Sign up for newsletter
 

Bentley climbs "The Mountain" in June

Thursday, April 12, 2018 – Dierks Bentley's ninth studio album, "The Mountain" (Capitol Records Nashville), is dropping June 8.

Bentley co-wrote 10 of the 13 new tracks that range in style from rock to acoustic folk. The releases features tracks with Brothers Osborne and Brandi Carlile. Bluegrass aces Sam Bush, Jerry Douglas and Tim O'Brien all play on the disc.

The story behind the disc begins in Telluride, Col., which hosts a major bluegrass festival every summer. Bentley, who previously released a bluegrass-based album, has attended the festival multiple times over the years. But after performing on the festival's main stage in 2017 influenced Bentley's recording decision.

"I found myself there, constantly reaching for my guitar," Bentley said. "It was like a gravitational pull. That town and those people just make you want to be creative, I couldn't describe it. I was like 'How do I tell everyone in Nashville this is what I want to write about?' I realized I couldn't bring it back, so I had to take everyone out there."

Returning that August with six of his most trusted songwriting collaborators, Bentley and his fellow 'Telluwriters' all bunked up in a small house. They had five days to work with and were hoping to write eight songs, but wrote almost twice that number.

Bentley returned to Telluride with his production team Ross Copperman, Jon Randall Stewart and Arturo

"For me it's the best of both worlds, and it feels like something new. It's powerful but also happy, with acoustic sensibility mixed in with the big sounds I like to have for the road," Bentley said. "They are the songs I'd play for somebody to say, 'This is who I am right now.'"

The track list is:
1. Burning Man (Featuring Brothers Osborne)
2. The Mountain
3. Living
4. Woman, Amen
5. You Can't Bring Me Down
6. Nothing On But The Stars
7. Goodbye In Telluride
8. My Religion
9. One Way
10. Son Of The Sun
11. Stranger To Myself
12. Travelin' Light (Featuring Brandi Carlile)
13. How I'm Going Out

Bentley starts the 2018 Mountain High Tour on May 18 in Columbia, Md.

More news for Dierks Bentley

CD reviews for Dierks Bentley

Black CD review - Black
Dierks Bentley seems intent on expanding his musical boundaries, but he may have overreached too much in eschewing where he came from. That most evident by the dominating textured beats. Producer Ross Copperman and Bentley seem hell bent on injecting odd meters and sounds, sharp detours from past efforts. Unfortunately, the atmospheric beats muddy up the vocal delivery on "Freedom," a song that stretches far too long at almost four minutes. Bentley also channels U2 with its »»»
Riser CD review - Riser
Change was in store for Dierks Bentley when it came to recording his seventh album, "Riser." On the personal front, he lost his father and added to his family, clearly affecting the subject matter of his latest. On the musical front, he traded long-time producer Brett Beavers, producer of every disc except "Up on the Ridge," for Ross Copperman, who has enjoyed more success as a writer, including several previous tracks for Bentley. Bentley embraces current trends in country »»»
Up on the Ridge CD review - Up on the Ridge
Dierks Bentley takes a left, turn, sort of, on his fifth studio disc. Bentley has built a solid reputation as a country artist with a slew of hits and catchy songs with edge. But here, Bentley goes bluegrass or at least 12 songs steeped in that sound. This is nothing new for Bentley, who previously has recorded bluegrass songs. Much to his credit, Bentley does not come off as a dilettante, but, instead, someone who feels comfortable with the music from the lead-off title track to the closing sad »»»
Editorial: Walking the talk – When names like Hank Williams, Johnny Cash, Waylon and the Hag are invoked, you're talking hard core country. These are the touchstones of country , the guys who made country music what it was and still is (or maybe can be). When these folks would sing about being down-and-out and the rough-and-tumble, they knew of what they were singing about. Fast forward a few years to the country singers of today. »»»
Concert Review: Pistol Annies hit the targets – Pistol Annies, the all-star trio comprised of Miranda Lambert, Ashley Monroe and Angaleena Presley, made the last stop of its short tour a downtown Los Angeles date. This was the last show, that is, until after the pregnant Presley gives birth to her child. Traveling in support of the act's third album "Interstate Gospel," these talented... »»»
Concert Review: Williams brings the joy back – It's not as if Lucinda Williams has been idle. Far from it this year, but 20 years on, Williams decided to trot out her masterpiece "Car Wheels on a Gravel Road" as the centerpiece of her tour. Music and artist have held up exceedingly well. Williams had always been a well thought of performer, although she was not too big when it came... »»»
Follow Country Standard Time  Subscribe to Country News Digest  Follow Country Standard Time on twitter  Visit Country Standard Time on Facebook 

Elsewhere in the news

Currently at the CST blogs

Taylor uncovers the past, offering new perspectives Suffice it to say that the past has always loomed large throughout Chip Taylor's career. That's all the more obvious if only for the fact that Taylor wrote some of the biggest pop hits of the '60s, "Wild Thing"... »»»
Tyminski goes dark Dan Tyminski (known simply as "Tyminski" on his 2017 release "Southern Gothic") has traditional music roots and unassailable bluegrass street cred especially given his membership in Alison Krauss' Union Station. He is also a powerful songwriter and has been writing songs for himself and others for years now.... »»»
Washburn, Fleck create "Echoes" Bela Fleck and Abigail Washburn have powerhouse individual talents; each has followed an estimable career path to where they find themselves today: making complex, but spare, records, writing music together and touring with their son Juno. Their new release, "Echoes In The Valley" features mostly songs written by Fleck and Washburn, banjos, Washburn's strong vocals and very little else.... »»»
Christmas Everywhere CD review - Christmas Everywhere
Rodney Crowell's "Christmas Everywhere" is a (mostly) melancholy collection of songs, with Christmas time as its setting. It's a strong set of carefully worded tunes, set to widely varying musical backings.  »»»
Radio Hymns CD review - Radio Hymns
Songwriters Vanessa Olivarez and Elizabeth Elkins form the duo Granville Automatic, the name borrowed from a 19th Century typewriter. And, as you might guess, leaning on a name like that, they love to write about history. »»»
The Southern Ground Sessions CD review - The Southern Ground Sessions
Blackberry Smoke's "The Southern Ground Sessions" EP is five versions of songs from the band's recent "Find a Light" album, along with a cover of Tom Petty's "You Got Lucky," which also features vocalist/violinist Amanda Shires. »»»
Live at the Ryman CD review - Live at the Ryman
Jason Isbell didn't record this live effort at The Ryman Auditorium as a gesture to be country music's savior at The Mother Church of Country Music. The Alabama native's music is country-adjacent at best, more than it is traditional »»»
Chasing Butterflies CD review - Chasing Butterflies
Edward David Anderson is releasing his third solo album, having done five with Backyard Tire and three with Brother Jed. His solo efforts have been widely lauded, and this collection of tunes recorded in Muscle Shoals should bring plaudits too.  »»»
The Place That You Call Home CD review - The Place That You Call Home
The unusual name Ever More Nest is the project name for New Orleans-based, Shreveport, La.- raised singer-songwriter Kelcy Wilburn (aka Kelcy Mae). She has the poet's gift for lyrics and an engaging, lovely voice.  »»»