Fans vote on Dierks Bentley greatest hits
Wednesday, April 2, 2008 – Dierks Bentley has the fans to blame for the title of his upcoming CD. Fans logged on to his web site Tuesday to help determine what special content, album title and artwork should be used for Bentley's first greatest hits collection, due in stores May 6 on Capitol Nashville.
In an online town hall meeting last night, Bentley announced the final results to more than 2,000 fans interacting live via video chat on www.dierks.com. The fans voted that the album will be titled "Greatest Hits//Every Mile A Memory 2003 - 2008" and will include Bentley's 10 Top 10 and number 1 radio hits, 4 live versions of crowd favorites "So So Long," "Lot of Leavin' Left To Do," "Wish It Would Break" and "Free & Easy (Down The Road I Go)" and two new tracks, "With The Band" and "Sweet & Wild" (featuring Sarah Buxton).
The first 3,000 fans who participated in the DB Hits/Fan Project program will be listed as executive producers in the final album's liner notes, and a donation to Vanderbilt Childrens' Hospital will also be made in their honor. The fans had to pay to be listed.
Bentley is currently in the studio working on his fourth studio album of original material and his Throttle Wide Open tour is back in action this week in Jackson, Tenn., Birmingham, Ala. and Hot Springs, Ark.
More news for Dierks Bentley
CD reviews for Dierks Bentley
Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs.
Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»» |
Feel That Fire
Like it or not, music is a business. And when an artist as vital to the country world (so-called commercial country and beyond) as Dierks Bentley releases a new record, you can be sure that somewhere, someone in a suit is looking at graphs. So, in that unholy spirit, let's look at "Feel That Fire" in those terms. If it were a pie chart, it'd be dominated by two equally big old slices, one labeled Rockers and one labeled Ballads. The songs making up the former never fail to work »»» |
Greatest Hits: Every Mile A Memory 2003-2008
The idea of letting your fans pick the front and back cover photos and title of your greatest hits package could strike the casual observer either as gimmickry or a thank you to the hardcore. Not to mention having thousands of your fans fork over a few bucks to be listed as executive producers, albeit for charity. Fortunately, for Bentley, this effort does not come off as calculated.
He accumulated a slew of excellent songs in a career continuing on the upward trajectory. »»» |
Editorial: Walking the talk –
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: McGraw has plenty of fight left –
Despite the fact that Tim McGraw is five years sober, fit as a triathlete and touring behind a number one album, he is still in an unenviable position. As he approaches 50, McGraw has to stay a step ahead of the current crop of young country hunks with TV shows, cross format radio airplay and wider appeal. But as he proved at First Niagara's... »»»
Concert Review: Steve Earle doesn't rest (on laurels) –
If you didn't realize Steve Earle had a new disc out, "The Low Highway," it would have been no problem realizing that quite and quickly.
That was because Earle started the two-hour show with three straight tracks from "The Low Highway," and he would not be done for the night. The title track of was a midtempo effort... »»»
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