George Strait goes for "Twang" in August
Tuesday, July 7, 2009
– "Twang," the new CD from George Straits, will be out Aug. 11, his label said today. The 13 songs include the current hit Living for the Night.
"It makes a papa proud to have my son contributing to the creation of this record," said Strait, who wrote the song with his son bubba and songwriting ace Dean Dillon. "We had a great time writing with each other, and then Dean adding his magic made it even more special. I hope the people that buy this record have as much fun listening to it as I had making it." This was the first time Strait has penned a song since I Can't See Texas From Here from his 1982 debut - "Strait Country."
Strait co-wrote two additional songs on "Twang," - He's Got That Something Special and Out Of Sight Out Of Mind. Bubba Strait also wrote the track Arkansas Dave. Co-producing with producer Tony Brown, Strait's 38th album, was recorded at Shrimpboat Sound Studio in Key West, Fla. It is the same studio where they recorded Strait's last two award-winning albums.
1. Twang - Jim Lauderdale, Kendell Marvel and Jimmy Ritchey
2. Where Have I Been All My Life - Sherrie Austin, Will Nance and Steve Williams
3. I Gotta Get To You - Jim Lauderdale, Jimmy Ritchey and Blaine Larsen
4. Easy As You Go - Steve Bogard and Rick Giles
5. Living For The Night - George Strait, Bubba Strait and Dean Dillon
6. Same Kind Of Crazy - Delbert McClinton and Gary Nicholson
7. Out Of Sight Out Of Mind - George Strait and Bubba Strait
8. Arkansas Dave - Bubba Strait
9. The Breath You Take - Dean Dillon, Jessie Jo Dillon and Casey Beathard
10. He's Got That Something Special - George Strait, Bubba Strait and Dean Dillon
11. Hot Grease And Zydeco - Gordon Bradberry and Tony Ramey
12. Beautiful Day For Goodbye - Doug Johnson and Pat Bunch
13. El Rey - Jose Alfredo Jimenez
More news for George Strait
CD reviews for George Strait
Cold Beer Conversation
recording front. This surprise release shows an artist now in his early 60s completely capable of being the leading voice for his brand of country music, which is increasingly rare these days.
Strait always has enjoyed a voice that resonates and is dexterous depending on the style. And the Texan sticks with the types of styles that brought him to the top - traditional country ("Let It Go," "Goin' Goin' Gone"), Texas swing ("It Takes All Kinds") and Zydeco »»»
The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top.
Strait tackles 20 songs on »»»
Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status.
First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. He is comfortable on everything including hard core country (pedal steel, fiddle and mandolin are not tacked on afterthoughts with »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Underwood leaves shallow shine at Stagecoach
Saturday night of Stagecoach 2016 had arguably the best lineup of all three days, with three stages chock full of many 'can't miss' performers and a headliner in country queen, Carrie Underwood. And as always, some of the day's best musical moments occurred just out of the reach of the folding-chair-and-beer-koozie crowd.... »»»
Concert Review: On day 3, MerleFest opts for tradition
The biggest day of the MerleFest weekend is always Saturday. There was still plenty of "Plus" to go around, but the highlights of this year's big day focused on the more traditional side of the festival's "Traditional Plus" lineup from headliners Dave Rawlings Machine down to the regional acts on the smaller stages.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route.
After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
Stephen King tells us "Talent is cheaper than table salt." And what a shaker-full is contained on Martina McBride's latest. Songwriters? Hillary Lindsey, Sarah Buxton and Liz Rose are amongst the world's finest. For a producer, how about Faith Hill's or Taylor Swift's? And lest we forget - McBride herself possesses the best, hemi-powered soprano of any working singer today. This is gaudy, Dream Team level stuff. So, why isn't it better? »»»
Del and Woody
For two years we've been hearing of this recording, a project where original lyrics from Woody Guthrie were to be reinvented as bluegrass songs by the legendary Del McCoury. Like previous sets from Billy Bragg & Wilco (3 volumes of "Mermaid Avenue" released between 1998-2012), Jay Farrar, et al ("New Multitudes," 2012) and The Klezmatics (a pair of 2006 releases), lyrics stored within the Woody Guthrie Archives were turned over to McCoury to be repurposed. »»»
Coming on the heels of her last album, the tellingly titled "Quicksand," Reagan Boggs' latest continues to affirm her reputation as a master of emotion, a performer whose sound and delivery leave no sentiment unturned. Consequently, "Empty Glasses" becomes an equally expressive handle, given that much of the album bears a deliberately downcast disposition. That can also be discerned by reading the names of certain songs -- "Honey I'm Lost"... »»»
Lovers and Leavers
A style and sound can be deceptive. So it's little surprise that with his parched vocals, weary demeanor and songs that bear a sense of worn, ragged reflection, Hayes Carll doesn't come across like a man with an ample list of accomplishments. A recent Grammy nomination, a number of chart triumphs and some highly impressive accolades from the public and pundits alike suggest that Carll might be doing far better than he lets on. »»»
The Family Album
Two siblings joining forces for an album project. For every precious collaboration from Stacey Earle on a Steve Earle tune, you can end up with other tandems whose work is pure schmaltz. Thankfully for those familiar with Canadian singer-songwriters Matthew Barber and Jill Barber, their playful, innocent sibling rivalry has been set aside for "The Family Album," an extremely sweet, stellar result. »»»