Sign up for newsletter
 

Big Machine starts new label, signs Jewel, Jimmy Wayne, Justin Moore

Friday, November 2, 2007 – Jewel is back with a new record deal, and it is with a new label, an off-shoot of Big Machine Records.

Big Machine head Scott Borchetta announced Friday that he was starting a new record imprint, Valory Music, with Jewel, Jimmy Wayne and new artist Justin Moore on the label.

Borchetta said he decided to form Valory because of the inability to release music quickly enough only on the Big Machine label. Big Machine is home to Trisha Yearwood, who is releasing her label debut later this month, Jack Ingram, Danielle Peck and Taylor Swift. Ingram, Peck and Swift all have enjoyed success with their first releases for Big Machine.

"Today is the evolution of our revolution," Borchetta said at a press conference.

"I was starting to get frustrated because we had more great artists ...than one label could handle. The realty is radio is still king in our business. I had to figure out another way to get more music out."

Borchetta said he hated to sit across the table from an artist and say "With a little luck, we can get the record out in 2009."

Jewel, who has had enjoyed much success in the pop realm, left Atlantic earlier this year after six albums. She said she was looking to make a country disc, but Atlantic was not receptive to going the country format. "I always to make a living as a songwriter," she said. "I just know about telling stories. I made a lot of my records here. I always had a creative energy here. I know I'm going to make a country record."

Wayne, a soulful country singer, had been on Big Machine, but had never released an album for the label. Althoug he previously had success on DreamWorks, Big Machine never broke a single he released.

Moore is a new artist from Arkansas.

Borchetta played snippets of one song from each artist. Each had a distinct country bent on the vocals and country instrumentation.

"What it all starts with and what it all ends with is the music," Borchetta said. "This music was just dying toget out."

Borchetta said he expected all three artists to have singles out in early 2008.

More news for Jimmy Wayne

CD reviews for Jimmy Wayne

Sara Smile CD review - Sara Smile
Sometimes the third time out for an artist can mystify them, as by this point they've chosen to either clone or deconstruct their first record. So what's next? Jimmy Wayne, who sharply veered away from the deep emotional mining of his first effort to more straightforward country- pop on his second, goes the route of a hybrid collection. There's the big leadoff (and Keith Urban-penned) Things I Believe, which swings for the number one hit fences all the way with a hook heavy »»»
Do You Believe Me Now CD review - Do You Believe Me Now
Jimmy Wayne's turbulent childhood as a foster child and teen delinquent, and his personal journal writings, fueled many of the songs on his self-titled debut, painting him as a survivor and poet with a strapping, emotional voice and a penchant for vulnerable story songs. He brings more of these dramatic tales to his soulful sophomore effort (and first on the new label). In Kerosene Kid, Wayne reminisces about facing his classmates' jeers each winter, as he smelled of the kerosene he »»»
Jimmy Wayne
One wants desperately to like Jimmy Wayne - though he's just 30, he's already had enough trouble to last several lifetimes. But though "Stay Gone," the first single from his self-titled debut, has much to recommend it, it's one of the few bright spots in a generally undistinguished album. The basic problem isn't hard to see. Though he's a good songwriter with solid songwriting skills - 8 of the 12 cuts have his name among the credits - the production here surrounds him with generic country-pop »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Aldean and friends stretch it out, way out – Jason Aldean's tour, "Six String Circus," gets its name from his recent single, "Lights Come On." And titling his tour after a guitar - and more appropriately an electric guitar - makes all the sense in the world. Each act on the bill, which also included A Thousand Horses and Thomas Rhett, use a lot of guitars - but mostly in... »»»
Concert Review: The Jayhawks remain in top form – It's usually a good time to catch a band right after they've released one of their better albums, and "Paging Mr. Proust" is one of The Jayhawks' best. Comprised of smart songs, which consistently put lead singer Gary Louris' engaging vibrato to proper use and instrumental textures that oftentimes stretch the Minnesota act... »»»
Subscribe to Country News Digest Country News Digest      Follow Country Standard Time on twitter CST      Visit Country Standard Time on Facebook CST

Elsewhere in the news

Currently at the CST blogs

The Earls of Leicester rattle and roar Something old is new again. The Earls of Leicester, fresh from their first release in late 2014 and the IBMA Entertainer of the Year Award for 2015, followed that remarkable success with "Rattle and Roar." The Earls of Leicester play the songs popularized by, and in the musical style of Lester Flatt and Earl Scruggs.... »»»
Watkins does all the right things on "Young in All the Wrong Ways" In the nine years since Nickel Creek declared itself on indefinite hiatus, violinist/vocalist Sara Watkins has been relentlessly busy. She discovered a new pathway for her harmonic gifts with Sarah Jarosz and Aoife O'Donovan in the vocal trio I'm With Her.... »»»
Lonely Heartstring Band navigates "Deep Waters" Four years after forming in Boston and a year after receiving their first major award (an IBMA Momentum nod), when most bands might be expected to have two or three already in circulation, the Lonely Heartstring Band finally has its first full-length CD release "Deep Waters" (Rounder) out on the street.... »»»
Redemption & Ruin CD review - Redemption & Ruin
Charles Baudelaire and Verbal Kint separately and astutely noted that the devil's greatest trick is in convincing the world that he doesn't exist. There could be a corollary concerning the reality of The Devil Makes Three; the trio exists in so many different musical forms that they may well have talked us into believing they're a dozen distinct bands when they are in fact just one single, extraordinarily talented unit. »»»
Transatlanticana CD review - Transatlanticana
Bill Kirchen & Austin de Lone open their collaborative album with "Hounds of the Bakersfield," a cheeky play on words with Sir Arthur Conan Doyle's detective story, "The Hounds of the Baskervilles." But rather than looking for perpetrators of crime, Kirchen and de Lone walk in the footsteps of Merle Haggard, Buck Owens and the other Bakersfield greats in search of Central California country music fame.  »»»
Magic Fire CD review - Magic Fire
The difference between current successful Americana road veterans like Mandolin Orange and Mipso, on the one hand, and lamented, late bands like Joy Kills Sorrow and The Deadly Gentlemen, on the other, is razor-thin. "Magic Fire" amply supports The Stray Birds' bid to be an act in for the long haul. "Magic Fire" is a sharp-tongued lyrical success with harmonies and clever arrangements in abundance »»»
Kinda Don't Care CD review - Kinda Don't Care
The title track on Justin Moore's "Kinda Don't Care" album is so good it almost makes you wish the rest of the tracks were this fine. But they're not. Nevertheless, the song's Waylon Jennings thump-thump groove, its steel guitar-electric guitar interplay and lyric about how a broken heart can tempt even a good man to give into available vices - all on account of induced apathy - transforms it into one memorable country song. »»»
Bury Me In My Boots CD review - Bury Me In My Boots
The Cadillac Three may not be much more country than Florida Georgia Line, who help the group out on the track "The South," but they are certainly a better Southern rock band than that hack act. This group incorporates some blues influence from The Black Crowes, mixed in some of The Georgia Satellites' winking sense of humor, to create the enjoyable Southern summer party that is "Bury Me in My Boots." »»»
Coming Home CD review - Coming Home
Mark O'Connor has covered a lot of ground in his musical career; starting as a prodigy on the fiddle, with such disparate mentors as Benny Thomassen and Stephane Grappelli. Back in the '90s, he had a six-year run as CMA's Musician of the Year. In addition to his fiddle prowess, he's won national titles playing flat picking guitar and mandolin. »»»