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Steve Azar joins Midas Records

Thursday, February 16, 2006 – Former Mercury artist Steve Azar, who had a hit with "I Don't Have to Be Me ('Til Monday)," is on new label Midas Records, the label announced Thursday.

Azar becomes the third signing for the fledgling label, which recently inked Emerson Drive and newcomer Lindsey Grant.

Azar's first project as a joint venture with his new label will be "Indianola," scheduled for a summer 2006.

Azar, 41, had a number 2 hit in 2001 with "I Don't Have to Be Me ('Til Monday)." He had a semi-hit with "Waitin' On Joe."

On "Indianola," Azar served as producer and writer/co-writer on all 14 songs. ExxonMobil will sponsor Azar's 2006 tour promoting the new CD.

Azar said in a statement, "I'm really looking forward to this partnership between Midas Records and my new imprint label, Dang Records. Both (Midas executives) Keith Follese and Brad Allen have given me the creative freedom I've always hoped for."

More news for Steve Azar

CD reviews for Steve Azar

Waitin' On Joe
It's been a long time since Steve Azar was heard from - a record at the failed River North label was the last time. But out of the shoot, the Mississippian is doing quite fine with a big hit single, but there is more than one catchy, but quality song on the full length. Azar, who wrote every song, many with producer Rafe Van Hoy, shines on "Damn the Money." The acoustically-based song , in effect, the guitar player, the bank teller and the story teller to live the way they want without worrying about greenbacks. »»»
Heartbreak Town
Steve Azar has the looks and voice, but he needs some different material. It's not bad, and the crowd at a live performance would be tapping their toes, but it's not strong enough to carry its weight on radio. The hooks just aren't there, and the riffs don't stick with you. This is definitely new country - more Billy Joel than Billy Anderson. Then you get to "As Long As Harley Gets To Play" with a killer lap steel; too bad he doesn't turn it loose. Imagine a fusion of Jim Croce and a mellow John »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Cantrell continues to satisfy – Laura Cantrell may never be a country star. Not at this stage of her career when she's 50, touring here and there and releasing new music every few years or so. But five albums in, Cantrell continues as a warm, enjoyable and worthy purveyor of her brand of country. That would mean going towards a more traditional side, not rushing the songs... »»»
Concert Review: Not only is Turner traditional, he's popular – Every time Josh Turner reached for some of those wonderful subterranean low notes, which he often pulled out during his enjoyable night show, it was like a superhero applying a superpower. He didn't need this extra advantage to please his audience; he has so many quality songs stockpiled in his catalogue already doing the job.... »»»
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