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Carrie Underwood sings of the Cowboy Casanova

Wednesday, September 2, 2009Cowboy Casanova is the first single from Carrie Underwood's upcoming third album, "Play On." Underwood wrote the track with Mike Elizondo and Brett James, one of the writers behind her huge hit Jesus, Take the Wheel.

Originally slated to arrive at country radio on Sept. 8, the leak of a rough, unfinished version of the song prompted a rushed-to-radio delivery of the real single late Wednesday evening. Fans can hear the genuine single of Cowboy Casanova online now at both carrieunderwoodofficial.com, as well as youtube.com/carrieunderwood.

Underwood is continuing work on "Play On," which drops Nov. 3. She is again teamed with Mark Bright, who produced her "Carnival Ride" collection as well as seven tracks from "Some Hearts."

More news for Carrie Underwood

CD reviews for Carrie Underwood

Greatest Hits: Decade #1 CD review - Greatest Hits: Decade #1
Greatest hits albums are often derided as creative placeholders, or worse yet, contractual obligations. In Carrie Underwood's case, the album subtitled "Decade #1" is a chance to take a somewhat awe inspired look at what a successful career this American Idol alumnus has already had to date. One of its two new songs, the single "Something in the Water," is a wonderfully gutsy move on Underwood's part. Country is one of the rare genres where a Christian can sing of »»»
Blown Away CD review - Blown Away
Carrie Underwood's calling card remains intact - her ultra strong set of pipes. "Blown Away" is almost a tale of two CDs. The first half or so tends to be far more pop oriented and at times rocks, while the other half veers far more towards country and even gets traditional on a song or two. The lead-off hit first single, Good Girl, rocks far more than anything else. It sounds good, catchy, but with Underwood singing hard, the song is geared for arena rock, not anything remotely »»»
Play On CD review - Play On
Through three releases, the one constant about Carrie Underwood is her big voice. It's an instrument in and of itself no matter whether going for somewhat of a country sound, a pure pop bent or a tougher, rocking edge. She can add the right touch to sad songs such as Temporary Home in part about a young boy who has to shuffle from home to home or the tough sounding Quitter. Underwood would not be accused of being heavy-duty country. She actually displayed more signs of that on her last CD, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: MerleFest Day 4: fest closes with everything from hymns to honky tonk – For the final day of MerleFest 2015, the programming ran from gospel music in the morning to the barroom honky-tonk of Dwight Yoakam's closing set. That wide range is what makes the festival such a success as it carries on the "traditional plus" design of the late Doc Watson. With the Avett Brothers in town for their Saturday night... »»»
Concert Review: MerleFest Day 3: it's homecoming day – A wet and overcast day did little to dampen the spirits of the artists or the audience at MerleFest on Saturday; typically the busiest day of the four-day long festival. With home-state heroes The Avett Brothers headlining the Watson Stage, it felt like a homecoming celebration all day long. Friday may have been the day for new talent to shine, but... »»»
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