Sign up for newsletter
 

New Nashville label starts with Sunny Sweeney aboard

Friday, June 5, 2009 – A new Nashville label was announced today, started by the heads of Universal Republic in New York and Big Machine in Nashville.

Monte Lipman, President and CEO of Universal Republic and Scott Borchetta, President and CEO of Big Machine Records, formed Republic Nashville, which will be based in Nashville. The imprint will be headquartered on Music Row and utilize the combined resources of Big Machine Records and Universal Republic Records.

Republic Nashville's inaugural roster will include Texas honky tonker Sunny Sweeney, who had one album on Big Machine, and new country duo Fast Ryde.

The two labels already had a relationship because Big Machine's Taylor Swift was pitched to pop radio through Universal Republic.

Former Capitol Records Promotion executive Jimmy Harnen was named president of Republic Nashville. Harnen worked with Borchetta in a previous capacity at DreamWorks Nashville.

Lipman said, "Scott Borchetta and his great team at Big Machine and the Valory Music Co. continue to tower over the country music landscape with a tireless commitment to their artists and a visionary approach to discovering new talent that has become the benchmark of Nashville. We're thrilled to expand our relationship with them, and welcome Jimmy Harnen as he steps into this key role at a crucial juncture in our two companies' unique history together."

"Monte and I have been searching for a way to expand our business relationship, and I believe we have found the perfect compliment in the creation of Republic Nashville," said Borchetta. "This venture is an opportunity to utilize the best of our Nashville resources and the best of Monte's New York resources to create a powerhouse entertainment company. It also affords me the opportunity to bring Jimmy Harnen into the family in a presidential role. Jimmy's tireless ambition, leadership, trend-spotting, A&R tastes and shared vision for this cutting-edge new company is going to prove to be very successful and a helluva lot of fun."

"Reuniting with Scott is fantastic in so many ways," said Harnen. "As a friend and a colleague, it's been a thrill to see him and his incredible team achieve such great success these past few years. I relish the opportunity to join the environment he has created that epitomizes the cutting edge of Nashville and the entire music scene. I'm also looking forward to working with Monte Lipman, one of the most respected executives in our entire business, as we combine our resources to make Republic Nashville a productive and unique success story."

Previously, Harnen was Senior Vice President of Promotion for Capitol Records, Nashville. In 2006 he was Vice-President of Promotion for the company. From 2000 to 2003, Harnen was co-National Director of Promotion for DreamWorks Records in Nashville, working closely with Borchetta, who was a DreamWorks executive at the time.

More news for Sunny Sweeney

CD reviews for Sunny Sweeney

Provoked CD review - Provoked
When we last heard from Sunny Sweeney in 2011 with "Concrete," her major label debut on Big Machine showed a very different side of Sweeney, whose album 5 years earlier was appropriately titled "Heartbreakers Hall of Fame." Texas honky tonk and traditional country songs blanketed her debut, but the same could not be said for "Concrete," which was the kind of disc that those bemoaning slicked up country had reason to be right. Sweeney is back and in excellent form on »»»
Concrete CD review - Concrete
If the name Sunny Sweeney seems vaguely familiar, there's good reason: the Texan and her sassy brand of country music have been bouncing around country music circles for years now, thanks to the collective buzz of her 2006 debut "Heartbreaker's Hall of Fame" and a four-song EP released earlier this year. But while the singer has floated around the Texas club circuit and flirted with radio airplay, she didn't enter the mainstream vernacular until single From a Table Away »»»
EP CD review - EP
In the past, Sunny Sweeney has professed herself to be a lover of "old school country." Her debut release was shot through with that sensibility; based on this EP preview of her upcoming full-length, that is no longer the case, for good or ill. But then, to expect anything else would be naive. Sweeney is now on a major label, where success is measured in chart position and units moved; the fact that not one of the three singles from her first record, "Heartbreakers Hall of »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: MerleFest Opening Night Showcases Both New and Familiar Artists – Long running North Carolina roots music festival MerleFest is a family friendly affair that has proven to have appeal to different generations. The lineup for Thursday's opening night, then, could be seen as a mirror to that audience as it contained artists ranging from multiple-year veterans of the festival down to first-year rookies.... »»»
Concert Review: No joke, The Wacos return – The Clash may have ended their run decades ago, but one couldn't blame Joe Strummer - if able to listen from the grave - that his band is alive and well. Only now he'd have to think they were reincarnated as The Waco Brothers. And Strummer needn't worry about whether the long running Chicago band is up to snuff either.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Reams leaps into "Rhyme & Season" James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route. ... »»»
Solivan  turns to family, friends, heroes After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Sellers garages her country Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
Del and Woody CD review - Del and Woody
For two years we've been hearing of this recording, a project where original lyrics from Woody Guthrie were to be reinvented as bluegrass songs by the legendary Del McCoury. Like previous sets from Billy Bragg & Wilco (3 volumes of "Mermaid Avenue" released between 1998-2012), Jay Farrar, et al ("New Multitudes," 2012) and The Klezmatics (a pair of 2006 releases), lyrics stored within the Woody Guthrie Archives were turned over to McCoury to be repurposed. »»»
Empty Glasses CD review - Empty Glasses
Coming on the heels of her last album, the tellingly titled "Quicksand," Reagan Boggs' latest continues to affirm her reputation as a master of emotion, a performer whose sound and delivery leave no sentiment unturned. Consequently, "Empty Glasses" becomes an equally expressive handle, given that much of the album bears a deliberately downcast disposition. That can also be discerned by reading the names of certain songs -- "Honey I'm Lost"...  »»»
Lovers and Leavers CD review - Lovers and Leavers
A style and sound can be deceptive. So it's little surprise that with his parched vocals, weary demeanor and songs that bear a sense of worn, ragged reflection, Hayes Carll doesn't come across like a man with an ample list of accomplishments. A recent Grammy nomination, a number of chart triumphs and some highly impressive accolades from the public and pundits alike suggest that Carll might be doing far better than he lets on. »»»
The Family Album CD review - The Family Album
Two siblings joining forces for an album project. For every precious collaboration from Stacey Earle on a Steve Earle tune, you can end up with other tandems whose work is pure schmaltz. Thankfully for those familiar with Canadian singer-songwriters Matthew Barber and Jill Barber, their playful, innocent sibling rivalry has been set aside for "The Family Album," an extremely sweet, stellar result. »»»
Upland Stories CD review - Upland Stories
Twenty years ago, Robbie Fulks became a beloved alt.-country figure by writing modern honky tonk and country songs that rose above the work of many other contemporary traditionalists thanks to a combination of sharp wit and engaging storytelling. In 2013, Fulks gained critical acclaim for "Gone Away Backward," an album that took a deeper dive into history by embracing the traditional Appalachian folk music  »»»
Bridging the Tradition CD review - Bridging the Tradition
There aren't a lot of bluegrass bands that can boast that they've lasted more than a quarter-century on the national scene, but the history of the Lonesome River Band as one of the most competent and dependable bands in the business goes back to the late 1980s. Banjo player Sammy Shelor's tenure doesn't go back quite that far, having joined "only" in 1990, but for the past 15 years, he's been the leader and front man. »»»