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Pride receives award

Tuesday, September 17, 2019 – Charley Pride will be the inaugural recipient of GRAMMY Museum Mississippi's Crossroads of American Music Award at the Mississippi Museum's 2019 Gala on, Nov. 1.

Established by the Museum's Board of Directors, the Crossroads of American Music Award honors an artist who has made significant musical contributions "influenced by the creativity born in the cradle of American music," according to a press release. Pride will appear at the Museum's 2019 gala to accept the award on Nov. 1 at GRAMMY Museum Mississippi.

"I'm honored to be the first recipient of this award from the GRAMMY Museum Mississippi," said Pride. "And thankful to the many great American music artists before me that helped to pave the way for my success. I applaud the museum for celebrating those artists and championing the importance of American music."

"We are thrilled to recognize the great Charley Pride as the first-ever recipient of our Crossroads of American Music Award," said Emily Havens, Executive Director of GRAMMY Museum Mississippi. "As a native of Mississippi, Charley has had a significant impact on American music with his uncompromising honky-tonk country music. Charley broke new ground in the '60s when he emerged as one of the most successful black country artists at that time. It's an honor to recognize Charley Pride as the inaugural recipient of our Crossroads of American Music Award."

More news for Charley Pride

CD reviews for Charley Pride

Music in My Heart CD review - Music in My Heart
Charley Pride shows with "Music In My Heart" that he is still in fine voice at the age of 79 with this collection of mostly obscure covers. The most recognizable are effective takes on Merle Haggard's "That's The Way It Was In '51" and the Tommy Collins penned "New Patches" most notably recorded by Mel Tillis and George Jones. Pride prominently represents the acclaimed though underappreciated Canadian group the Mercey Brothers. »»»
Choices CD review - Choices
Wistfully pining about the vanishing symbols of Americana and longing for simpler times is a staple of country music past and present. After a career in country spanning half a century, Charley Pride has created plenty of memories for others. He could rightfully sing of his childhood in Mississippi, or of 45 rpm vinyl singles (more than 35 were stamped with Pride's number 1 hits), or of drive-ins or mom-and-pop grocery stores or any number of disappearing American icons. »»»
A Tribute To Jim Reeves
Country Hall of Famer Pride's latest release his first new music in a long time has gotten attention mostly for its purportedly copy-proof technology. Anyone accustomed to playing CDs on a computer will find it an annoyance; you can't play the CD directly, having to register instead with an online service in order to download the individual tracks before you can listen not exactly a user-friendly approach. That's too bad, because the music itself should be the center of attention. »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile takes her chances on feeling "Blue" – During a rare moment sitting at the piano and appropriately dressed in blue, Brandi Carlile paraphrased a memorable Joni Mitchell quote. Basically, it went that, if you listen to Joni Mitchell music and only picture Mitchell - but not yourself - something is wrong. While Carlile, who performed Mitchell's "Blue" album in its entirety for... »»»
Concert Review: The Head and the Heart go beyond the nah nahs – "Nah nah," "la la" and "Wee oh" populated a number of songs from The Head and the Heart. Yes, the Seattle-based band does pen a good amount of sing-along songs that were clearly designed that way. And while that style can certainly engage and energize a crowd, there was more to that from the sextet.... »»»
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