Sign up for newsletter
 

Category 5 Records owner faces state investigation into nursing home business

Wednesday, November 21, 2007 – A nursing home company owned by the head of Category 5 Records, the home of Travis Tritt, is being investigated by Connecticut for poor patient care.

Connecticut Gov. M. Jodi Rell said Monday that the state may need to take over some nursing homes operated by Termini's Haven Healthcare due to poor patient care and financial problems.

Questions also surfaced about whether Haven executives illegally used millions in Medicaid money for business and real estate issues such as starting the record label.

On Tuesday, Tritt's manager Duke Cooper told the Associated Press that the singer was upset about the allegations. "Travis being a family man ... certainly doesn't condone any of that, if it turns out to be true," Cooper said. "It's a sad situation."

Tritt is the label's biggest act. His latest disc was released in August. Sammy Kershaw also is on the label, which has several acts yet to release any albums.

The Hartford Courant reported that Haven Healthcare was fined more than 45 times over the past 3 years by Connecticut and federal health agencies. Violations included letting patients become dehydrated and develop bed sores and infections, which resulted in amputations.

Rell asked state agencies to review Haven Healthcare operations by Dec. 1. A state takeover of Haven properties is possible.

In an interview with AP, Termini said, "I'm confident that when they're done concluding their review, they'll come to learn what our resident families already know - that we provide outstanding and quality care."

Termini told AP that Haven Healthcare took care of problems found by the state. He also said the company did not misuse Medicaid and Medicare funding. Termini said funds spent on the record label and a lakefront house he owns came from refinancing company projects.

More news for Travis Tritt

CD reviews for Travis Tritt

The Calm After... CD review - The Calm After...
If you ever wonder what exactly happened to Travis Tritt, it's entirely possible he's asking the same thing himself. To review, there once was a time when grunge and hip hop were ascending, and millions of displaced popular music fans turned to its country cousin. Singers like Tritt welcomed the legion of new fans and never once insisted they wear a cowboy hat - he didn't either. From a debut album in 1990 to a (chock full) greatest hits in 1995, Tritt's star shone bright. »»»
The Storm CD review - The Storm
In an attempt to once again crack the Top 20, which he hasn't seen since 2002, Travis Tritt is trying to reinvent himself as a soulful country singer a la Tony Joe White and T. Graham Brown. He's even hired American Idol judge Randy Jackson to produce So what did they think was a good choice for first single release? A cover of "You Never take Me Dancing" by the King of Soul himself Richard Marx - Yep, Richard "Right Here Waiting" Marx. This track has Tritt unable »»»
My Honky Tonk History
Travis Tritt is famous both for his hard-rocking tunes and his softer ballads, and he tries his hand at both (though more of the former than the latter) on his new CD, with mixed results. The title track is an attempt to reassert Tritt's always dubious outlaw credentials, and it must be said that he doesn't do his case much good singing about bleeding Bud Light - do outlaws drink light beer? The first single, "The Girl's Gone Wild" is fun, and undoubtedly the best country song ever based on a »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: No wonder life is good for Shovels & Rope – Things are go swimmingly - pun intended - for Shovels & Rope, the South Carolina-based duo comprised of husband-and-wife Cary Ann Hearst and Michael Trent. For starters, their new disc, "Swimmin' Time," debuted at 21 on the Billboard Top 200 in its first week just a few shot weeks ago. On the local front, the band was playing two... »»»
Concert Review: Americana fest moves beyond borders – It's the final night of the 2014 Americana Festival and Conference, and the final event of a spectacular five-day run. Lucinda Williams is about to begin a last minute invitation-only performance at the newly opened City Winery in Nashville, but first, Americana Music Association Executive Director Jed Hilly walks to the microphone.... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

Douglas dreams on Taking a second look at the two-album deal he had recently signed with the Rounder/Concord group, and then at his busy upcoming touring schedule, Jerry Douglas suddenly realized he didn't have a lot of time to waste. The first album, "Three Bells," a collaboration with fellow resophonic guitar (aka "Dobro") titans Rob Ickes of Blue Highway and the late Mike Auldridge was pretty much ready to go, the sessions having been completed shortly before Auldridge's passing in December 2012 following a lengthy struggle with cancer.... »»»
Trampled by Turtles get wild Trampled By Turtles is an indie folk group, an alt.-country band or a bluegrass act - depending on how you choose to look at them. Perhaps it's best to view the outfit as the ultimate combo platter consisting of just about everything that's good about American music. They play wonderfully, yet they also write intelligent songs that draw everyone from Townes Van Zandt to Nirvana to Ralph Stanley. It's all good, and some (or all) of these influences can be spotted in most of Trampled By Turtles' enjoyable sounds.... »»»
Don't try labeling Parker Millsap If you move in alt.-country/Americana circles, you simply cannot get away from the name Parker Millsap. He's certainly one of the biggest buzz artists of 2014. Better still, his self-titled album lives up to all the hype. He's a smart songwriter and a passionate singer and is essential listening for anybody looking for high quality contemporary music. Millsap also creates music appealing to a wide variety of musical tastes. You can make a case that he's a country guy, but you can also hear a lot of blues and folk. And if you attempt to put a label on him, he'll quickly tear it right off.... »»»
The Way I'm Livin' CD review - The Way I'm Livin'
Six years later, Lee Ann Womack is finally back. Her traditional country sounds were not quite working with Nashville, which was veering increasingly pop. Now, the Texas native returns with a new label, but the same lovely voice. Originally intended for her old label, MCA Nashville, Womack was given the marching orders to make the type of disc she wanted to listen to. »»»
Tribal CD review - Tribal
With the clacking of drum sticks, "one-two-three-four" count off and the echoey rockabilly voice of Irish singer Imelda May taking over with authority, "Tribal" hits the nail on the head. No wonder she sings "I hold my head up proud." She sure does with a punky, early rock and rockabilly sound. There aren't a lot of female rockabilly singers out there these days.  »»»
Three Bells CD review - Three Bells
It must be frustrating to resophonic artists of the stature of these three that even they still have to on occasion answer the question "What is that thing you're playing?" The number of well-known Dobro players has always seemed to lag behind even the banjo, and even in the "Golden Years" of '50s and '60s country music, the only widely known names were Josh Graves and Pete "Brother Oswald" Kirby. »»»
The Earls of Leicester CD review - The Earls of Leicester
In 1946, Lester Flatt and Earl Scruggs were integral parts of Bill Monroe's Blue Grass Boys when they recorded a series of singles that most historians of the music consider the "birth of bluegrass" as we know it. Upon leaving to form their own band, The Foggy Mountain Boys (much to Monroe's consternation), they spent most of the 1950s recording one landmark single after another. »»»