Toby Keith's family wins suit in father's death
Monday, December 24, 2007
– The family of Toby Keith won a $2.8-million dollar award against a Tulsa, Okla. Company for the wrongful death and negligence of T.K. Covel, Keith's father, in a March 2001 car accident.
Elias Rodriguez and Pedro Rodriguez - doing business as, Rodriguez
Transportes of Tulsa and the Republic Western Insurance Company, an Arizona
Corporation - were found responsible.
Covel was driving a Ford truck that was traveling near
Goldsby, Okla. when he was bumped by another vehicle, sending his truck
across the median, where it was struck by a southbound tour (charter) bus.
The Rodriguezes were in a 1996 Dina Viag charter-type bus loaded with 21
passengers at the time of the accident. They had purchased the bus in
October of 2000. In the following month, November 2000, a bus servicing
facility in Tulsa inspected the bus and found it was "urgently" in need of
An expert witness testified that Covel would have lived if
the bus has been equipped with proper brakes and the driver had been
properly trained to drive the bus The evidence in the case revealed the bus
driver, David Perez, was not trained to drive a commercial bus and did not
have a commercial driver's license. The jury concluded the accident was
"clearly avoidable," according to Keith's publicist.
Initially it was speculated that Covel may have suffered a medical
condition, thereby causing the accident because no one knew that a car had
bumped his truck onto the other side of the I-35. Six months after the
accident, Jeanne Sparlin, who was the driver of that vehicle, was charged
with leaving the scene of a fatality accident. She later pled guilty to the
charge. This collection of facts led the Covel family to hire an
investigator to determine how the accident occurred and what caused
The unanimous jury verdict in the case answered these questions for the
family, clearly establishing that Covel was not at fault. In addition, the jury found by clear and convincing evidence
that Rodriguez Transportes acted in reckless disregard for the rights of Covel.
"We were only there to find the truth and the jury saw it so plainly that
they awarded us a unanimous decision," Toby Keith said.
The plaintiffs in the case were Covel's wife, Carolyn Covel, his daughter,
Tonni Covel and sons Toby Keith Covel and Tracey Covel.
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CD reviews for Toby Keith
Drinks After Work
If 52-year old Toby Keith has learned anything after 20 years, it is to stick with a winning formula. Working with longtime collaborators Scotty Emerick, Bobby Pinson and Rivers Rutherford, "Drinks After Work" is chock full of blue collar ethic, humor and some heartbreak.
Most of the album is driven by big hooks and country guitar, However, Keith experiments a bit stylistically with computerized hip hop on the party anthem opener, Shut Up And Hold On, a Buffet-esque steel drum on »»»
Hope on the Rocks
For most of the 2000s, Toby Keith albums have been predictable and quite honestly pretty boring. Keith's latest again is predictable, but this time around it's anything but dull. Perhaps it's the pared down selection of just 10 cuts, allowing Keith to cull and produce the best that he's written.
His themes stomp through familiar turf - cold beer, curvy girls, curvy girls who drink cold beer - but there's a more convincing vibe from start to finish. »»»
Bullets in the Gun
Toby Keith is back with his annual release, once again delivering a record stocked with blue collar scenarios and tales of life. While his songs do paint a picture, at times they lack the refreshing desire of something fresh and new.
The record opens with the title cut co-written by Rivers Rutherford. This song tells a story, but leaves the feeling of having heard it before. Think Robert Earl Keen and mix in the Cliff Note version of Townes Van Zandt's Pancho & Lefty, without the compelling saga. »»»
Editorial: Walking the talk
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Concert Review: Long wait ends for Kitty, Daisy & Lewis
When you don't show for almost six years - Kitty, Daisy & Lewis are guilty as charged - and barely release any music unless counting one excellent disc out in late March on a British label and something almost unheard in the states in 2011, don't expect the masses to show up either.
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Concert Review: Mellencamp overcomes conundrum
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