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Chesney plays Austin City Limits

Wednesday, May 13, 2009 – Kenny Chesney played Austin City Limits Tuesday night with a little help from his horns section and a Wailer.

"I don't really remember the first time I saw Willie Nelson, he always just was," said Chesney, "but there's a part of me that's pretty certain it was on 'Austin City Limits' because I saw an awful lot of my heroes on t hat show. You look around - and you realize everyone, from Jerry Lee Lewis to George Jones to Ray Charles right up to now has played here, and you really want to be part of that history."

Chesney brought along his four-piece horn section, percussionist Drummie Zeb from the Wailers - for Beer In Mexico, Young, Summertime and his current hit Out Last Night during the 80 minutes. Chesney also performed Anything But Mine and Better As A Memory, which led into Old Blue Chair and the first public performances of Boats and Somewhere In The Sun.

"Those aren't songs I normally get to do," Chesney admitted. "I like to keep the energy level pretty high, but they're very much a part of who I am...and it's funny. Somewhere In The Sun is one of only two songs I've ever written on the road, and I wrote it not a mile from where we were taping. So in a way, we closed the circle singing it here... because it all started when we were snowed out of our show down here one year."

Chesney, who told stories about his experiences in Austin, was joined by singer/songwriter Mac McAnally - who sang their recent number one duet Down The Road then stayed for his Back Where I Come From, long a mainstay of Chesney's live shows - as a surprise guest.

"Any time you can put the focus on the songs, it's a good thing," Chesney said. "And to be able to do that with Mac... well, it just takes these songs to a whole other level. I was honored that he'd do this with us, and I hope we'll get to see him out on the road when he can get away from his own stuff."

Though no broadcast date has been set, Chesney's special one hour "Austin City Limits" will air early in the fall.

"We're having a big summer, and we're just getting started. And 'Austin City Limits" will take us into the fall in a way that I'm really proud of."

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Cosmic Hallelujah CD review - Cosmic Hallelujah
The gospel, per Kenny Chesney's pseudo-spiritually-titled album, "Cosmic Hallelujah," is that the world is too crazy to make any sense of, and the only logical response is to drink more alcohol. (So, don't be surprised if there are more arrests for public intoxication at the performer's upcoming concert dates). Nearly every song includes lines about drinking alcohol - and not merely for the taste. This content will please many of his hard-partying fans. »»»
Life on a Rock CD review - Life on a Rock
Despite the carefree, cruise-line posture of most Kenny Chesney records, there's always a nagging suspicion that his party-time vibe is about as predictable as a plastic pink flamingo on a Palm Beach patio. Yet Chesney's career-long theme of girls, guitars, beer and beaches (not always in that order) - and the occasional piece of farm machinery - has yet to wear thin. And with summer fast approaching, that's okay. Chesney's latest is something of a running journal of his »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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