Mead plans new album for June
Monday, March 25, 2019
– Chuck Mead, once a member of BR549, will be out with a solo disc in late June.
"Close to Home" is out June 28, 2019 on Nashville independent label Plowboy Records. The 11-song release is the follow-up to Mead's first Plowboy release, 2015's "Free State Serenade." Recorded at the historic Sam Phillips Recording Studios in Memphis, the album was produced by Memphis recording engineer and producer Matt Ross-Spang.
"It's probably the least-country record I've ever made," Mead says, "but at the same time, it's really a country record."
Over the course of the late '90s and the 2000's, he recorded seven albums with BR549 and spread the gospel of neo-traditional country music around the world.
Mead subsequently released three solo albums and served as the Musical Director/Supervisor/Producer of the hit Broadway musical "Million Dollar Quartet" and the companion CMT dramatic series, "Sun Records." The time he spent in Memphis during the production of the TV series led to Mead's change of recording venue for his new album.
"I really delved into the Memphis music scene when I was living there for four months," he said. "I wanted to get as many local Memphis musicians to play in the series as possible. I got to know a lot of people in the scene, and I'd known producer Matt Ross-Spang for quite a while. When the 'Million Dollar Quartet' show was on tour, we came through Memphis a couple of times. At night, the cast would record at the original Memphis Recording Service (better known as Sun Studios) and that's where I first met Matt. He was very young but was the head engineer and really brought the old studio back into shape. I started hanging out with him, and he kept talking to me about cutting a record in Memphis."
By the time Mead was ready to record, Ross-Spang had earned a reputation as one of the top engineers and producers in the Americana and roots music scene, and had moved from Sun to Sam Phillips Recording, the Memphis studio built by Sun Records head Phillips in 1960. Ross-Spang has worked with John Prine, Jason Isbell and Margo Price. He notched the Grammy for engineering Isbell's "The Nashville Sound" and co-produced Price's debut, "Midwest Farmer's Daughter" and sophomore effort "All American Made" and engineered Prine's "The Tree of Forgiveness."
"I've recorded in some cool Nashville studios like the Quonset Hut, RCA Studio B, and The Castle," Mead said. "But there was something almost supernatural about working at Phillips. You could feel Sam's spirit."
"Matt wanted me to make a bigger record," Mead said, "something that was out of my box, and I was all for it. So I turned it over to him and he took things in a direction I didn't foresee."
The opening song, the hillbilly rocker "Big Bear in the Sky," is "Johnny Horton fronting the Sonics," according to Mead.
"The song is based on a Miꞌkmaq Indian folk legend about the Ursa Major constellation," Mead said. "I wanted it to be a Johnny Horton-style history ballad. I had recorded an earlier version for an anniversary album for the German reissue label Bear Family Records, but it wasn't quite where I wanted it. I wanted to rock it out in the studio and Matt pushed me to take it to an entirely new level."
"I really wanted to make a record that was a little bit different from what I had been doing," Mead said. "Looking back, I really have done that on every record I've made, because why make the same record every time?"
More news for Chuck Mead
CD reviews for Chuck Mead
Free State Serenade
Chuck Mead, best known for his successful start with BR549, takes us back to his home state of Kansas for a vivid look at what formed his mind and imagination as he grew up here. "Free State Serenade" opens the eyes of the listener to a wild eventful ride of good, bad, mixed in with some sad and downright crazy.
Mead rips through 12 songs here, mixing up his rockabilly, "A Short Goodbye" telling the story about leaving home to head out on his own, the western swing of »»»
Back at the Quonset Hut
Former BR549 member Chuck Mead's latest collection of country classics was recorded at the Quonset Hut, the legendary Nashville studio founded by Owen Bradley. Mead is at his best on up-tempo tracks such as Johnny Horton's Honky Tonk Hardwood Floor , Del Reeves' Girl On The Billboard and Hank Williams' Settin' The Woods On Fire.
Mead's rockabilly influence is on display with nicely done covers of Carl Perkins' Cat Clothes and Gene Vincent's Be Bop A Lula. »»»
Chuck Mead's first solo album, a Ray Kennedy production, is a testament to the power of co-writing, not to mention pub rocking honky tonk. Mead, who grabbed a deal with a Nashville songwriting publisher after BR549 took a hiatus a few years back, joined pens on all but one song here, a yodel-riffic cover of The Beatles' Old Brown Shoe.
The "co's" include Nashville wild man Trent Summar, who partnered with Mead for the nicely detailed story-song Up on Edge Hill, and »»»
Editorial: Walking the talk
When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Sweeney maintains her musical integrity
Sunny Sweeney has gone the big label route and even earned a hit with "From a Table Away," but truth be told, she's better off without the baggage of the bigs, especially given the consistent quality and musical vision that was so clearly and admirably on display on this evening.
When the East Texas native started her career, she was... »»»
Concert Review: Live, Shelley proves she's the real deal
After the concert, Joan Shelley was greeted by a fan at the near sold-out club who had never seen her before. The first timer told the Louisville, Ky.-based folk-oriented singer that she wanted to see for herself if Shelley's vocals were the real deal live.
The fan walked away mighty impressed -based on her comments - and it was easy to see why.... »»»
Follow Country Standard Time
Elsewhere in the news
Currently at the CST blogs
A lot of the early reviews for "American Love Song," Ryan Bingham's latest set of raucous and reflective Americana brilliance, have characterized it as the singer/ songwriter's most personal album to date.... »»»
After having huge success at the get go with "Redneck Woman," Wilson eventually went her own way and took a break. During her "hiatus," Wilson started her own label and was a "120 percent mom" to her teenage daughter.... »»»
A visit with Hayes Carll finds him taking a rare day off at home to discuss new album "What It Is" co-produced by Brad Jones and Carll's girlfriend, Allison Moorer. "This album works around three themes; our relationship (he and Moorer), the world and myself.... »»»
Dale (The Real Deal) Watson has been releasing hard country albums since 1995 and shows no signs of slowing down on his most recent release, "Call Me Lucky." This record marks his third effort recorded in Memphis, at Sam Phillips Recording Studio, with Watson's regular touring band, The Lone Stars.... »»»
Ride Me Back Home
Time may be an enemy to most, but Willie Nelson seems a bit impervious to its ravages - a fact made evident on "Ride Me Back Home," a relaxed affair that showcases Nelson's still-strong voice and his sharp-as-ever songwriting and interpreting abilities. »»»
The Prequel EP
The saying, 'Strike while the iron's hot,' applies to many situations, but especially to the music business. The scene moves so fast these days that this last year's star could be this year's 'Where are they now?' Luke Combs »»»
Between the Country
Ian Noe sings like a man wise beyond his years. Like Bob Dylan, back when he also started out as a young man, Noe has a vocal tone that rings true like the voice of experience. Beginning with "Irene (Ravin' Bomb)," »»»
Live at the Grey Eagle
Let's just say Amanda Anne Platt and her five-piece band The Honeycutters had home court advantage playing in their hometown of Asheville, N.C. in what is as warm a live album as you'll hear. »»»
Buckle up for a rollicking, joyful, adventuresome ride as Marty Brown drives flat-out down the straightaways and hugs tight the curves of the "American Highway." It's great to have Brown, who's written hits for Trace Adkins »»»
Daniel and Lauren Goans, the duo known as Lowland Hum, have always remained true to all their name implies, indulging in lowcast songs etched in a shoegaze motif. In that regard, their "Glyphonic" is really no differen »»»