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Keen hits the road

Thursday, February 14, 2019 – Robert Earl Keen is hitting the road in March and April.

Keen kicks off a new slate of full-band concerts with the Houston Livestock Show & Rodeo on March 17 and ends in Baton Rouge, La. on April 20 for a 20-date run. More dates will be added.

The shows are:
March 17 Houston, TX - Houston Livestock Show & Rodeo (with George Strait and Lyle Lovett) **
March 22 Ithaca, NY - Hangar Theatre
March 24 Philadelphia, PA - World Cafe Live
March 26 Alexandria, VA - The Birchmere Music Hall
March 27 Richmond, VA - The National*
March 30 Plano, TX - KHYI's Texas Music Revolution
April 6 Little Rock, AR - The Rev Room
April 7 St. Louis, MO - Off Broadway
April 8 Cincinnati - Memorial Hall
April 9 Charlottesville, VA - Jefferson Theater
April 10 Raleigh NC - Lincoln Theatre
April 11 Charlotte NC - The Neighborhood Theatre
April 12 Winston/Salem NC - The Ramkat
April 13 Savannah GA - Savannah Music Festival
April 15 Asheville, NC - Orange Peel*
April 16 Franklin Tn - Franklin Theatre
April 17 Franklin Tn - Franklin Theatre
April 18 Jackson MS - Duling Hall*
April 19 New Orleans LA - House of Blues
April 20 Baton Rouge LA - Varsity Theatre
* On sale Friday at 10 a.m. central

More news for Robert Earl Keen

CD reviews for Robert Earl Keen

Live Dinner Reunion CD review - Live Dinner Reunion
Talk about deja vu all over again, Robert Earl Keen's 'new' live album is a two-disc re-living, if you will, of the Texas singer-songwriter's "No. 2 Live Dinner," which was originally recorded in 1990. Performed again in front of an audience at John T. Floore Country Store in Helotes, Texas, "Live Dinner Reunion" includes many of Keen's best songs. It also features a few special guests, such as Lyle Lovett and Joe Ely. This guest list is a little »»»
Happy Prisoner: The Bluegrass Sessions CD review - Happy Prisoner: The Bluegrass Sessions
Texas songwriter Robert Earl Keen may be known for his storytelling style and rowdy country-folk, but with this new album he reveals his fondness for bluegrass jams while bringing along his usual band and adding special guests Danny Barnes, Sara Watkins, Lyle Lovett, Peter Rowan and Natalie Maines of The Dixie Chicks. If you're a contemporary bluegrass fan, prepare to be disappointed. Keen's voice isn't the typical smooth instrument of most genre stars, and the set list includes »»»
Ready for Confetti CD review - Ready for Confetti
If Robert Earl Keen had been noted for little more than being Lyle Lovett's neighbor/front porch jam pal at Texas A&M in the '70s and writing The Road Goes on Forever (from his 1989 sophomore album "West Textures") and Merry Xmas from the Family (from his 1994 album, "Gringo Honeymoon"), his status as a Lone Star legend would be well secured. Of course, those are mere bullet-point accomplishments at the top of a long and illustrious resume, and Keen is a Texas music »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Carlile takes her chances on feeling "Blue" – During a rare moment sitting at the piano and appropriately dressed in blue, Brandi Carlile paraphrased a memorable Joni Mitchell quote. Basically, it went that, if you listen to Joni Mitchell music and only picture Mitchell - but not yourself - something is wrong. While Carlile, who performed Mitchell's "Blue" album in its entirety for... »»»
Concert Review: The Head and the Heart go beyond the nah nahs – "Nah nah," "la la" and "Wee oh" populated a number of songs from The Head and the Heart. Yes, the Seattle-based band does pen a good amount of sing-along songs that were clearly designed that way. And while that style can certainly engage and energize a crowd, there was more to that from the sextet.... »»»
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