Buddy, Julie Miller schedule first CD in eight years
Wednesday, December 10, 2008
– Buddy and Julie Miller have been writing and making music together since they first met and married more than 20 years ago, but it's been rare that the have recorded together. In fact, their second disc, "Written in Chalk," drops March 3, 2009 on New West., 8 years after their debut together.
Guests on the 12-song record include Robert Plant, Emmylou Harris, Patty Griffin, Regina and Ann McCrary and Larry Campbell. The record was recorded at the couple's home studio in Nashville.
Julie Miller has released six solo albums and Buddy five. While Buddy was out on tour recently with Robert Plant and Alison Krauss as well as The Three Girls and Their Buddy tour he does with Emmylou Harris, Shawn Colvin and Patty Griffin, Julie wrote 9 songs for the record.
The disc includes ballads, such as Don't Say Goodbye with Griffin on backing vocals. Buddy contributes to the country rock duet Gasoline and Matches and Dee Ervin's more bluesy, One Part, Two Part, which Buddy sings with Regina and Ann McCrary. Plant adds vocals on What You Gonna Do, Leroy, a swampy stomp written by Mel Tillis and originally performed by Lefty Frizzell.
The Majestic Silver Strings
Buddy Miller is one of Nashville's finest guitarists. He's also a tasteful player. Therefore, while "Buddy Miller's The Majestic Silver Strings" may read like a guitar lover's dream, this is not just an excuse for Miller - along with his fellow guitar stars, Bill Frisell, Marc Ribot and Greg Leisz - to show off on said silver strings.
In fact, this album is as much about great (mostly) female singing, as it is about string bending. For instance, it's such a »»»
Universal United House of Prayer
Buddy Miller has always been on the outskirts of mainstream country music, mixing influences from gospel to blues to bluegrass and hanging out with folks like Jim Lauderdale and Emmylou Harris. He continues to march to the beat of a different drummer on this, his first true gospel album.
He sets the record up with a dark electric rocker, "Worry Too Much," in which he frets about the problems with the world. In the next song, a bright acoustic reading of the Louvin Brothers' "There's a Higher »»»
Midnight And Lonesome
This is an album without discernable weakness, and it adds to a growing sense that Buddy Miller is on his way to being the 21st century, Americana permutation of Charlie Rich. His country soul groove, his musical eclecticism and his vocal and instrumental chops certainly lend credence to such a comparison. So does a wife whose collaborations are essential to his art and whose songs are the frameworks for some of his strongest performances.
Here, those performances include the near-to-unbearable »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Washburn, Fleck give reasons to be happy
"I sing because I'm happy," sang Abigail Washburn toward the end of her show with fellow banjo picker (not to mention, husband) Bela Fleck in the closing number of the night "His Eye is on the Sparrow."
Washburn had a lot of reason to be on this night in a beautiful setting at Harvard University. The two held court over two... »»»
Concert Review: For The Jayhawks, no reissues needed
The Jayhawks have not released any new music since 2011's "Mockingbird Time," but, well actually, there are reasons for one of the key contributors to the alt.-country music.
In July, "Sounds of Lies" (1997), "Smile" (2000) and "Rainy Day Music" (2003) saw the light of day again in expanded reissue versions.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
Jake Brown can't stop writing about music. Over the past 10 years, he's published 35 books, ranging from "Rick Rubin: In the Studio" and "Suge Knight: The Rise, Fall and Rise of Death Row Records" to "Heart: In the Studio." In 2012, he won the Association for Recorded Sound Collections Awards in the category of Excellence in Historical Recorded Sound Research.... »»»
Perhaps there are few more beloved names in the world of country and bluegrass music than Ricky Skaggs and his wife Sharon of the country music family act The Whites. The two have been close friends since their teenage years through music, first meeting at a festival where White was performing with her father Buck White and sister Cheryl, and Skaggs was playing with Keith Whitley.... »»»
Taking a second look at the two-album deal he had recently signed with the Rounder/Concord group, and then at his busy upcoming touring schedule, Jerry Douglas suddenly realized he didn't have a lot of time to waste. The first album, "Three Bells," a collaboration with fellow resophonic guitar (aka "Dobro") titans Rob Ickes of Blue Highway and the late Mike Auldridge was pretty much ready to go, the sessions having been completed shortly before Auldridge's passing in December 2012 following a lengthy struggle with cancer.... »»»
Rock & Roll Time
One of the seminal figures in the development - some would say, the assault - of early rock 'n' roll, Jerry Lewis always possessed pure country credence as well. His initial outings mined the full spectrum of his rural Louisiana roots, bringing them to bear in a daring, often outrageous display of unrepentant madness and machismo that rivalled Little Richard and even Elvis himself in terms of sheer bravado. »»»
The title of Florida Georgia's second full length is accurate. For the duo of Tyler Hubbard and Brian Kelly, that means girls, girls and more girls plus an ultra dose of partying. That is evident from the refrain of the title track, which, of course, focuses on Friday night activities. "I brought the songs and you brought the party/Only one way to do it up right..."
Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines," »»»