Sign up for newsletter
 

New Nashville label starts with Sunny Sweeney aboard

Friday, June 5, 2009 – A new Nashville label was announced today, started by the heads of Universal Republic in New York and Big Machine in Nashville.

Monte Lipman, President and CEO of Universal Republic and Scott Borchetta, President and CEO of Big Machine Records, formed Republic Nashville, which will be based in Nashville. The imprint will be headquartered on Music Row and utilize the combined resources of Big Machine Records and Universal Republic Records.

Republic Nashville's inaugural roster will include Texas honky tonker Sunny Sweeney, who had one album on Big Machine, and new country duo Fast Ryde.

The two labels already had a relationship because Big Machine's Taylor Swift was pitched to pop radio through Universal Republic.

Former Capitol Records Promotion executive Jimmy Harnen was named president of Republic Nashville. Harnen worked with Borchetta in a previous capacity at DreamWorks Nashville.

Lipman said, "Scott Borchetta and his great team at Big Machine and the Valory Music Co. continue to tower over the country music landscape with a tireless commitment to their artists and a visionary approach to discovering new talent that has become the benchmark of Nashville. We're thrilled to expand our relationship with them, and welcome Jimmy Harnen as he steps into this key role at a crucial juncture in our two companies' unique history together."

"Monte and I have been searching for a way to expand our business relationship, and I believe we have found the perfect compliment in the creation of Republic Nashville," said Borchetta. "This venture is an opportunity to utilize the best of our Nashville resources and the best of Monte's New York resources to create a powerhouse entertainment company. It also affords me the opportunity to bring Jimmy Harnen into the family in a presidential role. Jimmy's tireless ambition, leadership, trend-spotting, A&R tastes and shared vision for this cutting-edge new company is going to prove to be very successful and a helluva lot of fun."

"Reuniting with Scott is fantastic in so many ways," said Harnen. "As a friend and a colleague, it's been a thrill to see him and his incredible team achieve such great success these past few years. I relish the opportunity to join the environment he has created that epitomizes the cutting edge of Nashville and the entire music scene. I'm also looking forward to working with Monte Lipman, one of the most respected executives in our entire business, as we combine our resources to make Republic Nashville a productive and unique success story."

Previously, Harnen was Senior Vice President of Promotion for Capitol Records, Nashville. In 2006 he was Vice-President of Promotion for the company. From 2000 to 2003, Harnen was co-National Director of Promotion for DreamWorks Records in Nashville, working closely with Borchetta, who was a DreamWorks executive at the time.

More news for Sunny Sweeney

CD reviews for Sunny Sweeney

Provoked CD review - Provoked
When we last heard from Sunny Sweeney in 2011 with "Concrete," her major label debut on Big Machine showed a very different side of Sweeney, whose album 5 years earlier was appropriately titled "Heartbreakers Hall of Fame." Texas honky tonk and traditional country songs blanketed her debut, but the same could not be said for "Concrete," which was the kind of disc that those bemoaning slicked up country had reason to be right. Sweeney is back and in excellent form on »»»
Concrete CD review - Concrete
If the name Sunny Sweeney seems vaguely familiar, there's good reason: the Texan and her sassy brand of country music have been bouncing around country music circles for years now, thanks to the collective buzz of her 2006 debut "Heartbreaker's Hall of Fame" and a four-song EP released earlier this year. But while the singer has floated around the Texas club circuit and flirted with radio airplay, she didn't enter the mainstream vernacular until single From a Table Away »»»
EP CD review - EP
In the past, Sunny Sweeney has professed herself to be a lover of "old school country." Her debut release was shot through with that sensibility; based on this EP preview of her upcoming full-length, that is no longer the case, for good or ill. But then, to expect anything else would be naive. Sweeney is now on a major label, where success is measured in chart position and units moved; the fact that not one of the three singles from her first record, "Heartbreakers Hall of »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Trampled by Turtles leads stellar night – The animals ruled, for the most part, led by Trampled by Turtles, in a superb trifecta of music long on musicianship and quality songs. Trampled by Turtles, who headlined the sterling bill that also included Elephant Revival and Hurray for the Riff Raff (not animalistic unless the "riff raff" act that way), are going through some major sonic changes.... »»»
Concert Review: Goodnight, Texas gets on the map – Goodnight, Texas is a town with a small population - 28 according to the band's web site. So, if anything is going to put the unincorporated dot on the map, it may be the bi-coastal country band that stole the name. Avi Vinocur, who dwells in San Francisco, and Patrick Dyer Wolf, of North Carolina, are the mainstays of the band with them... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
Simpson gets metamodern What a difference a year can make. Last year, Sturgill Simpson was overly anxious about the arrival of his debut album, "High Top Mountain." This year, Simpson is simultaneously anticipating the birth of his debut child and his just-released sophomore album, "Metamodern Sounds in Country Music," and his mood couldn't be more relaxed and joyous.... »»»
Three Bells
It must be frustrating to resophonic artists of the stature of these three that even they still have to on occasion answer the question "What is that thing you're playing?" The number of well-known Dobro players has always seemed to lag behind even the banjo, and even in the "Golden Years" of '50s and '60s country music, the only widely known names were Josh Graves and Pete "Brother Oswald" Kirby. »»»
Where It's At CD review - Where It's At
Dustin Lynch is a throwback on his sophomore release thanks to the good-looking Tennessee native sporting a straw cowboy hat, Now that's something you don't see these days unless you happen to be King George Strait. Instead, the hat acts of yesteryear - the moniker, in reality, was a dig at those who were part of the same milk toast country sounds that were being put out in the '90s - traded them in for baseball caps. »»»
I Don't Dance CD review - I Don't Dance
The cover of "I Don't Dance" features a glam shot of Lee Brice standing in a spotlight, looking more like a pop artist than a country singer. Listeners who prefer their country on the gritty side might be scared off by the pretty cover shot. The music matches the image: pop influenced mainstream country music, in the vein of contemporaries Jake Owen and Kip Moore.  »»»
Angels Among Us Hymns & Gospel Favorites CD review - Angels Among Us Hymns & Gospel Favorites
The threads of faith and family are intrinsically woven throughout the fibers of country music, but the results of such albums are not always successful, with some records feeling dry and inspired while others take the bull by the horns and really engage the material. Alabama's latest offering, "Angels Among Us: Hymns & Gospel Favorites," falls into the latter category. »»»
NASHVILLE OUTLAWS: A Tribute To Motley Crue CD review - NASHVILLE OUTLAWS: A Tribute To Motley Crue
If you're expecting down home, countrified versions of metal band Motley Crue songs from "Nashville Outlaws: A Tribute to Motley Crue," you probably don't listen to a whole lot of mainstream "country" music. Most likely, this album's original conception was a rather crass attempt to capitalize on the large contingent of classic rock fans that also listen to and enjoy older rock's continuing influence on contemporary country music. »»»
The No-Hit Wonder CD review - The No-Hit Wonder
After only four albums in a dozen years, there's a certain truthfulness that comes with a title like "The No-Hit Wonder." On the other hand, Cory Branan's apparent attempt at modesty belies a talent that deserves to garner notice, thanks to a wry yet infectious songwriting style that takes pains to share its strengths without ever requiring a second listen. If Branan is reticent to show he's worthy of chart placement, it's certainly not evident here. »»»