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Simpson goes anime

Tuesday, July 23, 2019 – Sturgill Simpson is set to release a new disc this fall in conjunction with a Japanese anime film.

Last month, Sturgill Simpson released "The Dead Don't Die," the original theme song for Jim Jarmusch's zombie movie of the same name.

Simpson announced "Sound & Fury" at San Diego Comic-Con last weekend during a panel featuring two of the filmmakers, writer/director Jumpei Mizusaki, and character designer Takashi Okazaki.

"We went in without any preconceived notions and came out with a really sleazy, steamy rock n roll record. It's definitely my most psychedelic," he said. "And also my heaviest. I had this idea that it'd be really cool to animate some of these songs, and we ended up with a futuristic, dystopian, post-apocalyptic, samurai film."

The self-produced release is Simpson's first since "A Sailor's Guide to Earth." Simpson has gone further away from his hard core country roots.

Each song from the new album will accompany a different anime segment in the movie.

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CD reviews for Sturgill Simpson

A Soldier's Guide to Earth CD review - A Soldier's Guide to Earth
If scratching your head about the sounds emanating from Sturgill Simpson's third release, then "It Ain't All Flowers" from his last release, the excellent "Metamodern Sounds in Country Music," ought to serve as a reference point. In a disc filled with traditional country sounds, "Flowers" was about as far away as one could get with the electronics sounding so completely disjointed from everything else on the release. Put it this way - " Islands" »»»
Metamodern Sounds in Country Music CD review - Metamodern Sounds in Country Music
The first time you hear Sturgill sing you may feel like you've heard a ghost - the ghost of Waylon Jennings, that is. Although his voice isn't as low as Jennings' was, it's nevertheless still in the same general vocal range ballpark. Better still, the Kentucky native sings wonderfully honest country songs. "Life of Sin," for instance, is a song about, well, sinning, which is really some of what great country is all about. Yes, most of this album will do a »»»
High Top Mountain CD review - High Top Mountain
There's not a whole lot of traditional troubadours around these days. Old school may still be appreciated, but when it comes to country crossovers and reaching the masses, it's roots rock, alt.-country and Americana that hold the upper hand. Which makes it surprising in a way that newcomer Sturgill Simpson should sound like such a, well, old-timer. Hell, even his name resembles the kind of handle aptly suited to a country crooner. It's little wonder then that his debut disc, »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Combs, Gill, Harris, Crow comprise one final musical platter – Vince Gill played host to an entertaining guitar pull, a show which also featured his longtime friend, Emmylou Harris, slightly newer friend Sheryl Crow and brand-new friend Luke Combs. Gill joked from the outset that this All for the Hall fundraising show needed Combs to sell tickets, and by the audience's response, it was clear many came only to see Combs.... »»»
Concert Review: Stapleton shows his traditional roots – Chris Stapleton's All-American Road show feels like a singular mission to rid the genre of the bro country scourge that has plagued it for years. He came out with a blazing one-two punch of "Second One To Know" and "Without Your Love" and packed a stadium sized onslaught into a 9,000-seat arena. He never once veered from his... »»»
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