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Old 97s, The Waco Brothers and Chuck Prophet headline Twangfest

Thursday, March 27, 2008 – The Old 97s, The Waco Brothers and Chuck Prophet are among the acts appearing at this year's 12th annual Twangfest this June in St. Louis.

Continuing its partnership with KDHX 88.1 FM, the festival, which began in 1997, stretches its boundaries with veteran artists and up-and-coming bands.

The Old 97s makes its first appearance at the festival, headlining Friday night, June 6, at the Pageant. Celebrating 15 years together, Old 97s has released seven albums and will release their first disc in 4 years later this year.

Prophet headlines Wednesday night, June 4, at the Schlafly Tap Room. Prophet, who released "Soap and Water" on Yep Roc records last year, will make his first appearance in St. Louis in more than 3 years and his first ever appearance at Twangfest. Joining Prophet are Missouri natives and twangy rockers Ha Ha Tonka, who released "Buckle In the Bible Belt" on Bloodshot Records in 2007, and local band Miles of Wire.

On Thursday night, June 5, and also making their Twangfest debut, The Gourds of Austin headline with their quirky, rowdy rock and folk grooves. Rhythm and blues singer Charles Walker and his band The Dynamites also play the Duck Room on Thursday night.

Country punks The Waco Bros., who headlined the very first festival, will close out Saturday night, June 7, back at Off Broadway, the original home of Twangfest.

More performers and special events will be announced in the coming weeks.

More news for Old 97's

CD reviews for Old 97's

Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser. "I'm just another black cat crossing your street," Miller warns, in »»»
Hitchhike to Rhome: 20th Anniversary Reissue CD review - Hitchhike to Rhome: 20th Anniversary Reissue
Are the Old 97's country? Zydeco? Irish pub rock? Blues? The bad news is that the 20th anniversary rerelease of the band's 1994 debut album "Hitchhike to Rhome" doesn't do anything to answer that question. The good news is that the rerelease is a fun listen nonetheless. The reissue comes with bonus demo recordings and cassette versions of the original release, just in case fans of the group didn't feel old enough realizing that its debut is two decades old (the »»»
The Grand Theatre Volume One CD review - The Grand Theatre Volume One
For their eighth album, The Old 97's went into the recording process with the intention of capturing all of the fire and fury of their live show in a studio setting. Anyone who has seen Rhett Miller and the band play live knows what a lofty goal that was. The Old 97's have been burning down stages for years with their signature mix of energetic pop, rock, and twang. From the opening salvo of the album starting title track, it's clear Miller, guitarist Ken Bethea, bassist Murry »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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