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"Lucky Old Sun" starts rising today for Kenny Chesney

Tuesday, September 23, 2008 – With the release of Kenny Chesney's "Lucky Old Sun" nearly a month away, eager fans can get a head start on Sept. 23 with iTunes' "Countdown To Kenny Chesney's Lucky Old Sun" when one track from the new album will be made available every week leading up to release.

Nowhere To Go, Nowhere To Be will be out today followed by Key's In The Conch Shell on Sept. 30 and Spirit Of A Storm on Oct. 7. The purchase of each track will count toward the cost of the album purchased on iTunes through its Complete My Album feature.

With the single Everybody Wants To Go To Heaven, sitting at number 2, "Lucky Old Sun" rises on Oct. 14 and its deluxe package will give fans access to downloads of the animated opening from this year's Corona Extra Poets & Pirates Tour as well as the Everybody Wants To Go To Heaven video featuring The Wailers. The deluxe package features extra songs including Boston, a song Chesney wrote with his tour production assistant Mark Tamburino and Got A Little Crazy from the Gillette Stadium show in Foxboro, Mass., and Soul Of A Sailor and Guitars And Tiki Bars from Margaritaville in Key West. The music only edition will be available Oct. 21.

More news for Kenny Chesney

CD reviews for Kenny Chesney

Life on a Rock CD review - Life on a Rock
Despite the carefree, cruise-line posture of most Kenny Chesney records, there's always a nagging suspicion that his party-time vibe is about as predictable as a plastic pink flamingo on a Palm Beach patio. Yet Chesney's career-long theme of girls, guitars, beer and beaches (not always in that order) - and the occasional piece of farm machinery - has yet to wear thin. And with summer fast approaching, that's okay. Chesney's latest is something of a running journal of his »»»
Welcome to the Fishbowl CD review - Welcome to the Fishbowl
Kenny Chesney is synonymous with all things summer and good times. "Welcome to the Fishbowl" is a radical departure. If you're going to drink a beer and listen to this album, you may need a Prozac chaser. It is a bit short on fun as Chesney deals with terminal illnesses, loss of privacy and lost love. It leads off with the catchy Come Over, which is in the same vein as Lady A's Need You Now. On Sing 'Em My Good Friend, a man selling an old guitar full of memories »»»
Hemingway's Whiskey CD review - Hemingway's Whiskey
There are two warring sides to Kenny Chesney's musical personality. There's the part of him that wants to record throwaway, beach bum anthems like Coastal. However, the singer's better half excels at ballads like Where I Grew Up. The latter song contrasts youthful foolish behaviors with events that add quality real world experiences to a life. Drinking beer with high school buddies may have made him feel like a man, but it was a drunk-driving accident that grew him up - but fast. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Washburn, Fleck give reasons to be happy  – "I sing because I'm happy," sang Abigail Washburn toward the end of her show with fellow banjo picker (not to mention, husband) Bela Fleck in the closing number of the night "His Eye is on the Sparrow." Washburn had a lot of reason to be on this night in a beautiful setting at Harvard University. The two held court over two... »»»
Concert Review: For The Jayhawks, no reissues needed – The Jayhawks have not released any new music since 2011's "Mockingbird Time," but, well actually, there are reasons for one of the key contributors to the alt.-country music. In July, "Sounds of Lies" (1997), "Smile" (2000) and "Rainy Day Music" (2003) saw the light of day again in expanded reissue versions.... »»»
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Elsewhere in the news

Currently at the CST blogs

Book dishes on guys writing the songs Jake Brown can't stop writing about music. Over the past 10 years, he's published 35 books, ranging from "Rick Rubin: In the Studio" and "Suge Knight: The Rise, Fall and Rise of Death Row Records" to "Heart: In the Studio." In 2012, he won the Association for Recorded Sound Collections Awards in the category of Excellence in Historical Recorded Sound Research.... »»»
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Douglas dreams on Taking a second look at the two-album deal he had recently signed with the Rounder/Concord group, and then at his busy upcoming touring schedule, Jerry Douglas suddenly realized he didn't have a lot of time to waste. The first album, "Three Bells," a collaboration with fellow resophonic guitar (aka "Dobro") titans Rob Ickes of Blue Highway and the late Mike Auldridge was pretty much ready to go, the sessions having been completed shortly before Auldridge's passing in December 2012 following a lengthy struggle with cancer.... »»»
Rock & Roll Time CD review - Rock & Roll Time
One of the seminal figures in the development - some would say, the assault - of early rock 'n' roll, Jerry Lewis always possessed pure country credence as well. His initial outings mined the full spectrum of his rural Louisiana roots, bringing them to bear in a daring, often outrageous display of unrepentant madness and machismo that rivalled Little Richard and even Elvis himself in terms of sheer bravado. »»»
Anything Goes CD review - Anything Goes
The title of Florida Georgia's second full length is accurate. For the duo of Tyler Hubbard and Brian Kelly, that means girls, girls and more girls plus an ultra dose of partying. That is evident from the refrain of the title track, which, of course, focuses on Friday night activities. "I brought the songs and you brought the party/Only one way to do it up right..."  »»»
Old Boots, New Dirt CD review - Old Boots, New Dirt
Arguing whether or not Jason Aldean's kinda (country) party is, in fact, anything remotely related to true country music is pointless. Aldean is so entrenched in the mainstream country marketplace now, we just need to accept him as he is, the same way we reluctantly accept Taylor Swift as "country." It's mighty tempting to subtitle a review of Aldean's new "Old Boots, New Dirt" release as 'Pickup Trucks & Pickup Lines," »»»