Miranda Lambert wines up
Monday, December 10, 2007
– Miranda Lambert bran dis branching out well beyond music because Lambert partneered with an East Texas label to produce wine.
Miranda Lambert's parents, Rick and Beverly Lambert, introduced the Red 55 Winery. The label is named after Lambert's first pickup, a candy apple red 1955 Chevy.
"A good deal of time went into developing this private wine label and the reason is simple: We believe in families working hard together and celebrating success when it finally comes," a newsletter from Lambert said. "Just like wine, in the music industry there are no overnight sensations. Many years of hard work go into the product that the public ultimately experiences."
The Lamberts partnered with the family of Lou Viney Vinyards of Winnsboro, Texas to "bottle a wine worthy to put Miranda's name on. This family-owned vineyard exemplifies the very values that we honor...It is also our hope that you will experience the great pride that comes from working hard and celebrating success together in your own family."
Wines available go by the names of Red 55, Electric Pink (Lambert plays apink guitar), Belle and Kerosene.
More news for Miranda Lambert
CD reviews for Miranda Lambert
Cynics might think that Miranda Lambert is presumptuous in entitling her fifth disc "Platinum" and, in effect, assuming she'll get her plaque for selling 1 million units. But Lambert says that isn't the case, but more a matter of style, looks and feel.
Lambert also wrote and discovered a lot of excellent songs that fit her quite well in an album in which she exposes her inner self as she matures. That may never more apparent than in the country rocker Lambert wrote »»»
Every once in a while an album comes along that restores your faith in mainstream country music. Miranda Lambert's "Revolution" is just such a recording. It's not revolutionary, as the title might suggest. Instead, this CD is chock full of topnotch songs that are both memorable and sincere and never sound slick or overproduced. (Come to think of it, such old school values as these may in fact be revolutionary around Nashville).
Lambert vocalizes a bit like a little girl at »»»
Even though it sounds like a cliche from the big book of country songwriting, the truth is that, when the timing's right, a loser can end up being the biggest winner of all. Today's object lesson comes from Miranda Lambert and her sophomore album, the follow-up to her 2005 near-platinum debut, "Kerosene."
Imagine for a moment if the then-19-year-old had actually taken the crown in 2003's Nashville Star and then been forced into the studio within weeks to be primped and »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Millsap shows complete package
Parker Millsap could not be accused of rushing when it came to dropping his meaty, new "The Very Last Day," his third release. The Okie finished recording one year ago, but the disc only saw the light of day in late March. Not only was the wait worth it when it came to the product, but also fleshing it out live.
Millsap delivered the... »»»
Concert Review: Underwood leaves shallow shine at Stagecoach
Saturday night of Stagecoach 2016 had arguably the best lineup of all three days, with three stages chock full of many 'can't miss' performers and a headliner in country queen, Carrie Underwood. And as always, some of the day's best musical moments occurred just out of the reach of the folding-chair-and-beer-koozie crowd.... »»»
Country News Digest
Elsewhere in the news
Currently at the CST blogs
James Reams is one of bluegrass music's unconventional stalwarts. A son of Kentucky, Reams' journey has taken any number of unusual pathways since the mid-seventies. Producing albums for more than 20 years, Reams' ninth release of personable bluegrass, "Rhyme and Season," is a relaunch for Reams, an artist who has never followed a singular route.
After scoring a 2015 IBMA nomination for Best Bluegrass Album for "Cold Spell," Frank Solivan tried something a little different this time around - an album of songs recorded by "Family, Friends and Heroes" (Compass). In an earlier musical life, Solivan served as stalwart in Country Current, the Navy's touring bluegrass band. Solivan left the service and formed Dirty Kitchen, a hat-tip to his background and continuing efforts as a chef.... »»»
Aubrie Sellers just may be onto something on her debut - garage country. After all, we've already witnessed traditional country, new country, neo-traditional, country rock, pop country and bro country. Sellers, a 25-year-old Nashvillian with a big time musical pedigree who released her debut, "New City Blues," in January, said the moniker came to mind as her bio was being written.... »»»
Stephen King tells us "Talent is cheaper than table salt." And what a shaker-full is contained on Martina McBride's latest. Songwriters? Hillary Lindsey, Sarah Buxton and Liz Rose are amongst the world's finest. For a producer, how about Faith Hill's or Taylor Swift's? And lest we forget - McBride herself possesses the best, hemi-powered soprano of any working singer today. This is gaudy, Dream Team level stuff. So, why isn't it better? »»»
Del and Woody
For two years we've been hearing of this recording, a project where original lyrics from Woody Guthrie were to be reinvented as bluegrass songs by the legendary Del McCoury. Like previous sets from Billy Bragg & Wilco (3 volumes of "Mermaid Avenue" released between 1998-2012), Jay Farrar, et al ("New Multitudes," 2012) and The Klezmatics (a pair of 2006 releases), lyrics stored within the Woody Guthrie Archives were turned over to McCoury to be repurposed. »»»
Coming on the heels of her last album, the tellingly titled "Quicksand," Reagan Boggs' latest continues to affirm her reputation as a master of emotion, a performer whose sound and delivery leave no sentiment unturned. Consequently, "Empty Glasses" becomes an equally expressive handle, given that much of the album bears a deliberately downcast disposition. That can also be discerned by reading the names of certain songs -- "Honey I'm Lost"... »»»