Help support
Country Standard Time
 

Country Music Hall of Fame spotlights John Hartford

Friday, January 9, 2009 – John Hartford will be the subject of the Country Music Hall of Fame's newest spotlight exhibit, John Hartford: Ever Smiling, Ever Gentle on My Mind, which opens Jan. 24. The exhibit examines Hartford's career, including his songwriting success with the country-pop standard Gentle on My Mind, his experimental and influential approach to traditional music, and his endeavors as an artist, performer, steamboat pilot, author and historian.

Incorporating moving images, photographs, costumes, handwritten lyrics and instruments from the museum's collection and the Hartford family, the spotlight exhibit, located within the Museum's permanent exhibition, will run through January 2010.

"In many ways, John Hartford is the Mark Twain of traditional music," said Mick Buck, the museum's curator of collections. "He was a beloved American figure whose influence went far beyond his commercial success. He brought literacy, humor and inventiveness to his music, and an eclectic sense of adventure to his life. He was a true artist in every sense of the word."

John Cowan Harford (he added the "t" later at the request of producer Chet Atkins) grew up in St. Louis along the Mississippi River. As a child, he was instantly drawn to traditional string music, particularly Earl Scruggs, and became proficient on fiddle, banjo and guitar. While still in his teens, he began playing professionally in central Missouri and Illinois bluegrass groups.

In 1965, Hartford moved to Nashville to work as a late-night disc jockey for WSIX. After his songs reached Chuck Glaser of the Glaser Brothers, Hartford was signed to RCA. His big break came in 1967, when Glen Campbell's recording of Hartford's song Gentle on My Mind became a Grammy-winning pop and country hit. It would later be recorded by hundreds of artists including Aretha Franklin, Dean Martin and Elvis Presley.

After moving to California in 1968, he was hired as a script writer and performer for CBS's Smothers Brothers Comedy Hour and Glen Campbell Goodtime Hour, where he spent 2 prime-time seasons working in Hollywood. In 1971, Hartford switched gears and returned to Nashville to record his acoustic album, "Aereo-Plain."

Hartford soon began reconnecting with his childhood companion, the Mississippi River. He spent summers working as a pilot on the steamboat Julia Belle Swain. The lifestyle eventually wove its way into Hartford's music when, in 1976, he released an entire album of original river-oriented songs, "Mark Twang." The album received a Grammy for Best Ethnic or Traditional Recording. It was Hartford's first album without a band, and it mirrored his newly honed stage act, which consisted of Hartford switching between banjo, fiddle and guitar, while dancing and tapping his feet percussively on an amplified plywood board.

For the remainder of his career, Hartford delved deeper into old-time music and its history. He worked on a biography of West Virginia fiddler Ed Haley while recording many of Haley's tunes. His contributions to "O Brother, Where Art Thou?'s" Grammy-winning soundtrack once again thrust Hartford into the limelight.

Hartford's other forays included voiceovers for film and television documentaries, notably Ken Burns' Civil War series on PBS. In 1986, he authored a children's book Steamboat in a Cornfield, which recounted the true story of the steamboat Virginia.

On June 4, 2001, Hartford lost his 20-year battle with non-Hodgkins lymphoma.

Artifcats in the exhibition include:

Hartford's handwritten lyrics to "Gentle on My Mind."

Hartford's 1967 Grammy Awards for Best Folk Performance and Best Country & Western Song.

A guitar built by Roy Noble for Hartford in 1969.

A jacket, pants, and cowboy boots worn by Hartford on the Smothers Brothers Comedy Hour and the Glen Campbell Goodtime Hour.

Hartford's gold-plated Fender Concert Tone five-string banjo used on the Glen Campbell Goodtime Hour and on his album Aereo-Plain. The banjo includes a riverboat sketch drawn by Hartford on the banjo head.

Hartford's black Stetson bowler, thirteen-pocket vest and Italian wingtip shoes worn during many performances.

One of Hartford's riverboat sketches for the cover of his 1979 album "Slumberin' on the Cumberland."

Hartford's steamboat pilot license, issued in 1987.

Hartford's custom-made 1988 Barnes & Lamb violin. The instrument features a carving of his bust on the scroll, lyrics from Gentle on My Mind on the sides, and a carved anchor and painting of a steamboat on the back.

A 2001 Grammy for Album of the Year awarded to Hartford for "O Brother, Where Art Thou?"

