Patty Loveless readies new CD
Thursday, July 10, 2008
– Patty Loveless is gearing up to release her 19th album - a covers album - and first for a new label in September. "Sleepless Nights" will drop Sept. 9 on Sagauro Records.
Produced with her husband, Emory Gordy Jr., and backed by Harold Bradley, John Hobbs, Hargus "Pig" Robbins, Harry Stinson, Steve Gibson and Biff Watson, with background vocals by Vince Gill, "Sleepless Nights" features 14 titles that the pair culled from a pool of nearly 500 songs. The album is her first in three years.
"Emory and I were talking over dinner about recapturing some of these moments from my youth," Loveless said, "because I want to inspire and remind people of what country is made of. It takes me back especially to my brother, Roger, and my sister, Dottie, and the music they loved."
"It's a little bit of a history lesson, but I think once you hear the songs, the stories ... you're going to be drawn to it," she said. "People lived a little differently then, but at the same time, there's a lot more in common (with today) than people would think."
The title track is itself a bridge between the Gram Parsons/Emmylou Harris duet and the original Everly Brothers' version. Other songs include Webb Pierce's "There Stands the Glass," George Jones' "Color of the Blues" and Hank Williams' "Cold, Cold Heart."
"I felt like I could dip into my own soul," Loveless says of "Color of the Blues." "It grabs a hold of you and won't let go ... and when you're feeling down and out, that may be all you have to hold onto."
Songs on the CD are:
1. Why Baby Why
2. The Pain of Loving You
3. He Thinks I Still Care
3. Sleepless Nights
4. Crazy Arms
6. There Stands the Glass.
7. That's All It Took
8. Color of the Blues
9. I Forgot More Than You'll Ever
10. Next In Line
11 Don't Let Me Cross Over
12. Please Help Me I'm Falling
13. There Goes My Everything
14. Cold Cold Heart
Saguaro Road Records was formed in June 2008 by Direct Holdings Americas Inc. The company also markets and sells audio and video entertainment products under the Time Life brand, which it uses under license from Time Warner.
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Mountain Soul II
Patty Loveless' first venture into bluegrass, "Mountain Soul," along with a performance slot on the popular Down From the Mountain tour in 2001, helped Loveless to find a spotlight of her own in bluegrass. Eight years later, Loveless lends her still supple voice to a blend of bluegrass songs, traditional gospel tunes and even several self-penned songs, with solid, if not superb, results.
Loveless' voice occasionally shows signs of age here, but that very element brings a »»»
Quite simply, Patty Loveless is one of the finest traditional country singers in the past 15 years, and this covers collection that sometimes goes way back in time on a new label does nothing to dispel that fact one iota. She may be in middle age - and perhaps considered "old" by modern radio standards - but no need to worry about quality. The voice still reigns supreme. She wrings the lyrics for much emotion without overdoing it ("why did you go/don't you know I need »»»
Dreamin' My Dreams
Patty Loveless hit her peak popularity well over a decade ago now, with hits like "Timber, I'm Falling in Love" and "I Try to Think About Elvis." But in recent years, she's quietly recorded some of her best music, turning to bluegrass on "Mountain Soul" and now returning to more standard country fare.
Loveless' success has been based on two factors. First is incredible song selection - Loveless and her husband/producer Emory Gordy Jr. have a knack for finding songs that express the joy and pain »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McLean shows far more than two good songs
If you believe one overheard remark, that a Don McLean concert features only two good songs ("American Pie," "Vincent"), you would have missed a show that strongly contradicts such an assumption. McLean's performance offered an enjoyable mixture of career highlights and favorite oldies and is by no means a two-hit wonder.... »»»
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