Toby Keith stars in "Beer for My Horses" movie
Thursday, February 28, 2008
– Toby Keith will take a break from touring to take the lead role in a film based on one of his songs, "Beer for My Horses."
A follow up to Keith's successful 2006 film "Broken Bridges," "Beer for My Horses" is named after Keith's number 1 single with the
same title and video with Willie Nelson. The film will debut theatrically
The movie also stars comedian Rodney Carrington, Claire Forlani,
("CSI: NY"), Ted Nugent, Barry
Corbin, ("No Country For Old Men," "Dukes of Hazzard"), and Tom Skerritt
("Brothers and Sisters") along with Nelson.
Written by Keith and Carrington, the movie follows the exploits of small town deputies and best friends who defy the local sheriff to embark on an outrageous road trip to save one of their girlfriends from drug lord kidnappers. Filming started early this month and runs through mid-March in locations in and around New Mexico.
Keith is very involved in the new film's creative process. "I'm a writer," he says. "That's a huge part of what I do. And while most of the time it's songs, I've had a lot of fun with Rodney putting together a screenplay that borrows a title from one of those songs. And now we're in the process of turning that script into a film with the help of a lot of great people and friends of mine. It's a
gratifying and creative experience, and I'm excited for people to see the
The movie is being produced by Keith and Donald Zuckerman and is executive produced by TK Kimbrell. Jeff Yapp and Leslie Belzberg will
serve as Executive Producers for CMT Films. The director is Michael Salomon, better known for music videos.
More news for Toby Keith
CD reviews for Toby Keith
35 mph Town
Way back in the '90's, before millions of dollars, high profile political feuds and moguldom, Toby Keith could really sing and write a pretty good song! News flash! He still can on his nostalgic, 18th album.
You can hear an unexpected Merle Haggard influence all over this record. The title cut, "35 MPH" evokes a Haggard vibe. Think "Roots Of My Raising - 2015" as Keith laments the loss of the commonplace, now gone forever. What could've easily been an appeal »»»
Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak.
Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Hope on the Rocks
For most of the 2000s, Toby Keith albums have been predictable and quite honestly pretty boring. Keith's latest again is predictable, but this time around it's anything but dull. Perhaps it's the pared down selection of just 10 cuts, allowing Keith to cull and produce the best that he's written.
His themes stomp through familiar turf - cold beer, curvy girls, curvy girls who drink cold beer - but there's a more convincing vibe from start to finish. »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Moakler does it his way
Steve Moakler told the good-sized crowd that he had played just about every college there is in the area. Now, that would be quite a lot and probably a bit hyperbolic. But the point is he's trying to do it his way.
Without the benefits of commercial radio play or a label behind him, Moakler has benefitted from extraterrestrial radio playing his... »»»
Concert Review: Giddens captivates, engages
About the only thing wrong that Rhiannon Giddens did was play a too small 900-plus seat venue that sold out months in advance. Aside from that misstep of not allowing in even more of her fans, Giddens was captivating, engaging and certainly not afraid to continue as potent musical force, although she was far more overtly political.... »»»
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