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Marty Stuart Show kicks off Saturday

Thursday, October 30, 2008 – Marty Stuart's original television series The Marty Stuart Show will premiere this Saturday, Nov. 1 on RFD-TV at 8 p.m. Stuart handpicks each guest and executive produces the 30-minute episodes himself.

Each show will feature music by Stuart and his Fabulous Superlatives, as well as his wife Connie Smith and banjo man Leroy Troy. Radio personality Eddie Stubbs serves as the show's announcer and Stuart's sidekick on every episode.

"I love this show. It represents everything that I cherish about traditional country music," said Stuart. "I've fallen head over heels all over again with rhinestones, love songs, train songs, gospel songs, fancy pickin' and the steal guitar. I've always believed God made Saturday nights for country music. This show is a natural for Saturday night."

The following guests will appear through December:

Nov. 1 Little Jimmy Dickens

Nov. 8 Earl Scruggs

Nov. 15 Tennessee Mafia Jug Band

Nov. 22 Riders In The Sky

Nov. 29 John Anderson

Dec. 6 Old Crow Medicine Show

Dec. 13 Josh Turner

Dec. 20 Kentucky Headhunters

Stuart and long time friend Travis Tritt will reunite this fall for a cross-country acoustic tour kicking off Nov. 1 in Temecula, Cal.

More news for Marty Stuart

CD reviews for Marty Stuart

Way Out West CD review - Way Out West
Marty Stuart's "Way Out West" is, in part, his tribute to the music of California. The title cut gets straight to the point with a psychedelic journey song, which is as much a warning against drug abuse as it is a physical trip to the golden state. "Time Don't Wait" alludes to much of the garage rock that came out of California '60s, and more specifically points back to The Byrds' heyday with its glorious jangling Rickenbacker guitar part. »»»
Saturday Night/ Sunday Morning CD review - Saturday Night/ Sunday Morning
Since leaving his 1990s' mainstream country music output in his tracks, Marty Stuart has been on an incredible run, both in terms of quality and quantity. Not only has he continued to perfect his rocking-yet-traditional brand of country music, but he has also released several well-regarded gospel albums. His latest double, "Saturday Night/Sunday Morning," gives a double helping of music that will please both secular and sacred music fans. The country half is in keeping with »»»
Nashville: Volume 1 - Tear the Woodpile Down CD review - Nashville: Volume 1 - Tear the Woodpile Down
Marty Stuart lives and breathes country music. It's in his blood through associations with folks like Johnny Cash. He's a huge collector of country's history, a photographer, and, oh yeah, quite a fine musician. Stuart returns for another superb disc of only 10 songs (that's the only criticism here in a tight 31 or so minute set) mixing his stellar, full-bodied Mississippi drawl vocals, great playing, an instrumental, a spoken word (not the first time he has done that) with »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way – Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way. Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages – About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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