Sign up for newsletter
 

Alison Krauss/Robert Plant go platinum

Thursday, March 20, 2008 – Robert Plant and Alison Krauss' "Raising Sand" disc was certified RIAA platinum. The Rounder Records album debuted at number 2 on the Billboard Top 200 chart following its release Oct. 23, 2007, marking the highest chart position ever for the label. The T Bone Burnett-produced disc remains inside the top 40.

Last month, Plant and Krauss won the 2007 Grammy award for Best Pop Collaboration with Vocals, for the track "Gone Gone Gone (Done Moved On)." The Grammy Award was the first-ever for Plant as a solo artist after numerous nominations, and the 21st for Alison Krauss.

The two musicians begin their Raising Sand World Tour April 19th in Louisville, Ky. Dates have been set through July 1, with more July dates to be announced shortly.

More news for Alison Krauss

CD reviews for Alison Krauss

Paper Airplane CD review - Paper Airplane
If we've learned anything over the 7 years that have passed since the last Alison Krauss & Union Station record (2004's "Lonely Runs Both Ways"), it's that Krauss doesn't necessarily need her band for success. And the same can be said for the band regarding Krauss. During the hiatus, Krauss scored a mega-hit with "Raising Sand," her collaboration with Robert Plant from 2007. At the same time, multi-instrumentalist and vocalist Dan Tyminski and Dobro »»»
A Hundred Miles or More: A Collection CD review - A Hundred Miles or More: A Collection
The liner notes for the new collection of songs by Alison Krauss gives notice that, unlike the last collection ("Now that I've Found You" in 1995), this one showcases Krauss alone, far from Union Station, the band that first brought her into the spotlight. She's been a recognized solo artist for a while now. There's no doubt that Krauss has traveled far from her bluegrass/traditional roots. But for anyone who needs proof of that, this collection is a good argument - she »»»
Lonely Runs Both Ways CD review - Lonely Runs Both Ways
Over the past decade, Alison Krauss + Union Station have created and fine-tuned an approach that can deliver restrained, moody ballads and mid-tempo songs, hard-edged bluegrass and traditional material and lithe instrumentals with equal helpings of skill and conviction. The result is one of the most distinctive and compelling sounds in popular music, a verdict ratified by a slew of awards - Krauss herself owns more Grammies than any other female artist - and invitations to join all kinds of »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Making perfect sense of Striking Matches, The Secret Sisters – The pairing of Striking Matches and The Secret Sisters on tour makes perfect sense. Both are duos, although the Matches are male/female and the Secrets truly are sisters (Rogers is the name, not Secret). Both emphasize keen vocal interplay. And perhaps most importantly, they shared a very famous producer, T Bone Burnett. But when it came to the live... »»»
Concert Review: Whitehorse changes gears – Whitehorse, the Canadian husband-and-wife duo of Melissa McClelland and Luke Doucet, has changed gears. In years past, they were more on the roots side, but you would have scratched your head wondering where that went during their show at what is billed as a folk club. Only Whitehorse couldn't be accused of being folk oriented either in a tour... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Moorer gets "Down to Believing" Allison Moorer packed a lot of living in the past five years leading up to the recently released "Down To Believing." The results are evident throughout the effort, like a light at the end of a tunnel. Writing or co-writing 12 of the 13 tracks, Moorer is fearlessly open and autobiographical. "Even when I try to make them about something or someone else, they always end up being about me. I am the subject that I know best." ... »»»
Thanks to Wills, AATW remains the king After over 40 years of touring and recording as the founder, lead guitar and front-man for Western Swing music's standard-bearers, Asleep At The Wheel, Ray Benson has a lot of irons in the fire these days. In fact, with his TV show Texas Music Scene a hit throughout the southwestern U.S. and touring in support of AATW's new release, "Still the King: Celebrating the Music of Bob Wills and His Texas Playboys," he is as busy now as ever.... »»»
Pug turns writer's block into "Windfall" In his life and career, Joe Pug has never done anything halfway. So when Pug experienced a crippling lack of creative inspiration after his punishing road schedule to promote 2012's "The Great Despiser," he didn't consider the possibility of taking a short break. Joe Pug was on the verge of throwing in the towel.... »»»
Sundown Over Ghost Town CD review - Sundown Over Ghost Town
It's not an overstatement to say that Eilen Jewell is Johnny Cash reincarnate - at least, that's the sound she puts forth on her seventh album, "Sundown Over Ghost Town." Jewell's melancholy vocals and simplistic instrumentation betray just enough to show each song's depth and autobiographical roots. »»»
Monterey CD review - Monterey
The Milk Carton Kids may be one of the most unlikely Americana contenders of the past few years. Relying solely on dual acoustic guitars and close-knit harmonies, they look and sound like an introspective folk duo circa the mid '60s - think Simon and Garfunkel, Peter and Gordon, or Chad and Jeremy »»»
The Malpass Brothers CD review - The Malpass Brothers
The North Carolina-based Malpass Brothers' passion for the classic country of past decades is nicely displayed on their latest self-titled release. Christopher and Taylor Malpass are most effective when they tackle brotherly harmonies as with covers of the Wilburn Brothers' "Which One Is To Blame" and the Louvin Brothers' "Satan and the Saint," »»»