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Fans vote on Dierks Bentley greatest hits

Wednesday, April 2, 2008 – Dierks Bentley has the fans to blame for the title of his upcoming CD. Fans logged on to his web site Tuesday to help determine what special content, album title and artwork should be used for Bentley's first greatest hits collection, due in stores May 6 on Capitol Nashville.

In an online town hall meeting last night, Bentley announced the final results to more than 2,000 fans interacting live via video chat on www.dierks.com. The fans voted that the album will be titled "Greatest Hits//Every Mile A Memory 2003 - 2008" and will include Bentley's 10 Top 10 and number 1 radio hits, 4 live versions of crowd favorites "So So Long," "Lot of Leavin' Left To Do," "Wish It Would Break" and "Free & Easy (Down The Road I Go)" and two new tracks, "With The Band" and "Sweet & Wild" (featuring Sarah Buxton).

The first 3,000 fans who participated in the DB Hits/Fan Project program will be listed as executive producers in the final album's liner notes, and a donation to Vanderbilt Childrens' Hospital will also be made in their honor. The fans had to pay to be listed.

Bentley is currently in the studio working on his fourth studio album of original material and his Throttle Wide Open tour is back in action this week in Jackson, Tenn., Birmingham, Ala. and Hot Springs, Ark.

More news for Dierks Bentley

CD reviews for Dierks Bentley

Black CD review - Black
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from. That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Riser CD review - Riser
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley. Bentley embraces current trends in country »»»
Up on the Ridge CD review - Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs. Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Kristofferson gives insight, but no easy answers – When they say music gets better with age, they're not always just talking about songs alone; sometimes they're also referring to the listener. When Kris Kristofferson sings, "Well, I woke up Sunday morning/With no way to hold my head that didn't hurt," to smartly open "Sunday Mornin' Comin' Down," he... »»»
Concert Review: No sugarcoating, Welch dishes out an experience – Gillian Welch (accompanied, as always, by master guitarist David Rawlings), celebrated her "The Harrow & The Harvest" album with a powerful night of music. She apologized many times for the utter unhappiness expressed through this album's songs, admitting it's "not the most chipper album" at one point.... »»»
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