Sign up for newsletter
 

Patty Loveless readies new CD

Thursday, July 10, 2008 – Patty Loveless is gearing up to release her 19th album - a covers album - and first for a new label in September. "Sleepless Nights" will drop Sept. 9 on Sagauro Records.

Produced with her husband, Emory Gordy Jr., and backed by Harold Bradley, John Hobbs, Hargus "Pig" Robbins, Harry Stinson, Steve Gibson and Biff Watson, with background vocals by Vince Gill, "Sleepless Nights" features 14 titles that the pair culled from a pool of nearly 500 songs. The album is her first in three years.

"Emory and I were talking over dinner about recapturing some of these moments from my youth," Loveless said, "because I want to inspire and remind people of what country is made of. It takes me back especially to my brother, Roger, and my sister, Dottie, and the music they loved."
"It's a little bit of a history lesson, but I think once you hear the songs, the stories ... you're going to be drawn to it," she said. "People lived a little differently then, but at the same time, there's a lot more in common (with today) than people would think."

The title track is itself a bridge between the Gram Parsons/Emmylou Harris duet and the original Everly Brothers' version. Other songs include Webb Pierce's "There Stands the Glass," George Jones' "Color of the Blues" and Hank Williams' "Cold, Cold Heart."

"I felt like I could dip into my own soul," Loveless says of "Color of the Blues." "It grabs a hold of you and won't let go ... and when you're feeling down and out, that may be all you have to hold onto."

Songs on the CD are:
1. Why Baby Why
2. The Pain of Loving You
3. He Thinks I Still Care
3. Sleepless Nights
4. Crazy Arms
6. There Stands the Glass.
7. That's All It Took
8. Color of the Blues
9. I Forgot More Than You'll Ever
10. Next In Line
11 Don't Let Me Cross Over
12. Please Help Me I'm Falling
13. There Goes My Everything
14. Cold Cold Heart

Saguaro Road Records was formed in June 2008 by Direct Holdings Americas Inc. The company also markets and sells audio and video entertainment products under the Time Life brand, which it uses under license from Time Warner.

More news for Patty Loveless

CD reviews for Patty Loveless

Mountain Soul II CD review - Mountain Soul II
Patty Loveless' first venture into bluegrass, "Mountain Soul," along with a performance slot on the popular Down From the Mountain tour in 2001, helped Loveless to find a spotlight of her own in bluegrass. Eight years later, Loveless lends her still supple voice to a blend of bluegrass songs, traditional gospel tunes and even several self-penned songs, with solid, if not superb, results. Loveless' voice occasionally shows signs of age here, but that very element brings a »»»
Sleepless Nights CD review - Sleepless Nights
Quite simply, Patty Loveless is one of the finest traditional country singers in the past 15 years, and this covers collection that sometimes goes way back in time on a new label does nothing to dispel that fact one iota. She may be in middle age - and perhaps considered "old" by modern radio standards - but no need to worry about quality. The voice still reigns supreme. She wrings the lyrics for much emotion without overdoing it ("why did you go/don't you know I need »»»
Dreamin' My Dreams CD review - Dreamin' My Dreams
Patty Loveless hit her peak popularity well over a decade ago now, with hits like "Timber, I'm Falling in Love" and "I Try to Think About Elvis." But in recent years, she's quietly recorded some of her best music, turning to bluegrass on "Mountain Soul" and now returning to more standard country fare. Loveless' success has been based on two factors. First is incredible song selection - Loveless and her husband/producer Emory Gordy Jr. have a knack for finding songs that express the joy and pain »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Hillman bides his time Legends don't come any more legendary than Chris Hillman. The roll call of bands that comprises Hillman's half century in music reads like a wing exhibit at the Rock & Roll Hall of Fame; Byrds, Flying Burrito Brothers, Manassas, the Souther Hillman Furay Band, the Desert Rose Band,... »»»
The Cadillac Three creates its "Legacy" William Shakespeare noted a few centuries back that a rose by any other name would be equally aromatic, and that general idea has musical implications as well. The Cadillac Three knows a thing or two about maintaining a sonic identity after a name change;... »»»
With Stanley and Watson, sound isn't elementary Those aware of the late Owsley "Bear" Stanley likely know him for one of two reasons - his pioneering work manufacturing lysergic acid diethylamide (LSD) in San Francisco during the mid-to-late 1960s and his role as an innovative sound engineer. Most notably, Bear worked...... »»»
First Cigarette CD review - First Cigarette
The stunning vocal of Travis Meadows on the opening track, "Sideways," brims with honesty, pain and hard-earned wisdom as he offers a blend of confession and advice, stimulated by an experience at an adolescent addiction treatment center. Meadows, like many, is one of those Nashville songwriters ("Riser" for Dierks Bentley and "What We Ain't Got" for Jake Owen), but is finding his own voice relatively late in life. »»»
The Long Awaited Album CD review - The Long Awaited Album
When last we visited a new album from Steve Martin & the Steep Canyon Rangers, 2011's "Rare Bird Alert," we found a cohesive, focused collection of bluegrass; it was an expansive, artistic creation that only benefited the bluegrass community. A subsequent live album (strikingly entitled "Live") presented a continued refinement of this pairing's chemistry.  »»»
Bidin' My Time CD review - Bidin' My Time
With all the memorable music Chris Hillman created with The Byrds, Flying Burrito Brothers and Desert Rose Band, he has nothing left to prove. He's a both a bona fide rock and country icon. Tom Petty, who owes an obvious debt to Hillman's...  »»»
Turmoil & Tinfoil CD review - Turmoil & Tinfoil
Billy Strings. It takes a lot of nerve to adopt such a nom de plume (in this case nom de guerre might be more appropriate) in the bluegrass world, but Billy Strings is up to the challenge, and more. Strings (real name William Apostol) grew up in Michigan, surrounded by musicians. »»»
Jon Langford's Four Lost Souls CD review - Jon Langford's Four Lost Souls
Jon Langford shifts musical gears as effortlessly as a European race car driver on a Grand Prix course. Looking at the totality of his career (The Mekons, Waco Brothers, Skull Orchard, the Three Johns, Wee Hairy Beasties, Pine Valley Cosmonauts, Bad Luck Jonathan, God knows what else), it hardly seems as though one peg could have fit into all those oddly shaped holes... »»»
Contraband Love CD review - Contraband Love
Larry Campbell and Teresa Campbell could have been content to retain their status as musicians on call, given the fact that they've loaned their services to any number of high profile employers -- Bob Dylan, Rosanne Cash, Mavis Staples, Levon Helm, Little... »»»