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Capitol receives order against small Nashville label over Milsap song

Friday, September 18, 2009 – Capitol Records Nashville received a cease and desist order against BLEVE Records over the apparent use of Trace Adkins singing on a song with Ronnie Milsap.

BLEVE stopped promoting its debut single My First Ride, as a result. The song by Milsap features Capitol Records Nashville artist Adkins and was the lead single from a multi-artist compilation CD due out Nov. 1.

"Capitol Records has threatened legal action if BLEVE Records does not immediately halt any further publicity or sales of My First Ride," said BLEVE Entertainment President and CEO Mickey Milam.

Capitol had no comment on the action.

Milam, a retired Metro Nashville police officer, started the label to benefit the Fraternal Order of Police and the International Association of Firefighters' disaster relief funds. The funds aid firefighters and police officers and their families after a disaster or in times of need due to injury or death in the line of duty. The proceeds from the sale of the single and the compilation CD were slated to help replenish these funds.

"We are certainly disappointed," said Milam. "It was especially hard to get this news on the day firefighters were burying two of their own who lost their lives in the California wildfires. These funds are needed to help these and other families."

The song was originally planned as a solo song by Milsap. However, his long time friend Adkins volunteered to lend his voice, according to a statement by BLEVE. "Trace was gracious enough to sing on this song, not only as a favor to his good friend Ronnie Milsap, but also because he believes in our cause," said Milam. "I just don't understand Capitol's reaction." Milam states that Capitol Records was made aware of the duet prior to the recording and release on the single.

"BLEVE is a small, American owned independent label," said Milam, "but we represent over 625,000 IAFF and FOP members that were looking forward to hearing this song on the radio. They were excited about the fund raising possibilities of this single and the forthcoming CD. They are not happy about this recent turn of events."

More news for Trace Adkins

CD reviews for Trace Adkins

Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers. Thankfully, "Something's Going On" is a better than average collection of songs, especially good for Adkins, as »»»
Live Country DVD CD review - Live Country DVD
"Live Country" is a concert film featuring Trace Adkins performing his biggest hits at The Paramount in Huntington, N.Y. Anticipation was high for this one because Adkins, along with Josh Turner, is one of our very best low-voiced singers. Perhaps poor audio quality is to blame, but Adkins' singing isn't nearly as powerful in this live setting as it is on CD. From the cheesy stage props to the casually dressed backing singers (one even has a headband that leaves her looking »»»
The King's Gift CD review - The King's Gift
Trace Adkins, with that wonderfully deep voice of his, is always a pleasure. He's like an actor (well he has acted actually) that never gives a bad performance, even in a poor movie. When it comes to evaluating Adkins' albums, it's all about the music he surrounds himself with and the songs he's given to sing. And with "The King's Gift," Adkins is placed in a nearly can't miss situation; he's singing mostly familiar Christmas carols, with a mainly »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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