James Hand finishes recording new CD
Monday, September 15, 2008
– Texas honky tonker James Hand just finished recording his second CD for Rounder Records with a January release date. The disc was produced by Ray Benson (Asleep at the Wheel) and Lloyd Maines (Dixie Chicks).
Hand will participate in the Americana Music Festival this week with a show Friday at the Country music Hall of Fame.
Last month, Hand and his band filmed in Austin an episode of the NBC series Friday Night Lights.
More news for James Hand
CD reviews for James Hand
Stormclouds in Heaven
It's not necessary to have stepped foot in a church recently to find true pleasure in James "Slim" Hand's latest effort, a 14-song gospel album on which he wrote or co-wrote everything. There is delight to be found in the ease of Hand's vocals, which slide capably between joy and mournfulness, and his words, charged by the Holy Spirit and the ghost of Hank Williams.
Just as with his secular work, Hand writes vivid, deceptively simple songs that quickly have their way »»»
Mighty Lonesome Man
Texas-born singer and songwriter James Hand might be the first to laugh at making himself the subject of an old joke, the punch line of which would go something like, "It only took James Hand 40 years to become an overnight (cult) sensation." After decades as an underappreciated legend on the Lone Star honky-tonk circuit his breakthrough 2006 release "The Truth Will Set You Free" transformed him into a cult figure, only reinforced by the follow-up, "Shadow On The Ground. »»»
Shadows in the Ground
Texas artist James Hand, 57, has long been a Texas treasure, but is finally receiving more widespread acclaim. The 12-song release - his second for the label - includes only 1 cover, a western swing version of Nat King Cole's hit Mona Lisa. The rest of the record contains originals written by Hand that provides proof that traditional country music is still alive and well.
Co-produced by Asleep at The Wheel front man Ray Benson and Lloyd Maines, Hand delivers each song with a passion seldom heard today. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Drive-By Truckers finds little to celebrate
While introducing "Guns of Umpqua," off the new "American Band" album, Drive-By Truckers' Patterson Hood wondered out loud - in a profanity-laced observation - why he can never seem to see a flag not at half-mast anymore. "We can do better, people!" he admonished the crowd. In an election year with two of the most... »»»
Concert Review: Simpson rides the night out in style
Sturgill Simpson came to Beantown with a deserved music reputation after three albums and a well-received, albeit quite adventurous release earlier this year, "A Sailor's Guide to Earth." He doesn't have hits per se or much of a commercial presence. His rep has been built on quality.
While the Kentuckian's first two discs... »»»
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White Christmas Blue
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create pure country music. Lynn's "White Christmas Blue" album may feel like a Christmas miracle to many traditional country fans. »»»
For Better, Or Worse
With "For Better or Worse," John Prine follows up his "In Spite of Ourselves" album with more male/female duets. And this one is a true A-list effort, as it finds Prine trading lines with the likes of Miranda Lambert, Kacey Musgraves and Alison Krauss. Once again, though, Iris DeMent steals the show with the angry and sarcastic "Who's Gonna Take the Garbage Out," the same way she did with the prior album's title cut. »»»