Sign up for newsletter
 

Capitol receives order against small Nashville label over Milsap song

Friday, September 18, 2009 – Capitol Records Nashville received a cease and desist order against BLEVE Records over the apparent use of Trace Adkins singing on a song with Ronnie Milsap.

BLEVE stopped promoting its debut single My First Ride, as a result. The song by Milsap features Capitol Records Nashville artist Adkins and was the lead single from a multi-artist compilation CD due out Nov. 1.

"Capitol Records has threatened legal action if BLEVE Records does not immediately halt any further publicity or sales of My First Ride," said BLEVE Entertainment President and CEO Mickey Milam.

Capitol had no comment on the action.

Milam, a retired Metro Nashville police officer, started the label to benefit the Fraternal Order of Police and the International Association of Firefighters' disaster relief funds. The funds aid firefighters and police officers and their families after a disaster or in times of need due to injury or death in the line of duty. The proceeds from the sale of the single and the compilation CD were slated to help replenish these funds.

"We are certainly disappointed," said Milam. "It was especially hard to get this news on the day firefighters were burying two of their own who lost their lives in the California wildfires. These funds are needed to help these and other families."

The song was originally planned as a solo song by Milsap. However, his long time friend Adkins volunteered to lend his voice, according to a statement by BLEVE. "Trace was gracious enough to sing on this song, not only as a favor to his good friend Ronnie Milsap, but also because he believes in our cause," said Milam. "I just don't understand Capitol's reaction." Milam states that Capitol Records was made aware of the duet prior to the recording and release on the single.

"BLEVE is a small, American owned independent label," said Milam, "but we represent over 625,000 IAFF and FOP members that were looking forward to hearing this song on the radio. They were excited about the fund raising possibilities of this single and the forthcoming CD. They are not happy about this recent turn of events."

More news for Trace Adkins

CD reviews for Trace Adkins

Live Country DVD CD review - Live Country DVD
"Live Country" is a concert film featuring Trace Adkins performing his biggest hits at The Paramount in Huntington, N.Y. Anticipation was high for this one because Adkins, along with Josh Turner, is one of our very best low-voiced singers. Perhaps poor audio quality is to blame, but Adkins' singing isn't nearly as powerful in this live setting as it is on CD. From the cheesy stage props to the casually dressed backing singers (one even has a headband that leaves her looking »»»
The King's Gift CD review - The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Love Will...
Trace Adkins is all about love here. Not exactly a new topic in the canon of (country) music, but Adkins capably addresses the issue. He goes traditional from the get go on perhaps the best song here - When I Stop Loving You, penned by neo-traditionalist Marty Brown and Even Stevens. Adkins' silky, full-throttled baritone owns the song. Adkins always has been a strong singer with a big, full sounding voice easy on the ears. He takes a decent song - The Altar of Your Love which he helped »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: The Earls of Leicester mesh it up – The parts of the Earls of Leicester are extremely solid, but so is the sum. That became quite apparent when the bluegrass superstar sextet released its debut in September 2014 along with its first live foray into Boston. Jerry Douglas, considered by many the best Dobro player on Planet Earth, summed up the evening just right when he said, hopefully... »»»
Concert Review: Watkins steps out on his own – At the ripe old age of 39, Sean Watkins is doing things a bit differently when it comes to his music. By far the biggest sign is that he is in the midst of his first ever solo headlining tour. That may seem a bit odd almost after having released four solo albums since 2001. But when you have your main gig being in the trio Nickel Creek, pus other... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Presley rises above (with) "American Middle Class" Some in the mainstream country audience may only know Angaleena Presley as one of the two other singers in Miranda Lambert's side group, Pistol Annies. But to view Presley in only that limited light would be selling her severely short. For starters, Pistol Annies is a trio of extra strong female country music writers and by no means merely Lambert's side group.... »»»
Jorma Kaukonen kicks back (sort of) and comes full circle with "Ain't In No Hurry" Jorma Kaukonen has reached that stage in life where any break he takes is well earned and completely deserved. The 74-year-old singer/songwriter is a Rock and Roll Hall of Fame inductee for his work with Jefferson Airplane and his solo career has kept him busy - and fans deliriously happy - for an astonishing 41 years when he's not sometimes playing with Hot Tuna.... »»»
6 String Drag ends two decade smoke break with "Roots Rock 'N' Roll" The last time Kenny Roby assembled 6 String Drag to record a new studio album, Bill Clinton had just handily secured his second term as president. That album was 1997's acclaimed "High Hat," and within months of its release, 6SD had dissolved, sadly capping a brief Americana/roots rock run that had seemed so promising after their brilliant 1994 self-titled debut...... »»»
All These Dreams CD review - All These Dreams
The sophomore slump is no match for Andrew Combs. Somehow the Texas-born, Nashville-residing singer-songwriter packs it all into his second full-length, "All These Dreams," in a way that every track stands out on its own and no listener can go without finding at least one tune that fits their preference. Rock, country and folk meld together  »»»
Complicated Game CD review - Complicated Game
The first album by James McMurtry in six years proves that some simply get better with age. And it opens with a gorgeous, deliberate performance, "Copper Canteen," and a line about cleaning his gun before hunting season comes to a close. From there, McMurtry looks back at his youth and the changing world today "before the pension kicks in." »»»
Brotherhood CD review - Brotherhood
Over the more than 20 years since upstate (way, way upstate) New York natives Eric and Leigh Gibson debuted on the bluegrass scene, it has been more or less de rigueur for the journalists and reviewers who write about them to link them to the long and proud tradition - especially in country music in all its forms - of siblings... »»»
Mono CD review - Mono
The Mavericks returned in 2013 with an acclaimed new album and much touring after nearly a decade's absence. Here they are back again in 2015, minus one of their founding members, but with another dynamite new effort. »»»
Terraplane CD review - Terraplane
In the Instagram era where people use apps to turn digital snapshots into sepia-toned portraits, Steve Earle's 16th studio release finds its place with an old-school sound. It's a Polaroid of rural country, blues and bluegrass frozen in time. But instead of outdated, it plays on the nostalgia of its modern audience.  »»»
The Underdog
It's been a long road, but 12 albums and 15 years later, Texas country singer Aaron Watson has finally arrived. Until his debut with Big Label/Thirty Tigers, Watson worked as a totally independent artist; even then, though, other Texas artists, from Willie Nelson and Dale Watson to Billy Joe Shaver, recognized his talent and collaborated with him.  »»»