Sign up for newsletter
 

Prairie Oyster leads Canadian Country Music Hall of Fame inductees

Thursday, July 10, 2008 – Prairie Oyster heads the list of three inductees into the Canadian Country Music Hall of Fame. Brian Ferriman will join in the builder category, while Wes Montgomery makes it in the broadcast category.

"We are thrilled that these three inductees will be taking their rightful place in the Hall of Fame alongside their peers," said CCMA Hall of Fame Committee Chair Lynne Foster. "Each of these inductees have played a significant role in the development of the Canadian country music industry and are all truly deserving of this distinction."

Six-time winners of the CCMA Group of the Year Award, Prairie Oyster recently released their eighth studio album, "One Kiss." The group consists of lead singer Russell deCarle, guitarist Keith Glass, steel guitarist Dennis Delorme, keyboardist Joan Besen and fiddler John P. Allen.

Ferriman was instrumental in the careers of artists such as Terry Sumsion, Terry Carisse, The Good Brothers, Gary Fjellgaard and Michelle Wright, all of whom released some of their major hit recordings on Savannah Records, a label founded by Ferriman. He has been the recipient of the CCMA Manager of the Year Award on eight separate occasions.

Montgomery was one of the most successful morning show hosts in history. Montgomery would often play country music on his local Top 40 radio station in Edmonton. Montgomery passed away in 2005 and posthumously received the CCMA Award for On-Air Personalities of the Year, Major Market with co-host Jackie Rae Greening.

All of the inductees will be recognized during Country Music Week, to be held Sept.r 5-8 in Winnipeg. The four-day conference will be capped off with the 2008 CCMA Awards on Monday, September 8.

CD reviews for Prairie Oyster

Blue Plate Special
Canadian group Prairie Oyster have won five Junos (the Canadian equivalent of a Grammy) as Country Group of the Year in their 20-odd years of existence. So why haven't most Americans heard of them? Who knows? Maybe they're just too good for American country radio. If that's their problem, though, this album won't help. From the fiddle-and-steel country shuffles, "She Won't Be Lonely Long" and "If My Broken Heart Would Ever Mend," to the haunting ballad of resisting temptation, "The Water's Deep," »»»
Only One Moon
The new release by Canada's Prairie Oyster covers the musical spectrum. The opening cut, "Ancient History," is a cut that would be at home in any Texas honky-tonk. The band moves east to Cajun country with "Lousiette" written by guitarist Keith Glass, who penned five of the 12 songs. The musical journey continues with "Such A Lonely One," a song that could just as easily have been done by Roy Orbison with Duane Eddy on guitar. The band hits a high point with "She Don't Get The Blues" a straight »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Lots to like about McKenna (when you could hear her) – Lori McKenna had lots of reasons to be in a good mood. First off, the opening band, a pop act called teenender included two of her sons. In two days, her 11th disc, "The Tree" would be released to glowing reviews. So it would seem that this homecoming show was the ideal setting with all five kids, her husband, siblings, cousins, people who... »»»
Concert Review: With Sugarland, the wait was worth it – A few songs into Sugarland's show, Kristian Bush referenced the band's five-year gap between tours saying, "A lot of people think Jennifer and I have been on a five-year vacation. Actually, we've been very busy." Clearly a lot of that time was spent in rehearsal. The duo put on a two-hour high energy gem that started out big... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Tree CD review - The Tree
It's difficult to know where to start when praising Lori McKenna's "The Tree." It's so good in so many ways. Artists like Little Big Town and Tim McGraw have benefited greatly from recording McKenna songs, yet it's unlikely many mainstream country music fans recognize her name. »»»
Famous CD review - Famous
When considering Mason Ramsey, one is reminded of the idea that big things come in small packages. At 11, the Golconda, Ill. native has gained a far bigger audience than the nearby WalMart where a video of him singing and yodeling through Hank Sr. "Lovesick Blues" went viral big time. »»»
Circus of Life CD review - Circus of Life
"Circus of Life," the title of Kinky Friedman's album, is a little misleading. It conjures up images of carnival barkers and circus freaks and songs as odd as its cigar-manufacturing, politically-astute novelist author/songwriter. The album is far more sensitive than that title suggests, though. In fact, it's a welcome respite from modern day circus-like life. »»»