CD reviews for John Hartford

Good Old Boys
Long considered a national musical treasure for his championing of traditional old-time music, John Hartford has written his fair share of classics, too. His best known composition, "Gentle On My Mind," was a big hit for Glen Campbell. The breezy locomotion of that tune is echoed faintly in the title track to this collection of all new originals, and Hartford is so obviously at ease with the material and his fellow players that it takes a lot less than the song's 6 1/2 minutes for »»»
Steam Powered Aereo-Takes
Much like country rock of the late '60s and early '70s, it's nearly impossible to pinpoint an album that defined the progressive bluegrass movement of the same era. But among them must be the late John Hartford's "Aereo-Plain." Rounder Records has re-released a new collection of out-takes as well as originals from the 1971 classic. Several lost tapes from the sessions, which included Aereoplane Band members Vassar Clements, Norman Blake, Tut Taylor and Gary Scruggs, »»»
Hamilton Ironworks
Among the saddest events in the American music scene of 2001 was the passing in early June of John Hartford, whose contributions to the old time and bluegrass music he loved so much went well beyond his talents as an entertainer. He was a fiddler, a singer, a banjo picker, a teacher, a historian and a walking encyclopedia of what made American music American. Ironically, although he entered the consciousness of millions by way of his TV appearances as Glen Campbell's banjo playing sidekick »»»
Editorial: American Idol's Carrie Underwood can sing – If anyone saw the Super Bowl – what a great great game that was – they would have heard American Idol winner and country superstar Carrie Underwood sing the National Anthem. Underwood did with her voice what Kelly Clarkson did last week with her written words – give it to Scott Borchetta, the head of Big Machine Records,, who tried defending Taylor Swift by knocking American Idol performers. »»»
Concert Review: McBride, Adkins shine sometimes – As Martina McBride pointed out, the pairing of the country singer with Trace Adkins on their current jaunt was surprising. After all, she's of diva-quality voice, petite, non-controversial unless you call singing songs that empower women controversial. Adkins, on the other hand, has not been afraid to speak his mind with a kick butt attitude.... »»»
Concert Review: Eilen Jewell wears her musical hats well – Eilen Jewell wears a lot of musical hats. The Idaho native, who now lives in Boston, fronts the Eilen (ee-lin) Jewell Band, a pretty much traditional country band. She's a member the Sacred Shakers, an octet doing gospel country with a country beat. And she has yet another project, Butcher Holler, covering Loretta Lynn songs.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Touring, recording, and releasing music independently...
Nowhere Nights
Blue Highway takes 15 years for "Some Day" Blue Highway's banjo player Jason Burleson acknowledges that their 1995 debut album "It's A Long, Long Road" turned out to be prophetic. It has been quite a journey for the Tennessee-based band that has become one of the "gold standards" of bluegrass, with 8 more "signpost" albums along the way, the latest being their newly-released 15th Anniversary collection on Rounder, "Some Day."... »»»
Elvis Presley: at 75, I still care Elvis Aron Presley, had he not collapsed face first into a shag carpet in his Graceland bathroom on Aug. 16, 1977, would have been 75-years-old Friday. Yet, somehow, his birthday seems all the more important because he is not actually here while others feast at his table. Graceland - a greater cultural icon and more milkable cash cow than even the Rock and Roll Hall of Fame - is being remodeled for future generations to come, gawk and breathe in a few scant molecules of the King's essence. Do the new overseers really care about Elvis?... »»»
Best CD of 2009 Here it is the top 30 for 2009. This isn't authoritative in case you thought otherwise. It's just one man's opinion about his favorite CDs of the year, which seemed a cut above everything else. It was incredibly hard figuring out a number one CD for the year between the Avett Brothers, Brad Paisley and George Strait. All three were great albums from different perspectives of country and roots music, and at any one time over the past few days, each was my favorite. Come back in a few days, and who knows? Maybe the order will change.... »»»
Lyle Lovett takes nothing for granted on "Natural Forces" (or anywhere else) To say that Lyle Lovett has a great new album in "Natural Forces" is a newsflash akin to announcing that oxygen is now available for mass consumption at no charge. Lovett's musical quality is as automatic as a politician's promise and infinitely more trustworthy, which might lead one to believe that, at a certain level, the Texas singer/songwriter has become slightly jaded by the consistent accolades thrown his way. One would be very mistaken.... »»»
Patty Loveless brings her "Mountain Soul" again When "Mountain Soul" became a critical success, it wasn't long before fans began requesting a follow-up from Patty Loveless. "They were questioning last year when I was ever going to do another record such as the first 'Mountain Soul,'" Loveless says. "So, Saguaro Records came to me about doing another record with them, and we suggested doing one to coincide with the popularity of what the first one did."... »»»
Rosie Flores becomes "Girl of the Century" Rosie Flores played in Screaming Sirens, back when cow-punk wasn't (yet) cool. She also helped turn Los Angeles, that underground roots rock town south of Bakersfield, into a flourishing alternative country music scene in the '80s. Her self-titled debut album was produced by Peter Anderson, who played guitar and produced some guy named Dwight Yoakam, and she even handled lead guitar work for Butch Hancock's band in 1994. She ain't done yet, though, as her new CD demonstrates.... »»»
Haywire CD review - Haywire
There are two versions of Josh Turner's fourth CD - standard and deluxe. The deluxe has the same 11 tracks as the standard, plus (among other goodies) live versions of previously released songs Long Black Train and Your Man . But don't spend more money than you have to; if it's redundancy you're looking for, there's plenty to be had on the standard version. »»»
Somewhere in Time CD review - Somewhere in Time
If Rascal Flatts is country music's clean cut, commercially palatable Beatles, then Reckless Kelly is the genre's Rolling Stones; grittier, more authentically influenced, rawer at the core even when their output is every bit as polished. The brainchild of Idaho brothers Willy and Cody Braun, Reckless Kelly was crowned Austin's Best Country Band in the city's 2008 music awards, an incredible honor. »»»
As He Wanders CD review - As He Wanders
Fans of country - and we're using a definition starting just west of real country and stopping a bit south of alt.-country - who aren't sold on Austin's Texas Sapphires four songs in can be suspected of unnecessary stubbornness. Just look what that first third offers. You get both male and female voices: Billy Brent Malkus' is handsome yet tough and wiry enough for a bar fight, and Rebecca Lucille Cannon's is lovely yet, well, tough and wiry enough for a bar fight. »»»
Dailey & Vincent Sing The Statler Brothers CD review - Dailey & Vincent Sing The Statler Brothers
In the 60's through '80's, the Statler Brothers, Don and Harold Reid, Phil Balsley, Jimmy Fortune and the late Lew Dewitt, were the hottest thing going. They set the standard for modern country vocal groups. Bluegrassers Jamie Dailey and Darrin Vincent do a great job of honoring their idols, covering classics like "Flowers On The Wall," "Bed of Roses," "Thank You World" and "Class of '57." »»»