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John Hughey, steel player for Gill, Twitty, dies

Monday, November 19, 2007 – Long-time steel guitar player for Vince Gill and Conway Twitty, John Hughey, died Sunday night, Nov. 18 in Nashville at 73.

Hughey, a native of Elaine, Ark., got his first guitar - a Gene Autry model from Sears - when he was nine. In the seventh grade, he became friends with classmate Harold Jenkins, who would later adopt the name Conway Twitty.

Hughey persuaded his father to buy him a lap steel after hearing Little Roy Wiggins, Eddy Arnold's steel player. While still in high school, he and Jenkins formed the Phillips County Ramblers and briefly starred in their own radio show on a small local station.

In 1953, Hughey joined Slim Rhodes & The Mother's Best Mountaineers of Memphis. For the next several years, Hughey alternated between playing in Rhodes's band and performing in nightclubs.

In 1968, Hughey joined Twitty's band. Hughey toured and recorded with Twitty for the next 20 years. After that, he worked with Loretta Lynn for nearly 2 years before joining Gill's band, where he remained for 12 years.

He was inducted into the Steel Guitar Hall of Fame in 1996. In recent years, he was a member of the Time Jumpers, a band of studio and touring musicians that plays each Monday night at Nashville's Station Inn bluegrass club.

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It's hard to believe, considering what Vince Gill has accomplished over the past three decades, but the triple threat singer-songwriter-guitar picker may be in the most creative, productive stretch of his lengthy, remarkable career. Five years after Gill's Grammy-winning 4-album 43-song box set "These Days," his latest 12-song release again finds Gill tapping every ounce of his immense talents. The title song sums up his reputation as an ax man worthy of playing Eric »»»
These Days CD review - These Days
To put this release into perspective, it would take Axl Rose the better half of a century to issue the same amount of material. Fortunately, Vince Gill is about as prolific as they come these days, and this daring four-disc release only is further proof of that. Each disc is divvied up depending on his mood, with the opening "Working On A Big Chill" album being "The Rockin' Record." And this album sets things off right with the lovely mid-tempo and groovy title track. »»»
Next Big Thing
Vince Gill has nothing to be bitter about in the face of his declining success. His mantle groans with over a dozen Grammys and a boatload of CMA statues, and then there's the matter of 22 million in sales over the course of his career. If the massive hits are fewer and farther between, it's onlynatural in an industry that's always looking toward a youthful fire to stokeits furnace. And that's essentially the message that Gill sends with The Next Big Thing. On the choogling roadhouse romp of the »»»
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Concert Review: Long wait ends for Kitty, Daisy & Lewis – When you don't show for almost six years - Kitty, Daisy & Lewis are guilty as charged - and barely release any music unless counting one excellent disc out in late March on a British label and something almost unheard in the states in 2011, don't expect the masses to show up either. Predictably, that didn't happen for the family band... »»»
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