Help support
Country Standard Time
 

Little Big Town bike ride raises money to fight cancer, AIDS

Wednesday, June 11, 2008 – Little Big Town raised $35,000 for the T.J. Martell Foundation's second annual Ride For A Cure motorcycle ride on Sunday. Little Big Town, with the help of artists Darryl Worley, Lonestar, Jennifer Hanson, Gary Chapman, GAC's Storme Warren, Ira Dean, Chuck Wicks, Jeff Allen, Christian Kane, Earl Brown, Bluefield, Kendall Johnson, Levi Rose, Randy Houser, Ray Scott, Jamie Johnson, The Roys and FLOORD turned out to ride from one Harley-Davidson store in the Nashville area to another in 95-plus degree heat where they met fans, enjoyed a barbecue lunch and performed in a post-ride jam session.

"Everyone seemed to have a great time, and we were so pleased to see such wonderful support from the many sponsors, participants, artists and fans that came to help us raise vital dollars for research," said Kimberly Schlapman of Little Big Town. "Ride For A Cure was a great way for us to end CMA Music Fest week by giving back to such a wonderful cause as the T.J. Martell Foundation."

Prior to the start of the ride, Little Big Town was awarded the T.J. Martell Foundation - Nashville Division's Artist Appreciation Award for their support in the foundation's mission of funding leukemia, cancer and AIDS research. Mike Kraski, Chairman of the T.J. Martell Foundation's Board of Directors Artist Relations Committee and Laura Heatherly, Executive Director of the Foundation presented a special plaque to Karen Fairchild, Jimi Westbrook, Kimberly Roads and Phillip Sweet of Little Big Town.

"Little Big Town is a great example of how artists can get really get involved with a music industry supported cause such as the T.J. Martell Foundation and help raise vital dollars for research," said Kraski. "After attending some Martell events and learning about the mission of the charity, they decided they wanted to play a major role with the organization and host the motorcycle ride."

More news for Little Big Town

CD reviews for Little Big Town

A Place To Land (re-release) CD review - A Place To Land (re-release)
Little Big Town's third studio album was recently re-released by the group's new label after they split from Equity Music Group and took the CD with them. Those already familiar with the quartet will find a dozen tracks from the original recording, but there are also four new tracks to enjoy including a live coda - a cover of The Dream Academy's Life in a Northern Town - recorded with Jake Owen and Sugarland that has charted on its own. Highlights include That's Where I'll »»»
A Place To Land CD review - A Place To Land
If "Rumors-" era Fleetwood Mac was just starting out today, they would be considered a country band. Need proof? Meet Little Big Town. The oxymoronically-named quartet does the kind of country music that would have been considered mainstream rock in the '60s or '70s. They seem to be playing this generational kinship up on their third album. The band's new logo would have been right at home on a vintage Jefferson Airplane rock poster. And check out Karen »»»
The Road to Here CD review - The Road to Here
Little Big Town went for an overpolished sound the first time out and quickly found themselves off of Sony, but they have found themselves here. The quartet - Phillip Sweet, Jimi Westbrook, Karen Fairchild and Kimberly Roads - is a countrified Fleetwood Mac, but far moreso than say Bering Strait. That's apparent from the instrumentation with lots of mandolin, fiddle, Dobro and banjo. This is a cohesive effort as well with lot of strong harmonies, sometimes beautiful sounding and sometimes with »»»
Editorial: Taylor Swift sells out – Taylor Swift is on a huge roll - big sales of her album "Fearless," well at least in this day and age. Hit singles. Fans flocking to her shows. She's all over the place in the media. Today, the news got even better for her as she started selling tickets to her 2010 shows. »»»
Concert Review: Not the same old Avett Brothers, and that's okay – This was not the same old Avett Brothers' performance. For starters, it was by far their biggest crowd in the area, coming close to filling a 2,200-capacity venue. But perhaps more importantly, it was a case of the sometimes country, sometimes rootsy, always high energy and raucous quartet touring behind their Rick Rubin-produced major label debut.... »»»
Concert Review: With Krauss, Fleck aboard, Rounder celebrates 40th – Rounder Records celebrated 40 years as one of the most influential independent record labels in the industry by showcasing some of their most beloved acts from the genres of soul, folk, bluegrass and even Zydeco with artists ranging from Bela Fleck and Irma Thomas to Allison Krauss. Actress Minnie Driver pulled double-duty as a performer and host for the evening.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Rosie Flores becomes "Girl of the Century" Rosie Flores played in Screaming Sirens, back when cow-punk wasn't (yet) cool. She also helped turn Los Angeles, that underground roots rock town south of Bakersfield, into a flourishing alternative country music scene in the '80s. Her self-titled debut album was produced by Peter Anderson, who played guitar and produced some guy named Dwight Yoakam, and she even handled lead guitar work for Butch Hancock's band in 1994. She ain't done yet, though, as her new CD demonstrates.... »»»
The Avett Brothers get darker Since Scott and Seth Avett traded in the shredding indie rock sound of their first band, Nemo, for the front porch bluegrass vibe of the Avett Brothers nearly a decade ago, the North Carolina trio (Scott on banjo/vocals, Seth on guitar/vocals and stand-up bassist Bob Crawford) has come to define the DIY ethic. But now on a major label and uber producer Rick Rubin still at the helm, is that still the case?... »»»
Deer Tick rises with "Born on Flag Day" Deer Tick vocalist/guitarist/songwriter John McCauley III is clearly a guy who lets his music do the talking. And on the day of our interview, the Providence, R.I. native is letting his talking do the drinking as he simultaneously enjoys a sunny Colorado afternoon and a margarita before getting ready to drive to Portland, Ore. for the next night's show. "Wasting away again," says McCauley with an audible smile. ... »»»
Old Things New CD review - Old Things New
Joe Nichols' life has taken some dramatic turns since the release of his last record, "Real Things." Ironically, the 2007 album's title was a perfect fit for this offering as those turns have led Nichols to record some of the most personal songs of his career. »»»
Girl of the Century CD review - Girl of the Century
Rosie Flores is the last person that needs more spunk, but somehow producer Jon Langford found a way to add a few more ounces of bounce to this rockabilly firebrand's stride. Flores might be small in stature, but she sure works up a big, bold sound throughout this excellent release.  »»»
Family Circle CD review - Family Circle

From Sweet Appalachia to his girl leaning on a car fender in all of her Barbaric Splendor, Del McCoury reminds us his music and rural life is far from unsophisticated. The songs range from the straight bluegrass of Hello Lonely to the near swing tune I Remember You sung in high lonesome. There are waltzes, breakdowns, gold rush story songs and odes to moonshine in The Revenuer's Blues. »»»

Dolly CD review - Dolly
Over the course of 99 tracks on 4 discs, RCA/Legacy Recordings has given music fans a concise and nearly complete snapshot of Dolly Parton's considerable impact on country music with the release of the new box set - a task not accomplished by any other collection. The set covers all the career-defining hits you would expect.  »»»
Circles Around Me CD review - Circles Around Me

As a founding member of New Grass Revival, ace mandolin player Sam Bush played a key role in helping to develop a progressive bluegrass voice that broke away from the strict guidelines and conventions of traditional bluegrass music. Although he is primarily known for his spirit of innovation, Bush's latest release, his eighth as a solo artist, is notable because it embraces the traditional roots that first steered him toward bluegrass music. »»»