Sign up for newsletter
 

Category 5 Records owner faces state investigation into nursing home business

Wednesday, November 21, 2007 – A nursing home company owned by the head of Category 5 Records, the home of Travis Tritt, is being investigated by Connecticut for poor patient care.

Connecticut Gov. M. Jodi Rell said Monday that the state may need to take over some nursing homes operated by Termini's Haven Healthcare due to poor patient care and financial problems.

Questions also surfaced about whether Haven executives illegally used millions in Medicaid money for business and real estate issues such as starting the record label.

On Tuesday, Tritt's manager Duke Cooper told the Associated Press that the singer was upset about the allegations. "Travis being a family man ... certainly doesn't condone any of that, if it turns out to be true," Cooper said. "It's a sad situation."

Tritt is the label's biggest act. His latest disc was released in August. Sammy Kershaw also is on the label, which has several acts yet to release any albums.

The Hartford Courant reported that Haven Healthcare was fined more than 45 times over the past 3 years by Connecticut and federal health agencies. Violations included letting patients become dehydrated and develop bed sores and infections, which resulted in amputations.

Rell asked state agencies to review Haven Healthcare operations by Dec. 1. A state takeover of Haven properties is possible.

In an interview with AP, Termini said, "I'm confident that when they're done concluding their review, they'll come to learn what our resident families already know - that we provide outstanding and quality care."

Termini told AP that Haven Healthcare took care of problems found by the state. He also said the company did not misuse Medicaid and Medicare funding. Termini said funds spent on the record label and a lakefront house he owns came from refinancing company projects.

More news for Travis Tritt

CD reviews for Travis Tritt

A Man and His Guitar Live from the Franklin Theatre CD review - A Man and His Guitar Live from the Franklin Theatre
Perhaps the most disconcerting thing about today's digital music world, one in which new artists are emerging at an unprecedented rate and nabbing spots on radio and major outlets is that so many artists who've got it the hard way, earning their way through the ranks and establishing themselves, have almost been forgotten. And it's not a new trend, but one that is becoming increasingly apparent, even as these new artists speak of the value of classic country while trodding right »»»
The Calm After... CD review - The Calm After...
If you ever wonder what exactly happened to Travis Tritt, it's entirely possible he's asking the same thing himself. To review, there once was a time when grunge and hip hop were ascending, and millions of displaced popular music fans turned to its country cousin. Singers like Tritt welcomed the legion of new fans and never once insisted they wear a cowboy hat - he didn't either. From a debut album in 1990 to a (chock full) greatest hits in 1995, Tritt's star shone bright. »»»
The Storm CD review - The Storm
In an attempt to once again crack the Top 20, which he hasn't seen since 2002, Travis Tritt is trying to reinvent himself as a soulful country singer a la Tony Joe White and T. Graham Brown. He's even hired American Idol judge Randy Jackson to produce So what did they think was a good choice for first single release? A cover of "You Never take Me Dancing" by the King of Soul himself Richard Marx - Yep, Richard "Right Here Waiting" Marx. This track has Tritt unable »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Southern Ohio 'grass fest flies by – The spring 2017 edition of the Southern Ohio Indoor Music Festival kicked off as few likely have in the past, not with a great bluegrass band, but a great bluegrass orchestra. Opening the show were roughly 40 students from the Centerville, Ohio High School Orchestra known as Alternative Strings. For many years, Alternative Strings have branched out... »»»
Concert Review: Lane oversees her queendom – When Nikki Lane rolled into town on her current Stagecoach Spotlight Tour, she and her touring mates were under the weather. Although illness didn't keep Lane performing (she was in fine voice throughout), Robert Ellis was a last-minute scratch. His replacement, Jenny O, was one high caliber fill-in, however, and kept the bill strong.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Gibson Brothers rise up from "In the Ground" There's no more solid live bluegrass show than the Gibson Brothers. They play with great technical skill and crispness. Their harmonies are just what a brother act should be: sweet, true and never forced. Brothers Leigh and Eric Gibson surround themselves with outstanding sidemen with impeccable bluegrass cred: Jesse Brock (mandolin), Mike Barber (bass) and Clayton Campbell on fiddle.... »»»
The Devil Makes Three examine salvation, sin For nearly a decade and a half, The Devil Makes Three has concocted an amazing blend of bluegrass, folk, country, blues, rockabilly and whatever happens to bubble to the surface, and applied it liberally to their songwriting ethic.... »»»
For Shires, home is where the family lies Mercy Rose Isbell recently celebrated her first birthday and, ironically, the album she helped inspire has just been released. Synchronicity is a beautiful thing. Mercy Rose is, of course, the daughter of singer/songwriters Jason Isbell and Amanda Shires, two of the most gifted Americana artists working today... ... »»»
Wildhorse CD review - Wildhorse
Someone needs to inform karma that Raelynn is not getting what she deserves. It takes a lot of work to mess this equation up: national TV exposure (from "The Voice"), a monster hit (2014's "God Made Girls") and famous friends who've practically adopted you (like Blake Shelton). This is all atop her twangy Texan charm and very capable singer/songwriter chops. »»»
The Drugstore Gypsies CD review - The Drugstore Gypsies
In a time when good old fashioned electric guitar rock has grown a bit stagnant, a fresh new quintet from Texas is stepping up to provide a jolt courtesy of a concise and confident debut that makes a case for the genre by adding touches of blues, country and southern rock to muscular classic rock riffs. »»»
Universal Favorite CD review - Universal Favorite
Noam Pikelny is the most ingratiating musical iconoclast you're likely to come across. He has deep roots in the Americana genre, and his playing, on banjo in most contexts, is precise and brilliant. Pikelny has produced a string of outstanding solo records, most recently "Universal Favorite."  »»»
Vaquero CD review - Vaquero
Independent singer/songwriter Aaron Watson's "Vaquero" is an ambitious 16-song mix of Texas country and mainstream Nashville with mostly good results. The strongest tracks are those that embrace the Tex Mex style of the title track, which imparts some sound advice delivered by an "old Mexican cowboy" the singer meets in a bar ("don't live your life like a sad country song/ A fool on a stool still a fool right or wrong"). »»»
Graveyard Whistle CD review - Graveyard Whistle
Old 97s' "Graveyard Whistling" is a slight return to form after 2014's "Most Messed Up," which was heavy on profanity, but far too light on charming country songs. "Graveyard Whistling" is a little more innocent and a lot more fun than its predecessor. "Bad Luck Charm," for instance, finds lead vocalist Rhett Miller playing a familiar role - that of lovable loser.  »»»