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Alison Krauss/Robert Plant go platinum

Thursday, March 20, 2008 – Robert Plant and Alison Krauss' "Raising Sand" disc was certified RIAA platinum. The Rounder Records album debuted at number 2 on the Billboard Top 200 chart following its release Oct. 23, 2007, marking the highest chart position ever for the label. The T Bone Burnett-produced disc remains inside the top 40.

Last month, Plant and Krauss won the 2007 Grammy award for Best Pop Collaboration with Vocals, for the track "Gone Gone Gone (Done Moved On)." The Grammy Award was the first-ever for Plant as a solo artist after numerous nominations, and the 21st for Alison Krauss.

The two musicians begin their Raising Sand World Tour April 19th in Louisville, Ky. Dates have been set through July 1, with more July dates to be announced shortly.

More news for Alison Krauss

CD reviews for Alison Krauss

Paper Airplane CD review - Paper Airplane
If we've learned anything over the 7 years that have passed since the last Alison Krauss & Union Station record (2004's "Lonely Runs Both Ways"), it's that Krauss doesn't necessarily need her band for success. And the same can be said for the band regarding Krauss. During the hiatus, Krauss scored a mega-hit with "Raising Sand," her collaboration with Robert Plant from 2007. At the same time, multi-instrumentalist and vocalist Dan Tyminski and Dobro »»»
A Hundred Miles or More: A Collection CD review - A Hundred Miles or More: A Collection
The liner notes for the new collection of songs by Alison Krauss gives notice that, unlike the last collection ("Now that I've Found You" in 1995), this one showcases Krauss alone, far from Union Station, the band that first brought her into the spotlight. She's been a recognized solo artist for a while now. There's no doubt that Krauss has traveled far from her bluegrass/traditional roots. But for anyone who needs proof of that, this collection is a good argument - she »»»
Lonely Runs Both Ways CD review - Lonely Runs Both Ways
Over the past decade, Alison Krauss + Union Station have created and fine-tuned an approach that can deliver restrained, moody ballads and mid-tempo songs, hard-edged bluegrass and traditional material and lithe instrumentals with equal helpings of skill and conviction. The result is one of the most distinctive and compelling sounds in popular music, a verdict ratified by a slew of awards - Krauss herself owns more Grammies than any other female artist - and invitations to join all kinds of »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Nightflyer soars – Despite the stage being a touch small for a five-piece band, the highly entertaining and extremely talented Nightflyer delivered with that hard driving, high-energy country bluegrass sound fans have come to expect. Joking that their contract only allowed them to play songs about trains, prison, whiskey, mama and Jesus, Nightflyer's diversity... »»»
Concert Review: Adkins leaves grit, intensity behind – Trace Adkins looked intimidating on GAC'S show "Day Jobs" where he relived his days on an off shore oil rig driller. As a country music star walking onstage, he is downright menacing. He looms over seven-feet tall when donning his cowboy hat. But for whatever reason, his show lacked the grit and intensity Adkins is famous for.... »»»
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Elsewhere in the news

Currently at the CST blogs

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The Harmed Brothers CD review - The Harmed Brothers
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West Coast Town CD review - West Coast Town
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Something's Going On CD review - Something's Going On
Trace Adkins' wonderful low singing voice can be a little deceptive because he could easily sing utter crap and still somehow sound great. It's why the critical ear must pay close attention to specifically what he's saying in his songs whenever evaluating his work. Adkins doesn't write his own songs, so he's entirely dependent upon stellar writers.  »»»