs" sets the tone. It's a rollicking ode to domesticity that manages to make household chore distribution ("You find the spot and I'll find the money / You be the pretty and I'll be the funny") both romantic and amusing.  »»»