James Hand finishes recording new CD
Monday, September 15, 2008
– Texas honky tonker James Hand just finished recording his second CD for Rounder Records with a January release date. The disc was produced by Ray Benson (Asleep at the Wheel) and Lloyd Maines (Dixie Chicks).
Hand will participate in the Americana Music Festival this week with a show Friday at the Country music Hall of Fame.
Last month, Hand and his band filmed in Austin an episode of the NBC series Friday Night Lights.
More news for James Hand
CD reviews for James Hand
Stormclouds in Heaven
It's not necessary to have stepped foot in a church recently to find true pleasure in James "Slim" Hand's latest effort, a 14-song gospel album on which he wrote or co-wrote everything. There is delight to be found in the ease of Hand's vocals, which slide capably between joy and mournfulness, and his words, charged by the Holy Spirit and the ghost of Hank Williams.
Just as with his secular work, Hand writes vivid, deceptively simple songs that quickly have their way »»»
Mighty Lonesome Man
Texas-born singer and songwriter James Hand might be the first to laugh at making himself the subject of an old joke, the punch line of which would go something like, "It only took James Hand 40 years to become an overnight (cult) sensation." After decades as an underappreciated legend on the Lone Star honky-tonk circuit his breakthrough 2006 release "The Truth Will Set You Free" transformed him into a cult figure, only reinforced by the follow-up, "Shadow On The Ground. »»»
Shadows in the Ground
Texas artist James Hand, 57, has long been a Texas treasure, but is finally receiving more widespread acclaim. The 12-song release - his second for the label - includes only 1 cover, a western swing version of Nat King Cole's hit Mona Lisa. The rest of the record contains originals written by Hand that provides proof that traditional country music is still alive and well.
Co-produced by Asleep at The Wheel front man Ray Benson and Lloyd Maines, Hand delivers each song with a passion seldom heard today. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Avett Brothers come home
For the 30th anniversary of the "Traditional Plus" MerleFest music festival, there might not be a more appropriate act to anchor the opening night than the Avett Brothers. Born of a desire to bring rock 'n' roll energy to traditional music and formed by devotees to Doc Watson, The Avetts may have outgrown their acoustic roots over... »»»
Concert Review: Turnpike Troubadours leave no doubt
Turnpike Troubadours have not released an album since mid-September 2015. Don't look for any new release hitting the streets any day now either. The last time the Oklahoma-based band played Boston, they were in a pretty, 1,200-seat theatre.
So, one could have been outwardly skeptical about the band when it downsized to a venue on the outskirts... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
For The Avett Brothers, MerleFest is a coming home of sorts. This year's edition of the MerleFest "traditional-plus" music festival in Wilkesboro, N.C., the event's 30th anniversary, a milestone sure to be marked by many different special appearances and commemorations during the festival's four-day run, is no exception.... »»»
There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
The Harmed Brothers
Let's put it succinctly. The Harmed Brothers may be the best band no one has ever heard of. Well, maybe that's an exaggeration. They do have their ardent admirers, so let's not discount their following entirely. Still, for those who are unaware, the band's new eponymous effort ought to make it clear that this is a group with a wealth of resources at their command. »»»