George Strait goes for "Twang" in August
Tuesday, July 7, 2009
– "Twang," the new CD from George Straits, will be out Aug. 11, his label said today. The 13 songs include the current hit Living for the Night.
"It makes a papa proud to have my son contributing to the creation of this record," said Strait, who wrote the song with his son bubba and songwriting ace Dean Dillon. "We had a great time writing with each other, and then Dean adding his magic made it even more special. I hope the people that buy this record have as much fun listening to it as I had making it." This was the first time Strait has penned a song since I Can't See Texas From Here from his 1982 debut - "Strait Country."
Strait co-wrote two additional songs on "Twang," - He's Got That Something Special and Out Of Sight Out Of Mind. Bubba Strait also wrote the track Arkansas Dave. Co-producing with producer Tony Brown, Strait's 38th album, was recorded at Shrimpboat Sound Studio in Key West, Fla. It is the same studio where they recorded Strait's last two award-winning albums.
1. Twang - Jim Lauderdale, Kendell Marvel and Jimmy Ritchey
2. Where Have I Been All My Life - Sherrie Austin, Will Nance and Steve Williams
3. I Gotta Get To You - Jim Lauderdale, Jimmy Ritchey and Blaine Larsen
4. Easy As You Go - Steve Bogard and Rick Giles
5. Living For The Night - George Strait, Bubba Strait and Dean Dillon
6. Same Kind Of Crazy - Delbert McClinton and Gary Nicholson
7. Out Of Sight Out Of Mind - George Strait and Bubba Strait
8. Arkansas Dave - Bubba Strait
9. The Breath You Take - Dean Dillon, Jessie Jo Dillon and Casey Beathard
10. He's Got That Something Special - George Strait, Bubba Strait and Dean Dillon
11. Hot Grease And Zydeco - Gordon Bradberry and Tony Ramey
12. Beautiful Day For Goodbye - Doug Johnson and Pat Bunch
13. El Rey - Jose Alfredo Jimenez
More news for George Strait
CD reviews for George Strait
Cold Beer Conversation
recording front. This surprise release shows an artist now in his early 60s completely capable of being the leading voice for his brand of country music, which is increasingly rare these days.
Strait always has enjoyed a voice that resonates and is dexterous depending on the style. And the Texan sticks with the types of styles that brought him to the top - traditional country ("Let It Go," "Goin' Goin' Gone"), Texas swing ("It Takes All Kinds") and Zydeco »»»
The Cowboy Rides Away: Live From AT&T Stadium
George Strait has been one of the most dependable country music stars for three decades. In this day and age, the Texan is a certifiable throwback. He's low key, not a self-promoter. All's he has done is churn out hit after hit for decade after decade. He has not been the kind of artist who put his finger up in the air either or trading his cowboy hat for a baseball cap. When looking up the definition of traditional country, George Strait sits at the top.
Strait tackles 20 songs on »»»
Love Is Everything
George Strait may have reached his seventh decade, but he shows zero signs of slowing down. In fact, Strait seems to be getting even more consistent as he gets older. Strait doesn't stray all that far from the formula that has resulted in superstar status.
First and foremost, that means his sonorous voice is mixed far above the music, a very good thing. He is comfortable on everything including hard core country (pedal steel, fiddle and mandolin are not tacked on afterthoughts with »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Newport Folk Fest retains its beauty
With acts ranging from Ray LaMontagne to The Staves to Case/Lang/Veirs, the Newport Folk Festival ran the gamut from tried and true to not so well known to brand new (sort of) acts.
And that was the beauty of day one of the festival in enabling attendees to sample a wide range of music and genres, albeit little of it folk as we once knew it.... »»»
Concert Review: Hensley, Ickes have a good thing going
Chances are strong that Dobro master extraordinaire Rob Ickes has used the line a time or two when he explained his instrument of choice as "a guitar played incorrectly." The line got the requisite laughter from the small crowd of about 25 in the intimate club.
His sidekick, Trey Hensley, didn't offer any such comment.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Four years after forming in Boston and a year after receiving their first major award (an IBMA Momentum nod), when most bands might be expected to have two or three already in circulation, the Lonely Heartstring Band finally has its first full-length CD release "Deep Waters" (Rounder) out on the street.... »»»
Sam Bush is back with a new record, "Storyman," not that he ever went anywhere. Identified with The Telluride Bluegrass Festival, which he has played in one form or another for each year but one, he helped define the new grass sound. Starting with Poor Richard's Almanac (along with Alan Munde and Wayne Stewart) in 1970, continuing to turns with New Grass Revival and Nash Ramblers, Bush has played fiddle, mandolin and mandolin variants (including slide mandolin) solidly since that time.... »»»
Nearly 10 years on, The Infamous Stringdusters have carved out a singular place for themselves in the bluegrass/jamgrass world. The Stringdusters tour aggressively, are fixtures on the festival circuit and released several intriguing recording projects since late 2015: an EP of covers, including Tom Petty's "American Girl," and a full-length album of songs collaborating with some of the finest female singers in the Americana genre ("Ladies and Gentlemen").... »»»
A singer's believability is essential to the success of any album, and David Nail has a way of persuading us that every word he sings on his "Fighter" comes straight from the heart. And it doesn't hurt that the songwriting contained within is topnotch throughout. Two songs, in particular, go straight to the heart in addition to being heartfelt. "Home," which Lori McKenna both sings on and co-wrote, is the first song on this record... »»»
We're All Somebody From Somewhere
It's a difficult proposition for a band member to go solo after a longstanding highly successful career and try to forge a musical identity that not only isn't all that similar to what's come before, but is also able to stand on its own as musically viable. And despite some false starts in launching his solo career commercially on the country charts, Steven Tyler has managed to make a statement on both counts. »»»
Rattle & Roar
In the spirit of "if it was a good idea the first time around, it's got to be worth trying again," Jerry Douglas and his collaborators in the Earls Of Leicester return with a follow-up to their self-titled Grammy-winning debut of two years ago. On the off chance that you missed it the first time around, Douglas pulled the band together, not as just another "tribute" band... »»»
Young in All the Wrong Ways
Sara Watkins' voice is powerful. "Young In All The Wrong Ways" showcases her instrument admirably. Watkins burst upon the music scene in 1989, as part of Nickel Creek, teaming with her brother Sean and mandolinist Chris Thile. Nickel Creek had a solid run of recording and live music performances for a couple of decades before the members spread out into other collaborations. »»»
It's been seven years since Sam Bush released a collection of songs (2009's "Circles Around Me"), but Bush has never left the bluegrass/jamgrass consciousness. He tours, mostly festivals, with his first-rate Sam Bush Band and has popped up as instrumental collaborator with Frank Solivan, Taylor Swift, Bela Fleck, David Grisman and countless others over the years. »»»