Sign up for newsletter
 

Vince Gill resides at Country Music Hall of Fame

Wednesday, December 10, 2008 – Vince Gill will bring his guitars, songs, voice and probably a few musical friends when he takes the Ford Theater stage as the Country Music Hall of Fame and Museum's 2009 Artist-in-Residence. The Tuesday evening performances are slated for Feb. 3, 17 and 24, 2009.

Established in 2003, the Museum's residency program annually honors a musical master who "can be credited with contributing a large and significant body of work to the canon of American popular music," according to the hall. Previous honorees include Cowboy Jack Clement, Earl Scruggs, Tom T. Hall, Guy Clark, Kris Kristofferson and Jerry Douglas.

Gill residency event tickets ($40) will be on sale exclusively to museum members Dec. 15-16 by calling (615) 416-2001. Tickets will go on sale to the public at 9 a.m. on Wednesday, Dec. 17 and should be purchased online at www.countrymusichalloffame.com.

More news for Vince Gill

CD reviews for Vince Gill

Down to My Last Bad Habit CD review - Down to My Last Bad Habit
At this point in his career, Vince Gill could just as well have entitled this "Tried and True." He's not chasing trends - pop country or bro country - of chart-geared songs. He's too old for that, and at this point anyway, Gill knows what works for him. And there is quite a lot that works on his first solo album since 2011's "Guitar Slinger." (He did release the excellent "Bakersfield" with Paul Franklin in 2013). Gill prefers a more soulful approach, »»»
Guitar Slinger CD review - Guitar Slinger
It's hard to believe, considering what Vince Gill has accomplished over the past three decades, but the triple threat singer-songwriter-guitar picker may be in the most creative, productive stretch of his lengthy, remarkable career. Five years after Gill's Grammy-winning 4-album 43-song box set "These Days," his latest 12-song release again finds Gill tapping every ounce of his immense talents. The title song sums up his reputation as an ax man worthy of playing Eric »»»
These Days CD review - These Days
To put this release into perspective, it would take Axl Rose the better half of a century to issue the same amount of material. Fortunately, Vince Gill is about as prolific as they come these days, and this daring four-disc release only is further proof of that. Each disc is divvied up depending on his mood, with the opening "Working On A Big Chill" album being "The Rockin' Record." And this album sets things off right with the lovely mid-tempo and groovy title track. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
When Was the Last Time CD review - When Was the Last Time
Darius Rucker is so darn likeable, he likely gets away with creating subpar music more than most. However, "When Was the Last Time" is a consistently good album, which is as respectable as it is likeable. »»»
Losing Sleep CD review - Losing Sleep
Chris Young has one of the best country voices, and it's always a pleasure to hear him sing. But it's disappointing when the title cut sounds more like the groove to a Justin Bieber song than anything truly country.  »»»
A Long Way From Your Heart CD review - A Long Way From Your Heart
The name Turnpike Troubadours suggests traveling music. Strap yourself in and get ready for an exhilarating ride. This Oklahoma-based roots-rock unit soars on its fourth release. Not to diminish the strong songwriting from leader Evan Felker, it's the band's pulsating musicianship with an array of electric instruments combined with fiddle and pedal steel that makes the sound so arresting. »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»